Digital CreativityÂ is a journal devoted to the intersection of the creative arts and digital technology. Concerned with both the practical and the theoretical, Digital Creativity offers a unique forum to researchers and practitioners involved in the interdisciplinary nature of making or using digital media in creative contexts. They include such disciplines as fine art, graphic design, illustration, photography,
printmaking, sculpture, 3D design, interaction design, product design, textile and fashion design, film-making, animation, games design, music, dance, drama, creative writing, poetry, interior design, architecture, and urban design.
Proposal for a special issue of Digital Creativity Vol 25 No 4
Call for papers
In this special issue, they explore the emergent practice known broadly as â€˜Arts & Ecologyâ€™, a set of practices in which arts practice engages with the natural world.
Practice might be issues-based or activist in nature, or may simply have a desire to reflect upon or engage directly with nature or ecology. This special issue of the journal seeks writers, theorists, practitioners, and other researchers who can reflect on this practice and on emerging and emergent uses of digital technologies within it. Can it be said that there is a new awareness of and a newly-emergent practice of nature writing? Are ecological artists using technologies in different ways? Do
ecological pressure impact upon how we use, develop and fuel our technologies? Can renewable energy play a part in a technological arts practice? Are digital technologies changing the ways in which people can engage with the natural world? How are cultural practices remixing the digital world with the more-than-human and other-than-human worlds? We welcome philosophical and/or theoretical reflection as well as detailed descriptions of practice or critique.
Abstracts are due on May 1, 2014
Short/long papers are due on: July 10, 2014
Final, revised papers are due on: August 23, 2014
Expected publication: November, 2014
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21â€²s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in LÃ¼neburg, Germany) and Rana Ã–ztÃ¼rk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Friends of the CSPA and all around fantastic Resource, Re-Nourish, has this exciting update:
As the Pepsi Refresh Everything competition draws to a close,* the three of us have been doing a ton of talking, reflecting, questioning, and planning (and the occasional heavy drinking). As with our previous foray into the world of social media popularity contests, weâ€™ve been grappling with the question of what is the best approach to accomplish what weâ€™re trying to accomplish? Which is, at itâ€™s most simple, to build an efficient organization tasked with making graphic design a more sustainable industry.
That aim has gotten more complicated as weâ€™ve gone through the planning and strategizing required for grant funding, legal paperwork filing, and so on. While a Refresh Everything grant would have opened a lot of doors for us, weâ€™ve also come to believe that our mission will be best served by now investing our energy into more actionable growth strategies.
The organizational plan
Re-nourish didnâ€™t start with some grand vision of changing the world. We started with three individuals who found each other because of our own inability to find the information we needed to make better decisions about our work. As we started answering our own questions and sharing resources, we realized there are a lot more people who might want and benefit from this information.
Our goal has always been, and remains, to provide good informationâ€”independent informationâ€”to those of you who want it, and to help you use that information to make better decisions in your design work. To do this effectively, weâ€™ve decided that we must remain independent ourselves. While weâ€™ll continue to work actively in the field as individuals, Re-nourish will become a nonprofit 501(c)3 organization. Being a nonprofit entity will allow us to work with the entire supply chain without the embedded risk of serving a private, commercial interest.
The programming plan
We want to be very careful about how we actually fulfill our mission. We donâ€™t want to reinvent the wheel (there are a ton of incredible organizations who do really great work in this area), and we donâ€™t want to just throw a bunch of stuff against the wall to see what sticks. Because our resources are so limited and our goalposts are so high, we need to work smarter, not harder. To this end, weâ€™ve identified three primary areas of work that we feel will most effectively accomplish our mission:
Deliver reliable, vetted information about sustainable graphic design practice and theory (much of which is still in its infancy) to graphic designers, design students, and educators.
Develop practical tools to make integrating this information into day-to-day design work easier.
Connect designers to their supply chain to facilitate idea exchange, innovation, and thus real change, throughout the industry.
The challenge with all this, which is the same for most young organizations, is that of resources. That weâ€™ve come this far without any formal funding, and with each of us working full time, is a testament to how important this stuff is to each of us. Either that, or itâ€™s a testament to our psychosis.
The Pepsi competition represented an opportunity for us to shift from labor of love to structured organization. It seemed appropriate to choose a platform like Refresh Everything because everything weâ€™ve done so far has been out in the open, with the engaged support of our fans and users. And regardless of where we placed (in the top 5% of projects, it might be worth pointing out), we feel the Pepsi campaign has been incredibly successful.
But now, we turn our attention forward. Weâ€™ll be spending the coming weeks writing our articles of incorporation and bylaws, building a board of directors to provide appropriate oversight, and developing specific programming strategies for the short and long term. Once the paperwork is filed, we'll begin a more traditional fundraising program, which will involve both grant seeking and turning to individual donations to help fuel our efforts. We expect this process to be somewhat slow going. We intend to be more consistent in terms of keeping everyone updated on our progress and specific plans.Â We also want to be very careful about how we handle fundraising, because we don't want to alienate the very people who have already shown us so much dedication and love.
Finally, as always, we want to thank everyone who has lent their support, shared their ideas and opinions, and offered help. Please, please continue to do so. If you would like to be involved in Re-nourishâ€™s organizational growth, please email us at info (at) re-nourish (dot) com. And please, feel free to share your thoughts about this process in the comments below.
*We should point out that because we placed in the top 100 projects, Pepsi has automatically rolled our project into this month's competition. This means that if you'd like to, you're still more than welcome to vote for us each day of March.
We recently found Renourish (http://www.re-nourish.com). From their site: “Renourish is a resource for the graphic design industry. When green design is usually discussed, most people think of buildings, products or even cars, but what about packaging? Shouldn’t magazines, business cards, brochures and websites be green? At renourish, we’re helping to start the conversation on green graphic design by providing defintions, tips, and links to sustainable resources designers can use to make their work a little greener.”
While Renourish is an excellent resource for graphic designers, it is also a resource for those of us that require graphic design. I’m a big advocate of graphic design and using graphic designers. They are experts in clear and inventive communication from way-finding (signage) to brochures and on and on, visual coding is an important part of an effective communicationÂ strategy. Reframe that as a marketing strategy and you’ve got why we think this is going to be a great resource for you an your practices. If you’re looking for sustainable choices for printers, papers, inks and so on, please check them out. We’ll put a link up and you’ll always have a way to find them.