Filmbase, in Dublin, is presenting climate.culture.change,  a series of films from six European countries, and discussions, through 12 June on culture and climate change. A collaboration between Cultivate and the EUNIC European cultural partners: Goethe Institut, British Council, Austrian Embassy, Alliance Française and the Italian Institute of Culture, with additional funding from the European Commission, this film and discussion series is a lead-up to Rio +20, the 20th anniversary of the Earth Summit in Rio de Janeiro.
“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK†(2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Orientation for Cultural Cooperation Between China and Europe
Free download link at the end of this post !
As a result of the project EUROPE-CHINA CULTURAL COMPASS, a publication is now available, addressing the question of intercultural communication and cooperation. In the framework of an ongoing dialogue between China and Europe, the project was generated from an initiative by partners of EUNIC (European Union National Institutes for Culture) in China, the Goethe-Institut, the British Council, and The Danish Cultural Institute.
Alongside with a glossary with selected intercultural key-vocabulary, the Compass includes knowledge about the way of working and the cultural background of both countries.
It is intended to make a contribution to the understanding of cultural differences in order to facilitate and improve the cultural cooperation and is targeted both at European and Chinese readers. Exchanges and co-productions between European and Chinese practitioners in all fields of creative culture are supposed to be fostered.
The publication EUROPE-CHINA CULTURAL COMPASS can be seen as an essential tool for further collaboration and as a prelude to the coming Sino-European Year of Intercultural Dialogue. It makes relevant perspectives for cultural cooperation available for European and Chinese stakeholders serves as a knowledge base for cultural managers and players.
Instead of intending to be a ready-made toolkit, it is rather aimed to give an impulse for further exchanges of experience.
EUROPE CHINA CULTURAL COMPASS was commissioned by EUNIC (European Union National Institutes for Culture).
You are able to download the publication for free here:
http://www.eunic-online.eu/node/445
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Free resource to help creative industries tackle climate change and understand their role in creating a more sustainable society now available online
Creative industries can play a fundamental role in developing a sustainable future for the planet, both by addressing the direct impact on the environment from their own practice, and through the influential impact their work could have within society.
But for many working in the arts, addressing these complex issues can be a daunting task. A new initiative based in Wales is encouraging creative practitioners to take direct action to develop a sustainable future for the planet, and by bringing together scientists and artists, the project is helping drive the issue of sustainable practice within the arts to the forefront of the political agenda within Wales.
The project, entitled ‘Emergence’, began as a collaboration between Swansea based theatre company Volcano and Cynnal Cymru-Sustain Wales, supported by Arts Council Wales and The British Council. In 2010/11 The arts community in Wales attended three major events to raise issues, discuss alternatives, and suggest practical solutions for a more sustainable future.
The series of conferences focused on creating an impetus for change within the arts, challenging practices and motivating artists and creative companies to discuss and develop practical solutions to reduce their environmental impact. In addition, the project encouraged artists to consider the role of the arts in influencing behaviour, and how they can begin to inspire change within society through their work.
The project has recently published a conference report in an engaging and informative 30 page document. This ‘Emergence’ document is now openly available as a free download, both in English and Welsh, and provides an invaluable resource for all those working in the arts, and anyone interested in the development of sustainable practice within this field.
The document can be downloaded online through the Volcano website here:
The Emergence document collates inspiring and educative transcripts from expert speakers on the subject of climate change, fair resource use, well being and the transition towards a more connected sustainable society.
From scientist Jean Boulton to the artistic director of National Theatre Wales, John McGrath, the pioneering talks documented within ‘Emergence’ provide inspiration, information and practical ideas for artistic practitioners, venues and companies alike.
The value of the project and the report has been widely applauded, Louise Wright from British Council Wales says ‘Emergence has worked from the ground up…it has been a creative catalyst’.
The conferences have already kick started investigations into current practice – a study by Cardiff University measuring the environmental impact of ‘Night Out’, an Arts Council Touring Scheme, was initiated by Arts Council Wales following the conference. During the launch event major key players such as The Wales Millennium Centre and Welsh National Opera agreed on the creation of a focus group to look at sustainable practise within these flagship organisations, actively supported by the Theatres Trust and Julies Bicycle. In addition many individual delegates have changed behaviour and implemented new strategies to reduce their environmental impact, as the project continues to gather focus and momentum within Wales and beyond.
As a result of the Culture|Futures Conference in Sao Paulo May 30th 2011, the following key Sao Paulo institutions; British Council, Centro Cultural da Espanha, Centro Cultural São Paulo, Crie Futuros, Instituto Cultural da Dinamarca, Instituto Cultural Italiano, Instituto Goethe, Virada Sustentável, Serviço Social da Indústria (SESI), Universidade Aberta do Meio Ambiente e da Cultura da Paz (UMAPAZ) have united a group called EcoAçãoCultural, which will join forces the 25-26 of November to  discuss sustainability. The seminar will deal with the questions of how the institutions can implement sustainability in their own daily work and how they approach culture, artistic and social work in a sustainable way.
The themes to discuss at the seminar will be:
The way we live
The right ways of organizing a sustainable platform
Cultural/Creative economy
Creative networking and art production
At the seminar there will be speakers from Brazil, Portugal, Spain, Germany and United Kingdom.
Venue of seminar 25-26th November at Centro Cultural Sao Paulo, Sala de Oficinas Tarsila do Amaral – Piso Caio Graco.
For further information and indication of interest go to www.culturefutures.ning.com or contact:
Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.
The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.
Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures
Workshops for cultural managers and practitioners
31 May 2011
Venues: Goethe Institute, British Council & Centro Cultural da Espanha em São Paulo
Organized by:
Culture|Futures and the City of São Paulo in cooperation with
C40 cities, EUNIC Brazil, Danish Cultural Institute, Spanish Culture Centre/AECID, British Council, Goethe Institute, Crie Futuros, Arup and other partners at the occasion of the World Summit of the Large Cities Climate Leadership Group (C40)
Conference Program
Eco-Leadership by Cultural Institutions - May 30th 2011, Cultural Centre of São Paulo
Aims and objectives
The overall aim is to foster cultural actions for the transition to an Ecological Age by 2050.
The objectives are:
To inspire cultural institutions in São Paulo to consider new eco-social practices and leadership.
To provide international mutual inspiration and exchange on the vision of an Ecological Age and how cultural institutions in their normal own practice can provide eco-leadership.
To mark the initiation of a new global network for large cultural institutions on eco-leadership.
Program
MC: Wellington
8:45 – 9:15 Arrivals and registration
9:15 – 9:30 General explanation about Culture|Futures, the conference & workshop programs and the whole process
•Olaf Gerlach-Hansen, Director of Culture|Futures.
9:30 – 10:00: Opening Address
EUNIC President Ana Paula Laborinho
Ministry of Culture Secretary Marta Porto
City of São Paulo Cultural Secretary CALIL
10:00 – 11:30: Global Key Notes on Connecting Culture and Ecology
Mark Watts, Arup (expected): International key note on Entering an Ecological Age.Mark Watts is managing the C40 team in Arup, advising cities around the world on sustainable urban development. His presentation is based on a research done on what the global transition to an ecological age, will require for cities around the world.
Lala Dehenzelin: South-South key note on the Creative Economy and sustainability.Lala Dehenzelin is UNDP Special Advisor on the Creative Economy South – South Programme, founder of Cries Futuros and has a background in arts and culture.
Questions & Answers
11:30 – 12:30: Lowering carbon and ecological footprint and benefitting from it
Moderator: Ricardo Voltolini (tbc)
Justine Simons, Head of Culture, Greater London Authority: The creative industries green programme in the context of the London Mayor’s Cultural Strategy. The experience of working with the creative sector to lower carbon footprint through goals, practical guides, tips etc. So far with sub-sectors of music, visual arts, film, theatre and now fashion and others coming.
Danilo Santos de Miranda, Director SESC São Paulo (tbc): The experience of SESC São Paulo on lowering carbon and ecological footprint in their centres
Question & Answers / dialogue with audience on greening cultural sector based on experiences of institutions in different disciplines.
LUNCH: 12:30 – 14.00
14:00 – 15:00: Re-thinking culture/nature and communication with audiences
•Janek Müller, fmr. theatre director, current curatorial team-member and dramatic adviser for the Über Lebenskunst festival. Über Lebenskunst is a project initiated by the German Federal Cultural Foundation in cooperation with the Haus der Kulturen der Welt, Berlin.
Ana Dip, Somos um Só Project
Q & A/dialogue with panel from Sao Paulo/international persons on connecting cultural content and communication with ecology
15:00 – 16:30: Culture – Ecology and Community
Moderator:Â Felipe Chaimovich, curator from MAMÂ (tbc)
Philip Vencken, architect advising founder of Cradle to Cradle, Baumgartner.Introduction on applying cradle to cradle approach to city/community development. Dutch cities are now leading this worldwide
Hernani Dias, artist, founder of “re:farm the cityâ€. Refarm the city (aka re:farm) is a collective project started and led by Hernani Dias with the purpose of developing open source software and hardware tools for urban farmers. Its now linking groups in Barcelona, Lisboa, Buenos Aires, New York and Beijing.
Questions & Answers/dialogue with panel from SP/int‘ on how culture can be part of community, city, regional or sector greening programs
16:30 – 17:30: Closing panel on the power of culture for green growth
Apresentacao dos workshops – MC
Olaf Gerlach-Hansen – Presenting Culture|Futures global eco-leadership network for cultural institutions and cities
Eduardo Jorge, Secretaria do Verde (tbc)
Ricardo Resende, Director of Cultural Center of São Paulo
17:30 – 19.00 Reception and social networking
Please note program is subject to change
Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.
The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.
Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society. Go toThis post comes to you from Culture|Futures
Long Horizons is a collection of personal reflections about art, artists and climate change. Commissioned by the British Council working with Julie’s Bicycle the piece includes contributions from Antony Gormley, Jay Griffiths, Professor Tim Jackson, Professor Diana Liverman and KT Tunstall.
Click here to download Long Horizons as a pdf.
Antony Gormley’s essay appears in The GuardianReview on Saturday February 13th.
Click here to read a blog post on Long Horizons by Michaela Crimmin, Director of Arts, RSA.
Arts, Climate Change and Sustainability
Climate change is one of the defining issues of the age. It is affecting, or will affect, everyone on the planet, though differences in infrastructure and locality profoundly affect vulnerability. One size will not fit all and local communities will need to find creative solutions that respond to their specific vulnerabilities and needs. The impact of climate change will be social and cultural as well as environmental and economic, and solutions need to be social and cultural as well as technical and scientific.
Arts, Climate Change and Sustainability is a British Council programme aimed at harnessing the inspirational qualities of the arts, along with the trust felt towards artists, to demystify and energise the debate about climate change. By energising and invigorating others, it will help find creative and local solutions to the challenge of climate security and encourage the necessary behavioural change in the UK and internationally. Art and artists can help move the climate change agenda from intellectual understanding to emotional engagement, and then on to action.
Just as the challenge of climate change is international and inter-connected in nature, so is the global arts market, and any attempt to create change needs to happen on a global scale. The British Council, with its vast network, is one of the very few agencies able to create dialogues and communities of interest around this subject with leaders and opinion-formers in governments, funding agencies, NGOs, and our cultural analogues in the UK and worldwide. These institutions and individuals share an interest in the support and promotion of their artists’ work, and we will work with them to strengthen understanding of the role that artists can play in the fight against climate change, and the need to support and encourage that role. This will include working together to facilitate sustainable practices around the international presentation and touring of art and artists.
Orientation for Cultural Cooperation Between China and Europe
Free resource to help creative industries tackle climate change and understand their role in creating a more sustainable society now available online
