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With searchable artwork themes such as â€˜Atmosphereâ€™, â€˜Energyâ€™, â€˜Renewal & Regenerationâ€™, and â€˜Waste, Recycling, Consumptionâ€™, a new â€˜Curating Citiesâ€™ database was launched on 30 August 2013. It maps â€œthe increasingly important and emerging field of eco-sustainable public art.â€
The â€˜Curating Citiesâ€™ database is developed as a resource for researchers, academics, artists, curators, educators, commissioning agencies and sponsors working in the field as well as those interested in promoting sustainability via public art.
In addition to descriptive information, the database evaluates the aims and outcomes of each project as well as the external constraints (and subsequent negotiations) that influence the production of public artworks.
Curating Cities is an Australian Research Council funded Linkage project led by Professors Jill Bennett and Richard Goodwin, and Chief Curator Felicity Fenner of the National Institute for Experimental Arts (NIEA) at the University of New South Walesâ€™ College of Fine Arts.
Linkage Partners: City of Sydney, Object: Australian Centre for Design, Carbon Arts, University of Cincinnati.
Research Team: Jill Bennett, Felicity Fenner, Richard Goodwin, Jodi Newcombe, Adrian Parr, Margaret Farmer and Kerry Thomas.
Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.
The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.
Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open peopleâ€™s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sectorâ€™s stories maintain the trust of people and society.
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