Lars Jan’s HOLOSCENES is an epic public art and performance installation that is a visual, visceral response to climate change. Presented in public space, the centerpiece of HOLOSCENES is a large aquarium that floods, drains, and floods again by way of a hydraulic system that moves 12 tons of water in a minute. The aquarium is inhabited by a performer conducting one of many everyday behaviors sourced from collaborators across the planet.
We can’t wait to see how this project evolves. It is a bold, thoughtful response to an issue we will all undoubtably face- and perhaps currently fear. You can help support this incredible work by visiting theHOLOSCENES Kickstarter.
Sydneysiders and visitors to the Harbour City can explore the impact of climate change on island communities through this large-scale performance installation by Tongan Islander, Latai Taumoepeau. Large blocks of ice, suspended using traditional Tongan architectural lashing techniques for binding, will draw connections between melting ice glaciers and rising sea levels. Lanai says that she attended the UN Climate Change Conference in Bali in 2007, and thereafter decided to “extend the voice of our invisible pacific people through my artistic practice.”
Â In her own words… “My name is Latai Taumoepeau, I am a performance artist with a new performance installation campaign called i-Land X-isle. It is about the impact of climate change on vulnerable indigenous communities from the arctic to coastal low lying islands. My body will be bound by rope to a 2 tonne block of ice to parallel the experience of already impacted people of human induced climate change to a form of water torture, that is imposed by developing countries. It will be live and a durational performance over 2 days.
I humbly invite you… to use my public art spectacle as a platform to raise wider awareness of communities already impacted by human induced climate change and instructions of how ordinary citizens can change to minimise and cease harm to Australia’s nearest coastal neighbours all the way to the Arctic.”
Faka’apa’apa Atu (with respect), Latai Taumoepeau
When: 26 & 27th May 2012
Time: 10am – 12noon & 2pm – 4pm
Where: Museum of Contemporary Art – Circular Quay Sydney.Â
David Harradine is an artist working across performance, installation, publication and film, and is Artistic Director of Fevered Sleep. His metaphor for sustainability conveys his love for the transformations of soil.
We donâ€™t even know what to call it, whether itâ€™s soil or earth or dirt. ‘Earthy’ seems nourishing, homely, but we generally donâ€™t like things that are dirty or soiled. Dirty implies sex, which is getting to the heart of the matter: productiveness, creation, fecundity.
I keep an allotment in Hackney, inner London. For seven years Iâ€™ve been digging kitchen waste into the ground, applying horse shit gathered on Leyton Marsh, and bagging up leaves from the London Plane trees by the childrenâ€™s playground, waiting for them to break down into humus (brown nectar, nourishment, life). This soil, heavy London clay, grey brown, full of pebbles: this is sustainability. Itâ€™s what sustains me.
Everything I know about gardening â€“ a knowledge that resides in my fingernails, the callouses on my palms, the ache in the small of my back, the blunt edge of my spade, and the dirty Tupperware box in which I keep my seeds â€“ I learned in a garden in Yorkshire when I was a child. My grandfather was a market gardener. We grew gladioli, tomatoes, chrysanthemums, dahlia, potatoes and the spring onions for the market in Leeds. I remember one afternoon, my fingers stinking of tomato plants, when I asked him if one day the garden would be mine. I could not imagine how the life could continue without it. The very idea of family took root in that garden, with our hands and spades in that dark, scented, sensual soil; knowledge sown like seeds from generation to generation.
Soil: mineral structure fleshed out with the detritus of life and death. Wondrous recycler. Transformer of things into other things. As a child, it was unfathomable and miraculous to see the yellow-white flower of a double-headed chrysanthemum be created from heavy black soil.
Working my allotment in Hackney, I pull on the rake I brought from my grandfatherâ€™s garden. I have started to plan what I will do when my parents die, when that garden may no longer be ours. I think I will sack up some soil and bring it to London, because it carries time in it, and memory in it, and it carries my family in it, and I was grown in it. And I am sustained, here in the city, by the memory of the texture of it and the smell of it. And by the life, the life, the life that turns on an infinite cycle in the hidden dark depths of it.
â€œashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UKâ€ (2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Featuring sound selections by Luc Meier with exhibition artists Jorge Bachmann, Agnes Szelag, Ben Bracken, Alan So, Suzanne Husky, Sam Easterson, Alyce Santoro, Reenie CharriÃ¨re, Vaughn Bell, Elin Ã˜yen Vister, Jessica Resmond
In Soundwave Festivalâ€™s most ambitious presentation ever, Green Sound mounts a special month-long exhibition and performance residency at The Lab. The Illuminated Forest is an imaginary world inside the gallery walls of San Franciscoâ€™s preeminent experimental art space that features a large immersive multi-media and interactive exhibit and performance installation from the collaborative minds ofÂ Agnes Szelag, Ben Bracken, Jorge Bachmann andÂ Alan So, and environmental artist works byÂ Vaughn Bell, Alyce Santoro, Sam Easterson, Reenie CharriÃ¨re, Suzanne Husky, Elin Ã˜yen Vister, andÂ Jessica Resmond.
The main installation is manufactured by projections, sensors, MAX/MSP, sound, sculptural shapes and light/shadow where visitors become its inhabitants and part of its ecosystem: their presence activates both visual and auditory sensations, and leaves an imprint on the environment long after they are gone. It demonstrates our own connection to the environment and how we are all interconnected. Our presence in the environment affects this space and is forever changed (for better and for worse) with our temporal presence. This experiential exhibit actively reminds people what we do has impact: on our own lives, on others, and the world around us, both in the present and the future. It is a human reminder of the life existing outside our urban borders, its importance, and the power it can play in our lives while raising questions about a natural world lost.
The Forest will host experiential performances by some of the most compelling local, national and international artists and musicians. Inspired sound purveyors from across the sonic spectrum will explore themes of reinvention and recycling, real and imagined natural environments and creatures, endangered species, water, environmental awareness and responsibility, plantlife/animal life, and other artist imaginations.
In various eddies around the forest, artists re-imagine a place with Suzanne Huskyâ€™s textile trees and soft rocks, Sam Eastersonâ€™s animal-borne imaging, Vaughn Bellâ€™s moving and wall mountains, Alyce Santoroâ€™s Sonic Fabric, Jessica Resmondâ€™s birds nests, Reenie CharriÃ¨reâ€™s Washed Up waterfall and Elin Ã˜yen Visterâ€™s Soundscape RÃ¸st installation on the birds of RÃ¸st archipelago in northern Norway.
Join us in celebrating the opening of The Illuminated Forest featuring sound selections byÂ Luc Meier.
Born in Vevey, Switzerland,Â Luc Meierhas entertained an actively peripheral relationship to sound over the past decade. As a journalist, he has reported on contemporary music practices for magazines, newspapers and websites in Switzerland and elsewhere. At the same time, he has helped stage musical encounters and events in Switzerland, Japan, Korea and the U.S. Luc currently manages the art + technology programs of swissnex San Francisco (www.swissnexsanfrancisco.org) and has organized several sound art events in this capacity. Along the way, Luc has occasionally provided background music for the tinnitus crowd, with DJ-sets showing a clear bias towards accidental coherence over planned linearity. His collages typically run the gamut from the inaudible edges of electro-acoustics to Mexican techno via a shabby gotha of wayward tunesmiths and hauntologists. http://www.swissnexsanfrancisco.org/
Jorge Bachmann is a photo-based, multimedia and sound artist. He has collected field recordings exploring the strange, unique and microcosmic sounds of everyday life. He creates sound atmospheres meant for deep listening and often composed in symbiosis with the sculptural installations exploring social and sensual constructs and experiences. [ruidobello] has exhibited and performed in North America, Europe, Japan and South America for the San Francisco Electronic Music Festival, MoBu Dance Group, and Soundwave Festival, amongst others. He has been Soundwaveâ€™s Technical Director and Resident Artist since 2005.
Agnes Szlegâ€™s music, video and installation art has been featured in national and international festivals, on the radio, television, and in podcasts. Whatever medium she is working in, Agnes creates work which focuses on change and transformation â€“ the glue can be as important as the pieces it holds together. Agnes received her MFA in Electronic Music and Recording Media from Mills College and her BA in Radio/TV/Film from Northwestern University. Her solo EP No Summer or Winter on Aphonia was hailed as â€œa distinctive voice in the electro-acoustic fieldâ€ by Textura, and â€œgorgeousâ€ by XLR8R. Agnes currently lives and works in the Bay Area. http://www.aggiflex.com/
For the past 15 years,Ben Bracken has been creating a unique sonic language utilizing electronics, acoustic sound sources, guitar, and field recordings. Interested in the possibilities of echo-relocation in sound-based art, his work has oscillated between performance and installation, often blurring the lines between the two. The location of the event becomes an active participant, intimately shaping the nature and direction of each work. In the spring of 2006, Ben received his MFA in Electronic Music from Mills College. He currently resides in Oakland, CA and works at Cycling â€™74, the developers of Max/MSP and Jitter.
As an artist, designer, producer and curator,Alan So has created and supported innovative art for over 15 years. Alan founded MEâ€™DI.ATE in 1998 to provide a forum for diverse artists to showcase works to a world in desperate need of innovative ideas. In 2002 he began his exploration of sound as an artistic medium and, in 2004, launched the Soundwave festival. Soundwave has been featured in numerous media outlets, including San Francisco Magazine (Best of 2007 Award), Resonance FM (United Kingdom), PBS, and BBC. Alan has exhibited his work in the US and Canada and is concerned with issues of identity, social structure and place with an interest in the experimentation of form and concept. He has organized exhibitions and events Online, in New York City, the San Francisco Bay Area and his native Canada where he received his BDesign from Emily Carr Institute of Art and Design. http://www.me-di-ate.net
Bay Area multimedia artistÂ Suzanne Huskyobtained her MFA from Ecole des Beaux- Art of Bordeaux and has participated in artist residencies in Europe and the United States. Her art addresses environmental problems related to the exploitation of natural resources, landscape use and globalization. Suzanneâ€™s sculpture, drawings and photography question the environmental, social and political agenda of the mainstream media. Her work observes and analyses in an inventory form that allows the nature of the subject to unveil and reveal its complexity. In the Bay Area, her work has been exhibited at the de Young Museum, Southern Exposure, Intersection For The Arts, The Lab, Headland Center for the Arts. http://www.suzannehusky.com/
As a video naturalist,Sam Easterson is best known for his animal-borne imaging. His work has been exhibited in numerous museums, including the Whitney Museum of American Art, and featured on television networks, including the Sundance Channel and CBSâ€™s Late Show with David Letterman. Sam also works as a museum professional; recently he developed video content for the Schad Gallery of Biodiversity at the Royal Ontario Museum. A graduate of The Cooper Union, he also received an MS in Landscape Architecture (University of Minnesota), and has received grants from the Durfee Foundation, the Creative Capital Foundation, and others. Sam is a recipient of the prestigious Louis Comfort Tiffany Prize. http://www.sameasterson.com/
Alyce Santoro, an internationally noted conceptual and sound artist with a background in science and scientific illustration, is a kind of archivist â€“ a compulsive collector of snippets of the natural environment (auditory and otherwise) â€“ who incorporates her specimens into her art. Her multimedia â€œphilosopropsâ€ and â€œsubtle reality technologiesâ€ employ sound and video, assemblage, and performance as part of a grand investigation into everyday phenomena. Santoro is best known as the inventor of SONIC FABRIC, an audible textile woven from recycled audiocassette tape. SONIC FABRIC has been the source of exhibitions and performances in museums, festivals and galleries around the world with features from the New York Times to the Sundance Channel to People Magazine. Her works are in private collections of the Museu dâ€™Art Contemporani de Barcelona, FIT Museum New York, FIDM Los Angeles and that of Phish percussionist Jon Fishman and legendary performance artist Laurie Anderson.
Reenie CharriÃ¨re: I am an investigator of the environment surrounding my everyday actions. Art is a way to be present and reveal what may be blurred and discarded. I am a tourist wherever I go. I invite others to tour unadvertised locations, which may be right around the corner. I am most interested in the potential of under-noticed sites, and the juxtaposition of what is natural to what is synthetic. I look for what has gathered over time, and what continues to develop. Light, and line motivate the way things are situated in space. Living in the West but not being originally from here has broadened my sense of vastness and the potential of open spaces. Being overly curious and having my studio in Jack London Square has led me to collect from the Oakland estuary and compelled me to experiment with what is there, the tides, the salty water, and the tremendous washing up of plastic. I am deeply concerned about the pollution accumulating all around me. As a mixed media artist my work may take on a multi-sensory form in sculptural installation amplified by video or digital projections.
Vaughn Bell creates interactive projects and immersive environments that deal with how we relate to our environment. She has exhibited her sculpture, installation, performance, video and public projects internationally. Most recently, Vaughn created a commission for Massachusetts Museum of Contemporary Art and another for the Edith Russ Site for New Media Art in Oldenburg, Germany. Her work has been featured in Artnews, Afterimage, and Arcade Journal, among others. Vaughn received her MFA from the Studio for Inter-related Media at Massachusetts College of Art in Boston, MA and her undergraduate degree from Brown University. She currently is based in Seattle. http://www.vaughnbell.net
Child of Klang akaÂ Elin Ã˜yen Vister is a Norwegian sound artist and composer. She has studied sound engineering, music technology, and popular musicology in Norway and England. She is also known under the alias DJ Sunshine, one of Norwayâ€™s most versatile and eclectic DJÂ´s. She was one of the pioneers on the Norwegian drumÂ´nÂ´bass scene in the 90Ães. She has organized, curated and run festivals, festival programs and club programs nationwide and she has played records all over the world from Svalbard to Costa Rica. http://childofklang.wordpress.com http://www.myspace.com/childofklang
Jessica Resmond is a French American artist who received her BFA from California College of the Arts, San Francisco. Resmondâ€™s work is conceptual and tactile. Its main interest lies within the existing tensions between biological rhythms & organisms, and the fast pace technology/economy driven global landscape. With a scientific background in molecular biology and a deep interest for natureâ€™s ever evolving creative designs, her process, is one of constant research. Borders and boundaries are where exchanges take place, where transformation is possible and new understanding arise. Her work includes site specific installations, interactive or multimedia sculptures and experimental collaborations.
via Soundwave Festival ((4)) Green Sound Â» July 9.