Our issue on Science/Art features a preview of the CSPA Fusebox Festival study, writing from Sarah Moon and Alyce Santoro, a report from Moe Beitiks on the first annual Moscow Science Art Conference, and an excerpt from Lina Weintraub’s new book. Through this issue, we explore the connection and complex relationship that exists between science and art.
Includes:Â Alyce Santoro,Â Amanda Gartman,Â Fusebox Festival,Â Linda Weintraub,Â Meghan Moe Beitiks,Moscow Science Art Conference,Â Sarah Moon
Kim Abeles, Jonah Brucker-Cohen, Frau Fiber, Garnet Hertz, Justseeds Artistsâ€™ Cooperative, Seth Kinmont, Liza Lou, David Prince, Mark Newport, Alyce Santoro, Shada/Jahn (Steve Shada and Marisa Jahn), Eddo Stern.
Inspired by the cultural currents represented in the popular magazines MAKE and CRAFT published out of Northern California, MAKE:CRAFT includes contemporary artists who combine handmaking and building techniques to create, engineer and hack unique, mostly functional devices, objects, machines and accessories; making either a sociopolitical statement, creating new markets for individual styled products, or creating inventive ways to experience the tactile world, non-virtual, the â€œreal.â€
The exhibition is guest curated by Patricia Watts, founder and west coast curator of ecoartspace, who feels that recent trends in the DIY (Do-It-Yourself) movement of making and crafting have empowered contemporary artists and designers to create more socially relevant work that supports sustainable communities.
Featuring sound selections by Luc Meier with exhibition artists Jorge Bachmann, Agnes Szelag, Ben Bracken, Alan So, Suzanne Husky, Sam Easterson, Alyce Santoro, Reenie CharriÃ¨re, Vaughn Bell, Elin Ã˜yen Vister, Jessica Resmond
In Soundwave Festivalâ€™s most ambitious presentation ever, Green Sound mounts a special month-long exhibition and performance residency at The Lab. The Illuminated Forest is an imaginary world inside the gallery walls of San Franciscoâ€™s preeminent experimental art space that features a large immersive multi-media and interactive exhibit and performance installation from the collaborative minds ofÂ Agnes Szelag, Ben Bracken, Jorge Bachmann andÂ Alan So, and environmental artist works byÂ Vaughn Bell, Alyce Santoro, Sam Easterson, Reenie CharriÃ¨re, Suzanne Husky, Elin Ã˜yen Vister, andÂ Jessica Resmond.
The main installation is manufactured by projections, sensors, MAX/MSP, sound, sculptural shapes and light/shadow where visitors become its inhabitants and part of its ecosystem: their presence activates both visual and auditory sensations, and leaves an imprint on the environment long after they are gone. It demonstrates our own connection to the environment and how we are all interconnected. Our presence in the environment affects this space and is forever changed (for better and for worse) with our temporal presence. This experiential exhibit actively reminds people what we do has impact: on our own lives, on others, and the world around us, both in the present and the future. It is a human reminder of the life existing outside our urban borders, its importance, and the power it can play in our lives while raising questions about a natural world lost.
The Forest will host experiential performances by some of the most compelling local, national and international artists and musicians. Inspired sound purveyors from across the sonic spectrum will explore themes of reinvention and recycling, real and imagined natural environments and creatures, endangered species, water, environmental awareness and responsibility, plantlife/animal life, and other artist imaginations.
In various eddies around the forest, artists re-imagine a place with Suzanne Huskyâ€™s textile trees and soft rocks, Sam Eastersonâ€™s animal-borne imaging, Vaughn Bellâ€™s moving and wall mountains, Alyce Santoroâ€™s Sonic Fabric, Jessica Resmondâ€™s birds nests, Reenie CharriÃ¨reâ€™s Washed Up waterfall and Elin Ã˜yen Visterâ€™s Soundscape RÃ¸st installation on the birds of RÃ¸st archipelago in northern Norway.
Join us in celebrating the opening of The Illuminated Forest featuring sound selections byÂ Luc Meier.
Born in Vevey, Switzerland,Â Luc Meierhas entertained an actively peripheral relationship to sound over the past decade. As a journalist, he has reported on contemporary music practices for magazines, newspapers and websites in Switzerland and elsewhere. At the same time, he has helped stage musical encounters and events in Switzerland, Japan, Korea and the U.S. Luc currently manages the art + technology programs of swissnex San Francisco (www.swissnexsanfrancisco.org) and has organized several sound art events in this capacity. Along the way, Luc has occasionally provided background music for the tinnitus crowd, with DJ-sets showing a clear bias towards accidental coherence over planned linearity. His collages typically run the gamut from the inaudible edges of electro-acoustics to Mexican techno via a shabby gotha of wayward tunesmiths and hauntologists. http://www.swissnexsanfrancisco.org/
Jorge Bachmann is a photo-based, multimedia and sound artist. He has collected field recordings exploring the strange, unique and microcosmic sounds of everyday life. He creates sound atmospheres meant for deep listening and often composed in symbiosis with the sculptural installations exploring social and sensual constructs and experiences. [ruidobello] has exhibited and performed in North America, Europe, Japan and South America for the San Francisco Electronic Music Festival, MoBu Dance Group, and Soundwave Festival, amongst others. He has been Soundwaveâ€™s Technical Director and Resident Artist since 2005. http://anihilo.com/ http://ruidobello.ch/
Agnes Szlegâ€™s music, video and installation art has been featured in national and international festivals, on the radio, television, and in podcasts. Whatever medium she is working in, Agnes creates work which focuses on change and transformation â€“ the glue can be as important as the pieces it holds together. Agnes received her MFA in Electronic Music and Recording Media from Mills College and her BA in Radio/TV/Film from Northwestern University. Her solo EP No Summer or Winter on Aphonia was hailed as â€œa distinctive voice in the electro-acoustic fieldâ€ by Textura, and â€œgorgeousâ€ by XLR8R. Agnes currently lives and works in the Bay Area. http://www.aggiflex.com/
For the past 15 years,Ben Bracken has been creating a unique sonic language utilizing electronics, acoustic sound sources, guitar, and field recordings. Interested in the possibilities of echo-relocation in sound-based art, his work has oscillated between performance and installation, often blurring the lines between the two. The location of the event becomes an active participant, intimately shaping the nature and direction of each work. In the spring of 2006, Ben received his MFA in Electronic Music from Mills College. He currently resides in Oakland, CA and works at Cycling â€™74, the developers of Max/MSP and Jitter.
As an artist, designer, producer and curator,Alan So has created and supported innovative art for over 15 years. Alan founded MEâ€™DI.ATE in 1998 to provide a forum for diverse artists to showcase works to a world in desperate need of innovative ideas. In 2002 he began his exploration of sound as an artistic medium and, in 2004, launched the Soundwave festival. Soundwave has been featured in numerous media outlets, including San Francisco Magazine (Best of 2007 Award), Resonance FM (United Kingdom), PBS, and BBC. Alan has exhibited his work in the US and Canada and is concerned with issues of identity, social structure and place with an interest in the experimentation of form and concept. He has organized exhibitions and events Online, in New York City, the San Francisco Bay Area and his native Canada where he received his BDesign from Emily Carr Institute of Art and Design. http://www.me-di-ate.net
Bay Area multimedia artistÂ Suzanne Huskyobtained her MFA from Ecole des Beaux- Art of Bordeaux and has participated in artist residencies in Europe and the United States. Her art addresses environmental problems related to the exploitation of natural resources, landscape use and globalization. Suzanneâ€™s sculpture, drawings and photography question the environmental, social and political agenda of the mainstream media. Her work observes and analyses in an inventory form that allows the nature of the subject to unveil and reveal its complexity. In the Bay Area, her work has been exhibited at the de Young Museum, Southern Exposure, Intersection For The Arts, The Lab, Headland Center for the Arts. http://www.suzannehusky.com/
As a video naturalist,Sam Easterson is best known for his animal-borne imaging. His work has been exhibited in numerous museums, including the Whitney Museum of American Art, and featured on television networks, including the Sundance Channel and CBSâ€™s Late Show with David Letterman. Sam also works as a museum professional; recently he developed video content for the Schad Gallery of Biodiversity at the Royal Ontario Museum. A graduate of The Cooper Union, he also received an MS in Landscape Architecture (University of Minnesota), and has received grants from the Durfee Foundation, the Creative Capital Foundation, and others. Sam is a recipient of the prestigious Louis Comfort Tiffany Prize. http://www.sameasterson.com/
Alyce Santoro, an internationally noted conceptual and sound artist with a background in science and scientific illustration, is a kind of archivist â€“ a compulsive collector of snippets of the natural environment (auditory and otherwise) â€“ who incorporates her specimens into her art. Her multimedia â€œphilosopropsâ€ and â€œsubtle reality technologiesâ€ employ sound and video, assemblage, and performance as part of a grand investigation into everyday phenomena. Santoro is best known as the inventor of SONIC FABRIC, an audible textile woven from recycled audiocassette tape. SONIC FABRIC has been the source of exhibitions and performances in museums, festivals and galleries around the world with features from the New York Times to the Sundance Channel to People Magazine. Her works are in private collections of the Museu dâ€™Art Contemporani de Barcelona, FIT Museum New York, FIDM Los Angeles and that of Phish percussionist Jon Fishman and legendary performance artist Laurie Anderson.
Reenie CharriÃ¨re: I am an investigator of the environment surrounding my everyday actions. Art is a way to be present and reveal what may be blurred and discarded. I am a tourist wherever I go. I invite others to tour unadvertised locations, which may be right around the corner. I am most interested in the potential of under-noticed sites, and the juxtaposition of what is natural to what is synthetic. I look for what has gathered over time, and what continues to develop. Light, and line motivate the way things are situated in space. Living in the West but not being originally from here has broadened my sense of vastness and the potential of open spaces. Being overly curious and having my studio in Jack London Square has led me to collect from the Oakland estuary and compelled me to experiment with what is there, the tides, the salty water, and the tremendous washing up of plastic. I am deeply concerned about the pollution accumulating all around me. As a mixed media artist my work may take on a multi-sensory form in sculptural installation amplified by video or digital projections.
Vaughn Bell creates interactive projects and immersive environments that deal with how we relate to our environment. She has exhibited her sculpture, installation, performance, video and public projects internationally. Most recently, Vaughn created a commission for Massachusetts Museum of Contemporary Art and another for the Edith Russ Site for New Media Art in Oldenburg, Germany. Her work has been featured in Artnews, Afterimage, and Arcade Journal, among others. Vaughn received her MFA from the Studio for Inter-related Media at Massachusetts College of Art in Boston, MA and her undergraduate degree from Brown University. She currently is based in Seattle. http://www.vaughnbell.net
Child of Klang akaÂ Elin Ã˜yen Vister is a Norwegian sound artist and composer. She has studied sound engineering, music technology, and popular musicology in Norway and England. She is also known under the alias DJ Sunshine, one of Norwayâ€™s most versatile and eclectic DJÂ´s. She was one of the pioneers on the Norwegian drumÂ´nÂ´bass scene in the 90Ães. She has organized, curated and run festivals, festival programs and club programs nationwide and she has played records all over the world from Svalbard to Costa Rica. http://childofklang.wordpress.com http://www.myspace.com/childofklang
Jessica Resmond is a French American artist who received her BFA from California College of the Arts, San Francisco. Resmondâ€™s work is conceptual and tactile. Its main interest lies within the existing tensions between biological rhythms & organisms, and the fast pace technology/economy driven global landscape. With a scientific background in molecular biology and a deep interest for natureâ€™s ever evolving creative designs, her process, is one of constant research. Borders and boundaries are where exchanges take place, where transformation is possible and new understanding arise. Her work includes site specific installations, interactive or multimedia sculptures and experimental collaborations.
via Soundwave Festival ((4)) Green Sound Â» July 9.
Bay Areaâ€™s Most Innovative Festival Explores Environmental Performances and Works From June 6 to August 13 2010.
San Francisco USA (April 8, 2010) â€“ MEâ€™DI.ATE Art Group is excited to announce the return of the acclaimed Soundwave Festival this summer for its fourth season, entitled GREEN SOUND, exploring the natural world and environmental issues. Arguably the largest collection of artists and performances the Bay Areaâ€™s avant-sound scene has ever seen, Soundwave ((4)) GREEN SOUND will feature over 75 participating artists and musicians, in over 35 inspired performances, exhibits and talks, in 18 events over the span of 2 Â½ months.
â€œThese innovative artists will investigate environmental compositions, solar and wind-powered performances, interactive eco-systems, climate change and pollution, natural- and human-powered performances, sustainable productions, reinvention and recycling, real and imagined environments and creatures, endangered species, water, plantlife/animal life, and other artist imaginations,â€ says Alan So, MEâ€™DI.ATE Director and Artistic Director of the Soundwave Festival. â€œSoundwave promises to astound audiences with the locations, productions, and artist ingenuity, while challenging people to refocus attention on the beauty and destruction of our world, its needs for survival and implications to our community.â€
Soundwave ((4)) GREEN SOUND begins June 6th at the historic WWII site Battery Townsley in the Marin Headlands. MEâ€™DI.ATE is collaborating with the National Park Service for two events at the Battery. Artists will perform without electrical power using only the extreme natural resonance of the structure to amplify sound in this stunning environment. Audiences are encouraged to â€˜buspoolâ€™ to the remote site leaving from The Lab gallery in San Francisco. â€œThe battery today represents many things to many people â€“ from national defense to the preservation of these former Army lands as a National Recreation Area,â€ says John Martini, Historical Consultant of Battery Townsley. â€œThe historians and volunteers of Battery Townsley are excited to have artists explore the historic structure in new ways, and make it accessible to a new and diverse audience.â€
From the resonances of bunkers, GREEN SOUND takes you to the resonances inside the majestic St. Markâ€™s Lutheran Church on June 12th featuring over a dozen vocalists and musicians. June continues with special free events in San Francisco at Yerba Buena Gardens June 13th featuring the Bay Area Sound Ecology, a sonic art installation/performance at Civic Center Plaza June 17th and a bicycle-powered music stage at the cityâ€™s Sunday Streets in the Mission District June 20th in collaboration with Rock the Bike.
Julyâ€™s events start on July 2nd with special performances featuring experimental cello/violin duo Myrmyr at the spectacular de Young Museum, the first of two events here. â€œThe de Young is very pleased to be collaborating with MEâ€™DI.ATE Art Group for their Soundwave Festival ((4)) GREEN SOUND on this site-specific concert inspired by James Turrellâ€™s â€œThree Gems,â€ says Renee Baldocchi, de Youngâ€™s Public Programs Director. â€œThis experimental project is part of Cultural Encounters, which encourages artists to respond to the de Youngâ€™s collections and building.â€
July 9th opens MEâ€™DI.ATE Art Groupâ€™s most ambitious project ever. MEâ€™DI.ATE will present a month-long exhibition entitled â€œThe Illuminated Forestâ€ at The Lab, San Franciscoâ€™s premier experimental art space. MEâ€™DI.ATE Art Group is creating an artist-imagined natural world inside the gallery walls with environmental artist works and an immersive multi-media interactive exhibit and performance installation by Agnes Szelag, Jorge Bachmann, Ben Bracken, Alan So, Suzanne Husky, Jessica Resmond, Sam Easterson, Vaughn Bell, Alyce Santoro, and Reenie CharriÃ¨re. Every Friday and Saturday night during the exhibition run, the Forest will host experiential performances inside the installation by some of the most compelling artists and musicians. â€œThe Lab eagerly anticipates MEâ€™DI.ATEâ€™s residency here for Soundwave,â€ says Eilish Cullen, Executive Director of The Lab. â€œOur mission is to support the experimental and the daring, and MEâ€™DI.ATEâ€™s work continues to push those boundaries of presentation and performance.â€ The exhibition closes August 7th.
August 1st sees the second event at the gorgeous site of Battery Townsley and the festival concludes with a special GREEN SOUND â€˜Cultural Encounters: Friday Nights at the de Youngâ€™ on August 13th.
Full Calendar of Events with list of participating artists availablehere. Extended descriptions are available at the festival website:www.projectsoundwave.com. Press Images available atwww.projectsoundwave.com/press. Ticketed events will be at affordable rates between $10 and $15 available online starting May 3rd atÂ www.projectsoundwave.com/buy-tickets/. RSVP to free events firstname.lastname@example.org
Soundwave Festival ((4)): GREEN SOUND gratefully acknowledges support from the Zellerbach Family Foundation, Black Rock Arts Foundation, Japan Foundation, SF Bay Area Chapter of the American Composers Forum, Bill Graham Memorial Foundation, Rainbow Grocery Cooperative, Meet the Composer MetLife Creative Connections, The M-Line, The Lab, the de Young Museum, National Park Service, Rock the Bike, Yerba Buena Art and Events, and many individual donors and volunteers.
About the Soundwave Festival
MEâ€™DI.ATEâ€™s Soundwave Festival is San Franciscoâ€™s premier experiential arts festival held every two years over the span of two months over the summer. Bringing together sound purveyors from across the sonic spectrum (from sound art to experimental to classical to popular music), Soundwave presents experiential performances and activities that challenge the way audiences see and hear sound and music. Each season investigates a new idea through sound that incites diverse artists and musicians to create work that explores the seasonâ€™s theme in new and innovative directions. Led by Artistic Director Alan So, Soundwave has completed three incredible seasons: 2004â€™s Free Sound, 2006â€™s Surround Sound and 2008â€™s Move Sound. Soundwave has established itself as one of the most anticipated events in the San Francisco Bay Area avant-sound scene and a growing reputation in the global sound and art communities. Among its accolades, Soundwave won Best â€™07 Award and called a â€˜Future Classicâ€™ by San Francisco Magazine, â€˜Inspiredâ€™ by 7Ã—7, â€˜Unique and participatoryâ€™ by SF Chronicle, â€˜Magical and deeply personalâ€™ by SF Weekly, featured on numerous local and international radio programs including the BBC (UK), CBC (Canada), NPR (New York), KPFA (Berkeley), KUSF (San Francisco), as well as an in-depth feature on the PBS-KQED television program SPARK* with an accompanying experimental music Educatorâ€™s Guide.www.projectsoundwave.com
About MEâ€™DI.ATE Art Group
MEâ€™DI.ATE is a volunteer-driven, San Francisco-based non-profit arts group. Founded in 1998, our mission is to develop innovative exhibitions, products and live events that challenge perspectives and inspire new and unique experiences within ourselves and the world around us; present diverse artists, mediums and places to exchange ideas and collaborate; connect new and diverse audiences to experimental arts and visions; and provide an innovative forum and an essential voice for progressive ideas to be seen, heard and explored critically, imaginatively and without limitation. MEâ€™DI.ATE showcases emerging and established local artists, as well as national and international artists, to bring innovative ideas and perspectives to Bay Area audiences. For more information about us, please visit our websitewww.me-di-ate.net.
ME’DI.ATE Art Group â€“ MEâ€™DI.ATE Announces Soundwave Festival ((4)) GREEN SOUND.