Critical Stages/Scènes critiques: On Theatre and Ecology at Critical Junctions featuring many CSPA Contributors online now!

The initiative for this Special Issue of Critical Stages / Scènes critiques arises from our shared and sustained interest in the interdisciplinary, and, indeed, transdisciplinary Environmental Humanities that we have always perceived as a particularly compelling and dynamic site within which to formulate and locate our work. It is difficult to conceptualise how this might not be the case for socially-engaged scholarship and active citizenship, as the world is experiencing a climate crisis of extraordinary, and, indeed, dramatic – in all possible senses of the word – scale and iteration.

Vicky Angelaki and Elizabeth Sakellaridou, Editors for The IATC journal/Revue de l’AICT – December/Décembre 2022: Issue No 26

The latest edition of Critical Stages / Scènes critiques explores the intersection of ecology and theatre. Within this edition, you’ll find contributions from CSPA Staff and many friends of the CSPA!

Table of Contents of this Edition

Editorial Note: Transforming (Im)Possibilities to Realities / Note éditoriale : Transformer les (im)possibilités en réalités
Savas Patsalidis, Editor-in-Chief

Special Topic

On Theatre and Ecology at Critical Junctions

Guest Editors: Vicky Angelaki and Elizabeth Sakellaridou (Greece)

Essays

Editor: Yana Meerzon (Canada)

National Reports

Editor: Savas Patsalidis (Greece)

Interviews

Editor: Savas Patsalidis (Greece)

Performance Reviews

Editor: Matti Linnavuori (Finland)

Book Reviews

Editor: Don Rubin (Canada)

Plays

Editor: Critical Stages/Scènes critiques

Focus: Ukraine

Editor: Critical Stages/Scènes critiques


CSPA Related Contributions

Global Networked Ecoscneography: Creating Sustainable Worlds for Theatre Though International Collaboration.
  • CSPA Director Ian Garrett is co-author with collaborators Tessa Rixon and Tanja Beer
By Tessa Rixon*Ian Garrett**Tanja Beer***

“Mundane” Performance: Theatre Outdoors and Earthly Pleasures
  • Rising CSPA Quarterly Editor Evelyn O’Malley is co-author with collaborators Cathy turner and Giselle Garcia on
by Evelyn O’Malley*Cathy Turner**Giselle Garcia***

Ecodramaturgy and the Genesis of the EMOS Ecodrama Festival
  • Friend of the CSPA, Theresa J. May
Theresa May*

Town Hall
  • Friend of the CSPA and Co-founder of the Climate Change Theatre Action Caridad Svich
Caridad Svich*

About the Editors

*Vicky Angelaki is Professor in English Literature at Mid Sweden University (Department of Humanities and Social Sciences). She was previously based in the United Kingdom, where she held full-time, permanent roles at Birmingham City University; University of Birmingham; University of Reading. Major publications include the monographs Martin Crimp’s Power Plays: Intertextuality, Sexuality, Desire (2022); Theatre & Environment (2019); Social and Political Theatre in 21st-Century Britain: Staging Crisis (2017); The Plays of Martin Crimp: Making Theatre Strange (2012) and the edited collection Contemporary British Theatre: Breaking New Ground (2013; 2016). She co-edits the series Adaptation in Theatre and Performance (Palgrave Macmillan, with Kara Reilly). She is currently completing the research project Performing Interspaces: Social Fluidities in Contemporary Theatre, funded by Riksbankens Jubileumsfond (Sweden). The project will result in an Open Access monograph, contracted with Palgrave Macmillan/Springer. 

**Elizabeth Sakellaridou is Professor Emerita of Theatre Studies at Aristotle University of Thessaloniki, Greece. She has taught and lectured widely on contemporary theatre in various academic institutions in Greece, elsewhere in Europe, and in the USA. She has published on contemporary British and European theatre, classical and modern Greek theatre, performance theory, cultural and gender studies, and, more recently, the hybrid space of performance phenomenology. Her publications include Pinter’s Female PortraitsContemporary Women’s Theatre (in Greek); Theatre, Aesthetics, Politics (in Greek); and numerous articles and chapters published in international journals and collected volumes respectively. She is also a critic, dramaturg and translator of dramatic works from English into Greek and vice versa.

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