Monthly Archives: April 2011

Local and Regional Governments towards RIO+20

This post comes to you from Cultura21

A briefing on preparations for the Rio +20 Summit is available from the United Cities and Local Governments (UCLG), focusing on culture as key element of sustainability: “We believe that the paradigm of sustainable development needs a cultural pillar, and its implementation deserves cultural content. The Agenda 21 for culture (2004), the Policy Statement of Mexico on “Culture: the Fourth Pillar of Sustainable Development” (2010) and the local actions undertaken by our members and partners are the best evidence of progress.

UCLG is preparing its strategy for the Rio+20 Summit. The key messages put forward by UCLG are:

  • Making Culture as fourth pillar of sustainable development
  • Tackling climate change
  • Contributing to international governance in sustainable development field
  • Making cities resilient”

To read the briefing (PDF file): Click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Values of Environmental Writing

This post comes to you from Cultura21

The Values of Environmental Writing Research Network raises levels of critical academic exchange and public debate about the possible relations between reading habits and preferences, levels of environmental literacy, and wider patterns of pro-environment behavioural and lifestyle change.

Network activities take place between September 2010 and June 2011, centring on three ‘Conversations on Environmental Change’ that use Creative Environmental Writing to investigate precisely:

  • what communities and individuals value
  • why they value it
  • how they value it
  • how values are defined, identified and transmitted

The Network Convenors are based in the School of Geographical and Earth Sciences, and the School of Critical Studies (English Literature), University of Glasgow.

Read more at http://www.valuesofenvironmentalwriting.co.uk

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Two environmental philosophy blogs

This post comes to you from Cultura21

The following two environmental philosopher’s blogs provide regular posts with interesting views and analyses on themes such as emergence, ecocriticism, ecocinema and others:

  • Adrian J Ivakhiv’s blog “immanence – thinking the form, flesh & flow of the world: ecoculture, geophilosophy, mediapolitics”: http://blog.uvm.edu/aivakhiv/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Sights and Sounds of Bitumen Extraction

This post comes to you from EcoArtScotland

“Changeable Places brings together individuals from different contexts working with stories about particular places of environmental sensitivity.”  The post Sights and Sounds of Bitumen Extraction in Alberta Canada provides a deep exploration of a locality.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Glasgow ‘stalled’ spaces

This post comes to you from EcoArtScotland

Glasgow City Council is offering small grants to community groups to improve stalled spaces including:

  • Land earmarked for development though delayed e.g. economic circumstances.
  • Vacant/Derelict Land
  • Open space – yet undeveloped

It’s also worth looking at Greenspace Scotland for policy and practice on ‘stalled spaces.’

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.

Go to EcoArtScotland

Arts & Democracy audio transcript on the role of Culture in Revolutionary Times

This post comes to you from Cultura21

Reposted from freeDimensional

Arts & Democracy Project’s most recent nation-wide conference call was focused on recent events in Egypt and the extraordinary pro-democracy movements sweeping across North Africa and the Middle East.  The call highlighted how artists, art spaces and cultural organizers in the region and in the U.S. are participating or responding, and how more cultural workers can engage in positive ways. With Dalia Basiouny, writer & theatre artist (Egypt); Ahmed Issawi, Alwan for the Arts (Egypt/NYC); and Khaled Mattawa, poet & professor (Libya/Michigan), among others.

A recorded transcript is available.



Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

H20 – Preview: Omar Lopez

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Lopez.Omar inspiration Lopez.Omar inspiration Lopez.Omar sketch concept Lopez.Omar sketch concept Lopez.Omar sketch concept

CONCEPT:  Deterioration = blooming of seeds within = potential for failure, accidents and a story. This sculpture, approximately a 4’x4’x4’ cube, will be made from a hardened mixture of clay, straw, fertilized soil, and various species of plant seed. As a vessel it consists of guilds, biomes, and designed communities of complimentary plant species. The sculpture will serve as a sort of time capsule, carrying seeds of various ecosystems into the near future. The work is reminiscent of a living tomb in the Egyptian sense, as a vault or holding vessel which carries preserved life to the blooming of another life. The piece can be left intact or split up to speed process and facilitate distribution. Pieces or chunks can be given away to friends/family, or taken and planted as far away as the owner wishes to take it. As a solid piece, it imbues a state of potential and can remain in a form of stasis. The process of the sculpture’s decay gives way to further emergence of life.

ABOUT: Omar Lopez is a writer, artist and environmental enthusiast. Lopez studied art, history, philosophy and English at Southwestern College and San Diego City College. He strives to be descriptive, not prescriptive and to illuminate things accurately. He is most interested in dynamics, theatrics, emotive structures and the noble vulnerability in things. He is passionate about furthering the ambition of wonder and is often informed by his experience in construction, design, travel, mountaineering and his passion for direct engagement with strangers.

SEE another Lopez installation, In the Belly of the Whale in the Bell Jar, currently on view at Art Produce until April 3, 2011. Check gallery’s website for times and additional special events.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

H20 – Preview: Bociek & Bociek

This post comes to you from Green Public Art

On May 6, 2011, H20: The Art of Conservation, at the Water Conservation Garden, San Diego, CA, will open to the public. Green Public Art reviewed over 1100 artists portfolios before inviting 14 San Diego artists to participate in the exhibition which offers San Diego homeowners an artistic alternative to incorporate water conservation into their own garden spaces. Green Public Art awarded each artist a mini-grant to develop their site-specific sculptures. In the weeks leading up to the exhibition opening the artist’s concepts will be revealed on this site. Questions? Contact Rebecca Ansert, Curator, Green Public Art at rebecca@greenpublicart.com.

Bociek & Bociek Bociek & Bociek

CONCEPT: Clear is a series of kinetic sculptures combining the harshness of metal with the delicate nature of glass and water. At its core, Clear is about protection and preservation of water, our most precious natural resource. These sculptures are a subtle statement about conservation of water for our generation and generations to come. Glass vessels, filled with clear water swaying as pendulums, lend to the concept that water is a precious natural resource that every creature needs to keep life going. Together glass and pendulum convey the message that one false move or misjudged act can shatter and deplete the crucial resource of water.

ABOUT: Neal Bociek and Tiffany Bociek are a husband and wife artist team, who both currently live and work in San Diego, California. Neal Bociek graduated from the University of Notre Dame where he obtained a Master of Fine Arts degree with an emphasis in sculpture. Since then, he has been working and exhibiting his art in many locations with two current outdoor public exhibitions in San Diego. Neal won the Orchid Award from the San Diego Architectural Foundation for his work entitled Landsailers, which is a five‐year exhibition of ten sculptures, currently on display in ten locations from Pacific Beach to La Jolla, California. Tiffany Bociek graduated from the University of San Diego, California, where she obtained a Bachelor of Arts degree with an emphasis in Visual Arts. Presently she is furthering her education in landscape design and incorporates theory into site-specific projects. Tiffany and Neal collaborate as a public art team; together they have had two outdoor public exhibitions, one of which is currently on display as part of the Port of San Diego’s “Urban Tree 7,” an exhibition along Harbor Drive.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art

Public Art Team realities:united Sends Smoke Rings as a Reminder of CO2 Emission

Rendering ©2010 by BIG http://www.big.dk

This post comes to you from Green Public Art

BIG architects, developed in collaboration with art studio realities:united, AKT, Topotek 1 and Man Made Land, has won an international competition to design a new Waste-to-Energy Plant for Copenhagen that doubles as a ski slope for Copenhagen’s citizens and a public art symbol of the city’s CO2 emission.

The new Waste-to-Energy plant will be an international model in the field of waste management and energy production, as well as an architectural landmark in the cityscape of Copenhagen. The project is the single largest environmental initiative in Denmark with a budget of 3,5 Billion DKK (approx. 658 million USD), and replaces the adjacent 40 year old Amagerforbraending plant, integrating the latest technologies in waste treatment and environmental performance. BIG’s progressive building design will turn the roof of the new facility into an ecological ski slope deepening the connection between the citizens of Copenhagen and redefining the relationship between the waste plant and the public.

Photo ©2000 by Jürg Alean http://www.swisseduc.ch/stromboli/

The public art component of the project, BIG VORTEX, designed by Berlin-based artists realities:united answers the question “What does a ton of CO2 look like?” The modified smokestack acts as a gentle reminder of the residues of waste burning. The gas will leave the smokestack as revolving gas clouds in the shape of smoke rings (toroidal vortex shape), which become visible due to the condensation of water in the flue gases as they slowly rise and cool, before slowly resolving into the air.

Each smoke ring, approximately 30 meters in diameter and 3 meters in height, constitutes exactly one ton of fossil carbon dioxide, which is added to the atmosphere. By using art to make the waste visible to the public the rather abstract pollution aspect becomes something the public can see and relate to.  On average the ring will remain stable for about 45 seconds, serving as a gentle reminder of the impact of consumption. At night, heat tracking lights will be used to position lasers onto the smoke rings turning them into glowing artworks over the city.

realities:united studio for art and architecture. E-Mail: info@realU.de

realities:united studio for art and architecture. E-Mail: info@realU.de

PROJECT INFORMATION:

Project: Waste-to-Energy Plant

Client: Amagerforbraending

Location: Copenhagen, Denmark

Budget: 3,5 BL DKK; 650 MIL USD, 460 MIL EUR

Smoke Rings: approx. 30m diameter, 3 meter height, 1 ton Co2

Architect: BIG-Bjarke Ingels Group

Project Artist: realities:united, studio for art and architecture (Smoke Ring Generator), Jan Edler, Tim Edler, Erik Levander, Daniel Mock

Collaborators: AKT (Façade & Structural Consulting), Topotek 1/Man Made Land (Landscape)

BIG Team: Bjarke Ingels, David Zahle, Brian Yang, Jelena Vucic, Alina Tamosiunaite, Armor Gutierrez, Maciej Zawadzki, Jakob Lange, Andreas Klok Pedersen, Daniel Selensky, Gül Ertekin, Xing Xiong, Sunming Lee, Long Zuo

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project.

Go to Green Public Art