Sustainable Practice

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial – Can You Help?

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

Our Goal

To create a design-based performance piece in response to the 2011 Prague Quadrennial that examines materials, and then organizes and redistribute (would be wasted) materials to the local arts community.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

Our Story

The Center for Sustainable Practice in the Arts is a hybrid organization dedicated to gathering and redistributing information about sustainable practices in art making.  This project marks our first initiative to solve one of the major dilemmas of creating art on the ground:  Wasted Materials!  We will travel to Prague this summer to focus on the environmental impact of production at the 2011 Prague Quadrennial and will creatively repurpose the waste generated from this 10-day design conference of over seventy exhibiting countries.

Organizing team members include Ian Garrett and Miranda Wright (co-founders of the Center for Sustainable Practice in the Arts), Sarah Peterson (Production Manager, Theater Artist, New York CSPA Associate), Moe Beitiks (artist, cultural volunteer, and writer for inhabitat, CBOT, and the CSPA), Misa Rygrova (leading researcher on this topic in the Czech Republic), and James McKernan (faculty at York University and Technical Director for the PQ’s Scenofest).

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

The PQ

The Prague Quadrennial of Performance Design and Space is a leading world artistic event – a presentation of contemporary work in a variety of performance design disciplines and genres including costume, stage, lighting, sound design, and theatre architecture for dance, opera, drama, site-specific, multi-media performances, and performance art.

Founded in 1967, the Prague Quadrennial has presented work from more than 70 countries on 5 continents. The exhibition draws thousands of performance and theatre professionals, students, and spectators from all over the world. At the most recent Quadrennial in 2007, 35,000 visitors came to enjoy installations, photos, videos, and live performances of work ranging between theatre and visual arts, as well as more than 500 events, workshops, performances, presentations, lectures, and discussions.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

The Impact

This project will be a significant catalyst for the advancement of sustainability in theater and design.  It is an opportunity to develop a comprehensive case study on community engagement in creative resource management.  As a performance, it will examine the relationship of production communities from around the world to their use of materials practically and dramaturgically.  It will create new methods for distributing large amounts of previously used materials quickly, test the limits of a community’s ability to absorb the material, and develop a mode of a working network of materials exchange.

CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial

What We Need & What You Get

We are looking for $4,000 in additional funding to supplement travel for our team, and to provide resources and tools for distributing materials and documenting this project.

We promise to give you what we get:  INFORMATION!  We’ll be documenting this project, and will gladly share our findings with you.  Other perks include copies of the CSPA Quarterly, a publication dedicated to sustainable practices in all creative areas, CSPA membership, and special tokens from the PQ!

Other Ways You Can Help

Spread the word!  Share this project with your friends and colleagues.

To support the greater effort of the CSPA, become a member by visiting www.sustainablepractice.org/join-the-cspa

Campaign CSPA Prague Convergence: Reduce Waste at the Prague Quadrennial — IndieGoGo.

Sustainable Practice in Public Art

This post comes to you from Cultura21

Chrysalis Arts in collaboration with MIRIAD at Manchester Metropolitan University (MMU) present a seminar about how artists and commissioners can begin to address the ecological and sustainability issues associated with climate change through their professional practice. With: Inspirational speakers – PASA case studies – Group discussions

Seminar – April 15th 2011 – 10am to 4.30pm – Manchester Metropolitan University, Sandra Burslem Building SB 2.10

Information & programme: www.pasaguidelines.org

Bookings: chrysalis [at] artdepot [dot] org [dot] uk 01756 749222 – Directions:www.mmu.ac.uk/travel/allsaints

MMU staff and students – free ; Freelance practitioners £12 ; Organisations £30

Supported by MMU, MIRIAD, Chrysalis Arts Development, Arts Council England, Lottery Funded.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)

– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)

– Hans Dieleman (based in Mexico-City, Mexico)

– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

CSPA Supports has launched!

The Center for Sustainable Practice in the Arts is pleased to announce a new initiative: CSPA Supports.

“The CSPA Supports grant program is designed to support the projects of our members as they consider issues of sustainability (ecological, economic, or cultural) in their professional work,” comments Miranda Wright, co-founder of the CSPA.

“Since founding the CSPA, it has been our goal to offer grants or commissions by re-investing a large percentage of any profit we earn back into the arts.   We hope this initiative will enable artists to work on projects that are meaningful to them, and projects that could impact the public’s perception of what sustainability means.”

Artists from all genres (and cross genres) are encouraged to apply, including those working in public art, installation, live performance, or digital work. Applicants must be current members of the CSPA.  Members of the CSPA receive a variety of other benefits, including an annual book selection, subscriptions to the CSPA Quarterly and Mammut Magazine, monthly e-newsletters, and opportunities to submit articles, essays, and information to the CSPA’s multi-faceted knowledge network.

Grants will support materials, creative fees, documentation, travel, and communications related to a proposed project.  International applications are accepted, and projects may take place anywhere in the world.  The application consists of an online form, short essay questions, and a proposed budget. The deadline for round one of CSPA Supports is March 1, 2011.

To join the CSPA, visit www.sustainablepractice.org/join-the-cspa

To apply for a CSPA Supports grant, and for grant guidelines, visit www.sustainablepractice.org/cspasupports

ARTIST AS ACCIDENTAL ACTIVIST

Fragile Spring: found cardboard box, India ink, 6

A nice mention of the CSPA and partners in Filter….

Revealing the value of the intangible has long been the domain of shamans, homeopaths, permaculturists and conceptual artists – and is perhaps one of the best hopes we have for rapidly shifting our culture towards one of increased efficiency and sustainability. Many contemporary artists are finding themselves inadvertently part of a new of movement that includes a sense of responsibility for defending the environment. Frustrated by a system based on mindless overconsumption of limited resources, they are choosing to develop creative, alternative ways to live, work, and communicate. Organisations such as Ecoartspace, The Center for Sustainable Practice in the Arts , theSheila T. Johnson Design Center at Parsons/The New School for Social Research and Art & Science Collaborations, Inc are assisting in the emergence of this new interdisciplinary field.

via Filter Magazine – filter.anat.org.au.

Free Convergence Session TOMORROW Sunday 9/5/10 at the Hyatt at Fisherman’s Wharf

This year, we’re taking the convergence to the road.  We’ll be converging in two cities, and in between, on an all-inclusive weekend getaway!  Exploring human impact on the Earth, and Art’s impact on human impact, we’ll discuss environmental justice, urban nature, and what it means to be an artist who brings environmental issues to the public.

MISS THE REGISTRATION DEADLINE?

Join us for our Sunday afternoon session in San Francisco, featuring Amy Balkin, Patricia Watts, Laura Parker, and Nik Bertulis.  Curated by Moe Beitiks.  You can also check out our “a la carte” events.  Book your own ticket and meet us there!

Held at the Hyatt at Fisherman’s Wharf:

555 North Point Street

San Francisco, California 94133

Sunday, September 5th.  1pm-5pm.

Seating is limited.  Reserve your space at

http://cspaconvergence.eventbrite.com/

AGENDA

Saturday, September 4 LOS ANGELES  TO SAN FRANCISCO

  • 10am Depart Los Angeles.  Carpool/Caravan will feature the Invisible 5 Audio Tour and select stops.
  • 5pm Arrive San Francisco
  • 6pm Dinner Break
  • 7pm Shotgun Players: Solar Powered Theater Discussion
  • 8pm Performance: Living Together at Shotgun Players

Sunday September 5 SAN FRANCISCO

  • 8am Nature Tour
  • 12pm Lunch Break
  • 1pm Afternoon Sessions featuring Patricia Watts/EcoArtSpace, Amy Balkin, Laura Parker, and Nik Bertulis.  Curated by Moe Beitiks
  • 6pm Art Walk & Dinner

Monday, September 6 SAN FRANCISCO TO LOS ANGELES

  • 8am Depart for guided highway tour down the 101.  We’ll be following the Urban Ranger’s Field Guide to the American Road Trip.
  • 6pm Arrive Los Angeles

Sustainable Production Award Announced for THE PANTRY SHELF at the Edinburgh Fringe Festival

The Center for Sustainable Practice in the Arts (CSPA) has awarded the first CSPA Fringe Award for Sustainable Production at the Edinburgh Fringe to The Pantry Shelf, a comedy produced by Team M & M at the Sweet Grassmarket venue. The award, which debuted earlier this year at the inaugural Hollywood Fringe Festival , was designed to reward sustainable practice in the production of a fringe performance, in addition to content that encourages audiences to incorporate sustainable changes into their own lives

The Pantry Shelf is a satirical comedy that takes place in any ordinary pantry shelf. Characters are food items most of us have readily available. The story follows the addition of a revolutionary new snack to the shelf: Queenie, a quinoa, date and bark bar.  Queenie discovers that her healthy branding doesn’t accurately represent what’s actually inside. The comedy explores branding, consumerism and the corporate control of our diets. It’s also a “love story between a quinoa bar, a bag of Scottish porridge and a sexy block of dark chocolate,” about staying true to yourself.

“We chose The Pantry Shelf as the award winner based on its comprehensiveness,” comments Ian Garrett, Executive Director of the CSPA.  “The show raised valid questions that are relevant to everyone’s daily lives, without being heavy handed. Team M&M took great care to ensure the production was produced as environmentally sustainable as possible, and the content of the play was both entertaining and informative.”

The CSPA Directors, Ian Garrett and Miranda Wright adjudicated the award, along with select CSPA affiliates. The recipient was chosen based on their submission of a questionnaire about how the show was produced along with audience response. For the Edinburgh Fringe, Mhora Samuel and Tim Atkinson from The Theatres Trust’s European Regional Development Fund-backed Ecovenue project have helped the CSPA adapt the criteria for a UK audience, providing guidance on UK equivalents to US name brands, as well as providing insight on measuring conventions and policy. The award simply would not have been complete with out their assistance.

“The CSPA is not just another ‘go green’ organization,” says Wright.  “We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.  And so, the purpose of this award is not to recognize the greenest production.  Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us.  The winner of this year’s award not only limited material waste in production, but asked audience members to consider sustainability in their lives.”

In addition to offering an award for Fringe performances, the CSPA also presented a panel on sustainability in theater at Fringe Central in Edinburgh on Monday Morning, August the 16th. Panelists included Garrett and Wright, Sam Goldblatt (author of Greener Meetings and Events), Dr. Wallace Heim of the Ashden Directory, Mhora Samuel of theTheatres Trust, and Bryan Raven of White Light. A full video of the session can be found on the CSPA website and at http://cspa.blip.tv.

Wright continues: “We’ve been working since we started the CSPA on how to provide resources and guidelines for sustainable production to the theatrical community. Both Ian and myself come from theatrical backgrounds and it is important to us. The fringe festival model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows. It is easier to start the conversation at a fringe level of production than Broadway. By involving ourselves with the Edinburgh Fringe, the largest and oldest fringe in the world, we are looking to create the greatest visibility and excitement around the introduction of ideas of sustainability to the largest number of theater artists at home and away.”

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that,” adds Garrett.

Ian Garrett and Miranda Wright founded the CSPA in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others. www.sustainablepractice.org

sustainability in theatre

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The Center for Sustainable Practice in the Arts, a Los Angeles-based non-profit arts infrastructure organisation, presents an overview of current trends and practices in sustainability for theatre from around the world. We will be looking at UK initiatives from Julie’s Bicycle, the Arcola Theatre and White Light LTD, as well as those of the Broadway Green Alliance, York University in Toronto, Mo’olelo Performing Arts in San Diego and other theaters, arts organisations and artists from around the globe. Join us to learn about the growing momentum towards ecologically-minded arts making! www.sustainablepractice.org/fringe

THE CENTER FOR SUSTAINABLE PRACTICE IN THE ARTS ANNOUNCES PANELISTS FOR “SUSTAINABILITY IN THEATRE”, A PANEL DISCUSSION WITH UK AND US LEADERS IN GREENING THE ARTS.

 

CLICK HERE TO RESERVE A TICKET FOR FREE

The Center for Sustainable Practice in the Arts (CSPA) will host a panel on issue of sustainability and “greening” the arts on Monday, August the 16th. A leader in the sustainable arts movement in the US, the CSPA will bring together key players in the sustainable arts movement in the UK to talk about the future of theatre and performance in the face of climate change. Guests will include Sam Goldblatt, Wallace Heim, Mhora Samuel, Bryan Raven of White Light LTD, and CSPA directors Ian Garrett and Miranda Wright. The panel will be presented from  10:00am until noon on Monday, August 16th at Fringe Central. The event is free, but ticket reservations are encourage and can be made through the fringe box office.

In addition to showcasing the latest news from UK innovators in sustainable practice for the arts, the CSPA’s directors Ian Garrett and Miranda Wright will present initiatives and resources being developed around the world. These will include San Diego’s Mo’olelo Performing Arts Company’s Green Theater Choices Toolkit, Toronoto’s York University and their MFA in sustainable design for the theater, Mexico’s “El Sabino” led by Laura Kuri and her brother Claudio Kuri, director of Montezeuma at the Edinburgh International Festival, and Denmark’s Wooloo with their New Life Festival focused on Art and Hospitality.

  • Sam Goldblatt is an arts and events producer, and author of the textbook Greener Meetings and Events, to be published by John Wiley & Sons in 2011 as part of their Event Management Series. In Washington, DC, he served as Environmental Officer for the Capital Fringe Festival, creating theatre venues from reused building materials.
  • Dr. Wallace Heim researches, writes and teaches on performance and nature, on the philosophical dimensions of ‘art and ecology’, and on climate change and social practice. She does this in many places. She is co-editor ofwww.ashdendirectory.org.uk; and is on the editorial board for the Journal of Performance and Ecology. She taught on the MA Arts and Ecology at Dartington College of Arts; co-curated the conference/event BETWEEN NATURE; co-edited Nature Performed. Environment, Culture and Performance. She is a director of the research communication group PublicSpace, an FRSA, and a trustee for PLATFORM. She also has worked for many years as a set designer for theatre and television/film, and was a co-founder of the Gate Theatre, London.
  • Mhora Samuel began her career as a dancer and choreographer in Scotland and as Administrator for the Gregory Nash Group in Oxford. She moved to London in 1989 as Centre Co-ordinator for Chisenhale Dance Space, and in 1991 was appointed as Director of Total Theatre, the UK lead body for physical and visual performance. She joined ABL Cultural Consulting in 1998 where she worked on a range of capital feasibility studies and arts strategies. In 2001 she was appointed Chief Executive of the Cultural Industries Development Agency, the leading business support regeneration agency for the cultural and creative industries sector in East London. Mhora joined The Theatres Trust in January 2006 as Director and has led on the development of specific environmental advice for theatres, contributing to the Mayor of London’s Green Theatre Plan in 2008 and successfully achieving European Funding for the Trust’s Three Year Ecovenue project, helping to improve the environmental performance of London’s theatres.
  • Bryan Raven is Managing Director of White Light and has been with the company for over 23 years. Since then White Light has grown from 17 staff with a turnover of just over £1M to the current size with 120 staff and turnover of nearly £20M and projects all over the world as well as continuing to be the leading supplier of lighting to the UK theatre industry. His career started with a brief spell at Theatre Projects after spending two years realising that lighting was a lot more fun than mechanical engineering at Imperial College. He has been at the forefront of White Light’s desire to improve both it’s own environmental record and also that of the industry as a whole. He was part of the team responsible for Mayor of London’s Greening London Theatre programmes and is a member of Julies Bicycle theatre steering group.

———-

Sustainability in Theatre | Edinburgh Festival Fringe 2010

The Center for Sustainable Practice in the Arts, a Los Angeles-based non-profit arts infrastructure organisation, presents an overview of current trends and practices in sustainability for theatre from around the world. We will be looking at UK initiatives from Julie’s Bicycle, the Arcola Theatre and White Light LTD, as well as those of the Broadway Green Alliance, York University in Toronto, Mo’olelo Performing Arts in San Diego and other theaters, arts organisations and artists from around the globe. Join us to learn about the growing momentum towards ecologically-minded arts making! www.sustainablepractice.org/fringe

via Sustainability in Theatre | Edinburgh Festival Fringe 2010.

Hollywood Fringe Sustainable Production Award Announced

LOS ANGELES — The Center for Sustainable Practice in the Arts (CSPA) awarded the first CSPA Fringe Award for Sustainable Production to Presque Pret a Porter, produced by Dreams by Machine on Sunday night at the Hollywood Fringe Festival Awards Ceremony.  The award was designed to reward ecologically sustainable practice in the production of a fringe performance.

The award was adjudicated by the CSPA Directors, Ian Garrett and Miranda Wright, along with select CSPA affiliates. The recipient was chosen based on an online data form created by the CSPA, and informed by the Mo’olelo Green Theater Choices Toolkit.

“The CSPA is not just another ‘go green’ organization,” said Wright at the ceremony Sunday night.  “We hope to gather and distribute information that aids in the sustainability of the earth, the sustainability of our communities, and the sustainability of our art.  And so, the purpose of this award is not to recognize the greenest production.  Our objective in offering this award is to ask questions of ourselves, as theater artists, about the greater impact of our work on the world around us.  The winner of this year’s award not only limited material waste in production, but asked audience members to consider sustainability in their lives.”

Laura Brody, this year’s winner, stated the primary goal of her project as “to create awareness of and to encourage re-use through entertaining and participatory demonstration.”  In the performance, materials were re-purposed from thrift stores and cutting room floors.  Materials were donated by friends and colleagues of the project.  And, the musician’s set up was made of found objects strung together to create a percussion rig.

While debuting at the Hollywood Fringe, the CSPA Fringe Award for Sustainable Production will also be offered at the Edinburgh Fringe Festival this August, where the CSPA will be presenting a panel on sustainability in theater at Fringe Central in Edinburgh on Monday Morning, August the 16th.

“We’ve been working since we started the CSPA on how to provide resources and guidelines for sustainable production to the theatrical community. Both Miranda and myself come from theatrical backgrounds and it is important to us. The fringe festival model provides an ideal platform to introduce these ideas and the award due to the expectations and scale of the shows. It is easier to start the conversation at a fringe level of production than Broadway. By starting with the Hollywood Fringe, our local and the newest fringe festival, and immediately moving to the Edinburgh Fringe, the largest and oldest fringe in the world, we are looking to create the greatest visibility and excitement around the introduction of ideas of sustainability to the largest number of theater artists at home and away,” says Executive Director Ian Garrett.

“Even more so than we want someone to score perfectly on the questionnaire we use to evaluate shows, we want theater artists to look at the questions and think about how it helps to guide their thinking about sustainability in the their art. There may be questions asked in ways they hadn’t thought, and we hope they ask these questions of their next project and the project after that.”

The CSPA was founded by Ian Garrett and Miranda Wright in early 2008 after individually working on each of the programs that now make up the multi-faceted approach to sustainability separately. The organization provides a network of resources to arts organizations, which enables them to be ecologically and economically sustainable while maintaining artistic excellence. Past and Present partnerships have included the University of Oregon, Ashden Directory, Arcola Theater, Diverseworks Artspace, Indy Convergence, York University, LA Stage Alliance and others