Philosophical Perspective

Investigating the Aesthetics of Ecological Design and Eco-scenography with Dr Wallace Heim and Tanja Beer at WSD2013

Sustainability-Tanja-Beerweb1Thurs 12 Sept 16.30 – 18.00

The Willow Theatre

What are the aesthetics of sustainable design? New ways are needed of appreciating ecologically valid design that can incorporate the artistic dimensions with the material effects. This presentation will explore the application of ecological design in the Performing Arts as it creates new sensibilities, new dramaturgies and new forms of experience throughout a range of theatre productions. These aesthetics expand on existing design critiques and offer ways to consider the relations between the content of what is performed to the ecological and artistic dimensions of stage design. Starting with a philosophical perspective, this session will talk through examples with focus on the emerging paradigm of ‘eco-scenography’ – a movement that seeks to integrate ecological principles into all stages of scenographic thinking and production. Taking a holistic approach to materials and resources, this approach asks “can we create designs that enrich our environment and community, as well as our audience?”

The presentation includes a live and interactive showing of Tanja Beer’s “STRUNG”, an eco-scenographic investigation that merges the boundaries between performer and designer, installation and costume, site and material.

Open to all.

Price: £6

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Key contributors

Dr Wallace Heim - http://www.wallaceheim.com

Tanja Beer - http://www.tanjabeer.com/

ashdenizen: is climate change a zombie concept?

Kellie Payne reports on the Tipping Point event, held earlier this month, where Mike Hulme suggested climate change was a zombie concept:

as a metaphor it has done its work. As a concept, it connects a large swathe of issues combined through the scientific narrative and perhaps there are other ways to make progress.

Much less the as-billed scientific update, the Tipping Point event held on Wednesday 13th April at Kings College, London was a philosophical exploration of the status of our current conceptualisation of climate change.

Hosted by Tipping Point, the arts organisation that seeks to build bridges between artists and climate scientists, the afternoon featured Mike Hulme, UEA climate scientist and author of Why We Disagree About Climate Change, climate change adaptation specialist Emma Tompkins and Greenpeace’s Senior Climate Advisor Charlie Kronick . In attendance were past Tipping Point conference attendees, a mix of artists, academics and a few scientists.

Hulme is a veteran climate scientist whose career has included serving as the founder-director of the Tyndall centre and contributing scientist to UK climate change scenarios and reports for the IPCC. However, writing his recent book led Hulme to take a more philosophical perspective: his interest being more in the positioning of our larger conceptualisations of climate change and interrogating different epistemological constructions of climate change. Moving beyond the merely scientific understanding of climate change, he investigates how climate change is understood in disciplines varying from economics, ethics, politics and humanities. In particular, he argues that climate change is a value laden concept that reflects our views of the world, nature, the economy and ethical frameworks.

Hulme’s presentation was largely an explanation of the four myths he explores in his book: lamenting Eden which draws on a sense of nostalgia, presaging apocalypse based on a sense of fear, constructing Babel (hubris) and celebrating jubilee which builds upon our sense of justice. In essence, what Hulme argues is that every individual brings their own agenda, applying the challenge of climate change to their own problems, that is, climate change is the raw material that is used to work on our individual projects. Hulme suggested we ask ourselves whether stabilising the climate was indeed our ultimate goal or whether stabilising climate was instead a means to an end, and we were using climate change to achieve our other goals.

Emma Tomkins on the other hand bases her work on a belief that climate change is happening and asserts that the government is leading the way on adaptation. Based at Leeds and the Government’s Department for International Development, Tomkins outlined types of adaptation currently being implemented including risk management policies and attempts to build resilience. When Tomkins asked the audience how many were currently taking adaptive measures, it became clear that the line between what constitutes mitigation activities and adaption is often blurred in the minds of many. The government makes a clear distinction between mitigation measures (limiting ones emissions) and adaption (preparing for the impacts of climate change). For instance when asked about what types of adaptation individuals were taking, some audience members mentioned the work of the Transition Town movements, but from the government perspective Transition Town activities would constitute mitigation measures as their main focus is reducing emissions.

Tomkins conducted an exercise to see how we as an audience would allocate adaptation funds, whether we would base our decisions on: equitable distribution of resources, reward mitigators, help those facing the most exposure, help the most vulnerable, or offer developmental assistance. At the moment, current government policy (Adaptation Policy Framework) is based on risk mapping and awareness and therefore has its focus on those who face the most exposure to risk. Tomkins stressed the need to be aware that in any adaptation policy there are a number of decisions to be made about the type of losses we are willing to take and warned that there is a potential to make serious mistakes unless we seriously consider the issues.

Charlie Kronick weighed in with the activist viewpoint, reminding the audience that in the past adaptation wasn’t even considered because to do so would be to accept defeat. Further, he didn’t see the need to separate out adaptation and mitigation as he sees them as one and the same. For Charlie, climate change isn’t about science, or art, but about power politics, ‘the deal makers and takers’ and inequality is a major driver.

Hulme agreed that it’s about politics and our ambitions about what type of society we want to inherit. Hulme suggested that perhaps climate change was indeed a zombie concept, and as a metaphor it has done its work. As a concept, it connects a large swathe of issues combined through the scientific narrative and perhaps there are other ways to make progress.

Kellie Payne is a PhD student in the Geography department at the Open University researching culture and climate change