The point of departure of Manifesta 9 is the significance of the former coalmining region of the Belgian Campine, as a locus for different imaginary and ecological issues associated with industrial capitalism as a global phenomenon.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21â€²s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in LÃ¼neburg, Germany) and Rana Ã–ztÃ¼rk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Sustainability and Contemporary Art: Hard Realities and the New Materiality Central European University Budapest
2-6pm 26 March 2009
Janek Simon, Niszczarka
Since the last symposium on Sustainability and Contemporary Art held at CEU in February 2008, which took as its subject the Operaist dilemma of â€˜Exit or Activism?â€™ and examined Paulo Virnoâ€™s idea of â€˜exitâ€™ as the ultimate form of resistance, the world has witnessed an intensifying fight for resources under the Arctic, the rocketing of food and oil prices, the Russian gas crisis, and the systemic failure of international financial institutions. These â€˜hard realitiesâ€™ have caused a switch from concerns of immaterial labour to recognition of the â€˜new materialityâ€™ of current circumstances.
This recent turn has been addressed by theorist Slavoj Å½iÅ¾ek, who notes that while in the last decades it was â€˜trendy to talk about the dominant role of intellectual labour in our post-industrial societies, today materiality appears in an almost vengeful way in all its aspects, from a future struggle for ever-diminishing resources (food, water, energy, minerals) to the degradation of the environment.â€™ The 2009 edition of Sustainability and Contemporary Art therefore brings together artists, theorists and environmental activists to investigate the implications of â€˜hard realitiesâ€™ and â€˜new materialityâ€™ for political action, artistic theory and practice, and sustainable living in the 21st century.
Marina GrziniÄ‡, Sustainability and Capital
Marina GrziniÄ‡ is a philosopher, artist and theoretician. She is Professor at the Academy of Fine Arts in Vienna, Institute ofÂ Fine Arts, Post Conceptual Art Practices and a researcher at the Institute of Philosophy in Ljubljana. She is a founder of Reartikulacija (Ljubljana) and recently published the book Re-Politicizing art, Theory, Representation and New Media Technology.
TamÃ¡s St.Auby,Â The Subsistence Level Standard Project 1984 W.
TamÃ¡s St.Auby was born in 1944 and lives in Budapest. In 1968 he founded IPUT (International Parallel Union of Telecommunications). He was censored for his artistic radicalism, promotion of artÂ strikes and questioning of ideology and forced to leave Hungary in the mid-1970s. Since returning from Geneva in 1991, St.Auby hasÂ lectured at the Hungarian University of Fine Arts.
Tadzio MÃ¼ller, Itâ€™s economic growth, stupid! On climate change, mad-eyed moderates and realistic radicals
Tadzio MÃ¼ller lives in Berlin, where he is active, after many years of being a counterglobalist summit-groupie, in the emerging climate action movement. Having escaped the clutches of (academic) wage labour, he is currently writing a report about ‘green capitalism’ for the Rosa Luxemburg Foundation, and otherwise doing odd translation jobs. He is also an editor of Turbulence – Ideas for Movement
Janek Simon,Â How to Make a Digital Handwatch at Home
Janek Simon was born in 1977. Studied sociology and psychology at the Jagiellonian University in Cracow. His artistic activity began around 2001. He is author of interactive installations, videos, objects. Simon takes inspiration from computer games, Internet and the archive (in its multiple meanings).
Sebastjan Leban, Silent Weapon of Extermination
Sebastjan Leban is an artist and theoretician from Ljubljana. His artistic practice involves the collaboration with Stas Kleindienst, the group Trie and the group Reartikulacija. He is one of the editors of the journal Reartikulacija and has exhibited in numerous national and international exhibitions, participated in many symposiums and lectures and published texts in several different publications.
Alina Asavei, A Sustainable Aesthetics: Contextual and Ethical Beauty
Alina Asavei is from Romania and currently she is a PhD candidate in Aesthetics (Department of Philosophy, Central European University, Budapest). She works principally in the areas of social philosophy, cultural studies, art and disability, the politics of aesthetics, forms of artistic engagement during and after totalitarian regimes. She published articles in the domain of Art History, Aesthetics and Social and Cultural History.
Alan Watt, Sustainability in the Face of Hard Reality
Alan Watt is a lecturer in environmental philosophy and the development of environmental thought at the Department of Environmental Science and Policy at Central European University.
Maja and Reuben Fowkes The Environmental Impact of Contemporary Art
Maja and Reuben Fowkes are curators and art historians who deal with issues of memory, ecology and translocal exchange.Â They have curated and written extensively on the issue of contemporary art and sustainability.
The programme of the Symposium on Sustainability and Contemporary Art is devised by Maja and Reuben Fowkes (Translocal.org) and co-organised with the Department of Environmental Sciences and Policy and the Centre for Arts and Culture at Central European University.
For further information and booking details please see the project website:
In our industrial societies, Â nature comes to represent the escape from the business of our lives. Caught by the River (â€œthe antidote to indifferenceâ€) has been around a while; itâ€™s an interesting collective of people who have come together to reflect on the luxury of taking time out in by a riverbank.
Itâ€™s a website less inspired by environmentalism than a kind of gentle refusenik-ism â€“ something more to do with Tom Hogkinsonâ€™s and Gavin Praetor-Pinneyâ€™sÂ The Idler than anything more strident â€“ but itâ€™s growing into a great online repository for new ways of looking at the British countryside.
Co-founded music entrepreneur Jeff Barrett and including a contributor list of artists, writers, photographers and songsmiths it claims the lateÂ Roger Deakin as its patron saint. Deakinâ€™s brilliant Waterlog: A Swimmerâ€™s Journey Through Britain is becoming a handbook for a kind of half-mystical, half-historic neo-Romantic approach to the world.
The site is full of gems. Last week they featured a timely reappraisal of theÂ work of Richard Brautigan; today they start to feature a series of pieces of music influenced by birds. They begin with a song from British Sea Power called â€œThe Great Skua (Plover demoâ€) which you can listen toÂ here.