From June 5th to 9th 2012, the Kaaitheater is holding the fifth Burning Ice festival in Brussels (Belgium)
This year the festival revolves around art and ecology and brings together performing artists, scientists and other experts. The programme comprises performances, exhibitions, inspiring study days and talks. The theme of Burning Ice#5 is â€˜We Are the Gardenersâ€™, about the increasing tension between nature and culture.As always, they also let scientists and theorists have their say.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21â€²s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in LÃ¼neburg, Germany) and Rana Ã–ztÃ¼rk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
One of the explanations offered for why climate change is not more prominent in peopleâ€™s thinking is that itâ€™s not physically seen. It doesnâ€™t feel â€˜realâ€™ enough.
But a different view comes out in the stories people tell about how climate change is immediately altering their everyday lives. The climate is changing how they feel about the world and their decisions about what to do.
Project ASPECT, based at University College Falmouth, is gathering peopleâ€™s stories about climate change from individuals and communities in Wales, northern England, London and Cornwall. Building a digital narrative archive, they are capturing on DVD how people talk about the climate in the context of their everyday lives.
There are those who watch. Heather continues the diary her mother started, recording every day what work is done on the family farm and the weather. Duncan and Matt are surfers in Cornwall, watching the storms. There are those who work with renewable energy, or, like Hanna, find green jobs for young people. Many are changing the way they grow food and eat: Mary from Incredible Edible; Owen with his backyard in Peckham; and masked night-time Ninja guerrilla gardeners. Singers, rappers, athletes tell their stories. Spontaneous acts of community kindness sit alongside the meticulous work of digitising the weather reports from World War I shipâ€™s logs.
In these stories of everyday life, there is a cultural reality emerging, soft-voiced, but pressing.
â€œashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UKâ€ (2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
Tomorrow is the RSAâ€™s AGM; the house will be full of RSA Fellows here to discuss the organisation, its future and the new charter. Weâ€™ve decided to shamelessly exploit the presence of all these experts being in a single place on a single day by running aÂ series of brain-picking seminars.
Iâ€™m doing one with the excellentConnected Communities project which gives me a chance to start talking about something that Iâ€™ve been working on for a little while now. Back in the spring I was researching the subject of artists working in productive gardens, talking to people like Fallen Fruit, Amy Francheschini â€“ and more recently Clare Patey of Feast. There is a huge enthusiasm around for this stuff. How can we create new ways to garden? How can we create new places to garden?
That connected with an idea that was put forward by a Fellow and so weâ€™re now on the verge of launching our own project,Â Rethinking the community garden. The recession has meant that there is a lot of land â€“ particularly building land â€“ which is on hold in cities right now. How can we change the idea of gardens as permanent fixtures to something thatâ€™s more flexible, something that maximises land use throughout a city turning semi-derelict land into an asset?
We want to attach that to Fellowâ€™s expertise and experience to make the project come to life in New Cross Gate, South London, an area that Connected Communities are already working in. If you are an RSA Fellow and you want to come along to this, or to any of the other seminars, itâ€™s not to late toÂ register. We need bright heads to brainstorm along the the following lines:
How can we persuade landowners to let us use small parcels of land for one, two or more years, and leave them confident that thereâ€™s not going to be local resentment when they need them back?
How can we persuade gardeners to pour their work into a piece of land they might only have for a single growing season?
How can we help the users design gardens in a practical way on land that may only be available for 18 months?
Research shows that successful garden projects are often run by a small group of people. How can we make a successful garden project that engages a wide slice of the local population?
Thanks toÂ Harmen de Hoop for the use ofÂ Grow Your Own Vegetables â€“ again.