Eve Mosher

Eve Mosher gives HighWaterLine talk in Chelsea on the first anniversary of Hurricane Sandy

This post comes to you from EcoArtSpace

400x271x296dcc3d75b37a6d647d495dcbee7f4f.png.pagespeed.ic.K0gncdebBqArtist Eve Mosher gave a talk as part of the Marfa Dialogues New York on October 30th, 2013, hosted by ecoartspace curator Amy Lipton at the Rauschenberg Project Space. The artist shared the story of her public art project HighWaterLine where she marked the ten-feet-above-sea-level line along nearly 70 miles of coastline, in lower Manhattan and Brooklyn, with a baseball line marker over the summer of 2007. Mosher recently collaborated with ecoartspace curator Patricia Watts to develop an HighWaterLine ACTION GUIDE so that communities anywhere can learn about her work and now mark their own line using Mosher’s project as inspiration. The guide was written for educators, nonprofit organizations and individuals, combining art and science to engage aesthetics while addressing environmental issues. In the guide, a range of waterline marking materials and other artists’ examples are provided, as well as Mosher’s step-by-step process involved in performing the project. This is the first in a series of ten guides that will be created by mid 2015 addressing a range of environmental issues.

During her talk Mosher focused on the evolution of the  project into the Action Guide and her upcoming HighWaterLine projects for Miami, Philadelphia and London. In these cities, community involvement and participation are crucial components in the planning stage, which is already underway. For these new projects she is working on a mapping website that will collect place-based stories, and collaborations with local artists. She elaborated about her collaborative process, the open source aspects of the project and the exponential impacts of giving the work away. Mosher also spoke about the performative part of the project and how initially she did not think of it being a performance. However, in the process of engaging with the public and in conversations with those she met in the streets while walking and marking the line, that it did indeed become a performance work of art.

The talk at Rauschenberg Project Space took place one year and a day after Hurricane Sandy. Though Mosher doesn’t like the role of prophetess, her HighWaterLine did in fact anticipate the flooding and storm surges in some areas of New York that went well beyond her blue marked 100 year flood line – or what anyone thought was possible? Sometimes being a visionary artist is not all that easy and with people’s lives and well being at stake, Mosher’s upcoming HighWaterLine projects take on a new urgency.

ecoartapace ecoartspace is a nonprofit platform providing opportunities for artists who address the human/nature relationship in the visual arts. Since 1999 they have collaborated with over 150 organizations to produce more than 40 exhibitions, 100 programs, working with 400 + artists in 15 states nationally and 8 countries internationally. Currently they are developing a media archive of video interviews with artists and collection of exhibitions ephemera for research purposes. Patricia Watts is founder and west coast curator. Amy Lipton is east coast curator and director of the ecoartspace NYC project room.

A project of the Social and Environmental Entrepreneurs since 1999

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Methodologies: HighWaterLine

This post comes to you from EcoArtScotland

Patricia Watts of ecoartspace recently highlighted the collaboration with artist Eve Mosher producing an Action Guide for HighWaterLine.  Eve Mosher developed HighWaterLine as a personal project, but following Sandy’s impact on New York it went viral (covered by the New York Times and the New Yorker), and rather than travelling around the world doing projects, Eve has worked with ecoartspace to produce an action guide so that people can do it for themselves.  ecoartspace are promising 10 of these based on artists’ projects.

Artists such as Eve increasingly recognising that making their methods explicit so that other people can adopt them is important.  You can find the guide that Eve and ecoartspace have developed here http://ecoartspaceactionguides.blogspot.co.uk/ and more will follow.  We will also categorise posts where methodologies are explicit and reproducible.

Eve just spoke as part of the Marfa Dialogues in New York, and this is how it was described,

Artist Eve Mosher will tell the story of her public art project titled HighWaterLine where she marked the ten feet above sea level line in lower Manhattan and Brooklyn with a baseball line marker over the summer of 2007. Mosher receives many requests to fly to cities around the world to duplicate this project. Since this would be an impossible task, she has recently collaborated with ecoartspace to develop an ACTION GUIDE so that communities around the world can learn about her work and now mark their own line using Mosher’s HighWaterLine as inspiration. The guide was developed for educators, nonprofit organizations and individuals, combining art and science to engage aesthetics while addressing environmental issues. Guide author Patricia Watts and curator Amy Lipton will participate with Eve Mosher for this discussion.

ecoartspace High Water Line

There’s a good video on the project

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Out Now CSPA Q8: International Issue – The Sea is Rising

CSPA Quarterly #8 is now available for purchase through MagCloud. Members, your print and digital editions will find their ways to you shortly!.

Our third international issue focuses on projects that call attention to topics that extend well beyond national borders. With a focus on interdependence, and an abundance of contributions about water, ice, and sea rise, this issue addresses the space between national borders- our oceans. Featuring work from Moe Beitiks, Chantal Bilodeau, Eve Mosher, Michael Pinksy, Christopher Robbins, and Liz Ward.



Q9 Intersection: Science and Culture

We’ve been noticing a flurry of work that exists at the intersection between art and science. This includes installation and performance pieces that challenge scientific claims, and work that utilizes science to prove a point, or to reach a new audience. It’s about fact-imbedded art, or emotions and reasoning co-existing.

CSPA Quarterly 1.0

Our tenth issue anniversary! For this issue, we will breathe new life into our pilot issue, and will check in with those participating artists.