Alfredo Cramerotti

Book about curatorial methodologies on climate change

This post comes to you from Culture|Futures

he book ‘Portable Nation: Disappearance as Work in Progress – Approaches to Ecological Romanticism’ offers a range of geo-political positions and research-curatorial methodologies on climate change and their approaches to ecological romanticism.


Featuring essays on the geopolitics of climate change and the idea of urgency, the book offers a comprehensive snapshot of the aesthetic, political and poetic dimensions of the situation in the island nation intertwined with a global vision of the climate emergency around the world.

The book is based on the work of curators Khaled Ramadan, Alfredo Cramerotti and Aida Eltorie who were commissioned by the Maldives Ministry of Tourism, Arts & Culture to be in charge of the exhibition at the Pavilion of Maldives for the 55th International Art Exhibition of Venize Biennale in 2013.

The book expands on several of the themes which emerged conceptually and artistically in the Maldives Pavilion exhibition and six-month-long public programme, and elaborates them in a philosophical, historical, scientific and poetic register within the specific materiality of a book, with its capacity to extend the time, space and context of the ideas beyond the Venice Biennale. It aims to engage a readership further-reaching than the project’s immediate public.

The publication is structured in three main sections: the artists and their projects presented in the Maldives Pavilion, the parallel projects over the six-month period, and the critical text section which includes interviews and thematic analysis.


‘Portable Nation: Disappearance as Work in Progress – Approaches to Ecological Romanticism’

book cover

Editors: Dorian Batycka, Camilla Boemio, Alfredo Cramerotti and Aida Eltoire
Publisher: Maretti Editore
Year: 2014
Pages: 176
Language: English

» More information about the book at Maretti Editore:

Mohamed Ali, Sama Alshaibi, Ursula Biemann, Stefano Cagol, Wael Darwesh, Moomin Fouad, Thierry Geoffrey (aka Colonel), Khaled Hafez, Heidrun Holzfeind & Christoph Draeger, Hanna Husberg, Laura McLean & Kalliopi Tsipni-Kolaza, Achilleas Kentonis & Maria Papacaharalambous, Paul Miller (aka DJ Spooky), Gregory Niemeyer, Khaled Ramadan, Oliver Ressler, Klaus Schafler, Patrizio Travagli, Wooloo.

Mark Dahl, Ehsan Fardjadniya, Shani Leiderman, Celeste Pimm, Oliver Ressler, Marian Tubbs.

The project was supported by the Danish Arts Council, Mookai Suites, mooinc, The Allam Foundation, bm: ukk – Austrian Federal Ministry for Education, The Arts and Culture, Kultur Steiermark-Department Culture, Europe, Foreign Relations, Pro Helvetia Swiss Arts Council, 6 Contemporary Arts, Material Fonds, HIVOS: People United, Ayyam Projects, The School of Art and College of Fine Art – University of Arizona, Art Sawa Gallery Dubai, Olympus Cinema Male, Imad Agency Photo Archive, The Maldives National Museum, Meyer Sound and CITRIS, Contemporary Practices Art Journal, Transart Institute New York, Horcynus Orca Foundation Messina,

» Maldives Pavilion:

» Chamber of Public Secrets:






Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.

Go toThis post comes to you from Culture|Futures

Powered by WPeMatico