The third in a series of blogs from playwright Lewis Hetherington about his work with Glasgow cycling charity Bike for Good and Creative Carbon Scotland.
Iâ€™m currently Artist in Residence with the brilliantÂ Bike for GoodÂ documenting their Velocommunities project which has two main aims; Firstly, to increase the number of short journeys made by bike in Glasgow and secondly, to raise awareness of climate change.
This is my third blog in this series and has been by far the hardest one to write. As weâ€™ve stopped to take stock of where we are in the process, Iâ€™ve been reminded of the scale and the urgency of the issues which this residency is engaging with.
Before Christmas we made aÂ short film launched at the Climate Challenge Fund Gathering in Perth. Weâ€™re now working towards a longer film which weâ€™ll share as part of Climate Week later this year.
Geraldine and I have been talking about everything that our next film could, and maybe should contain. So of course weâ€™ve found ourselves in conversations about potholes, asteroids, politics, religion, education, schools, alien life, transatlantic flights, shopping, central heating, children, cars, pavements, air quality, skeletons, traffic, motorways, accessibility, solar power, dancing and much much more.
So this has been the hardest blog to write because weâ€™re not at the beginning and weâ€™re not at the end, and when youâ€™re in some way grappling with the climate crisis, youâ€™re kind of dealing with everything all at once.
I was going to write about being warm in a T-shirt in February.
I was going to write about the rift between legislation and culture.
I was going to write about the tension between wanting to provoke and wanting to be thoughtful.
I was going to write about the fact that even some of the most enthusiastic young cyclists Iâ€™ve met still talk with mega excitement about getting a car when theyâ€™re older, and I think how can we challenge that when of course they would want a car when they look out the window everyday and see a city built for cars.
I was going to write about a childrenâ€™s TV show that is basically Top Gear for kids where an extremely excited rally driver grins as she enthuses about sports cars and super yachts.
I was going to write about the striking students across the world that have made me feel genuinely hopeful and inspired and overwhelmed.
I was going to write aboutÂ Greta Thunberg.
I was going to write about what role art can have in advocating for social change.
I was going to write about how some people donâ€™t want art to have a role in advocating for social change, they just want it to distract people and make them feel better for a bit.
I was going to write about the crocuses appearing in Queenâ€™s Park. The purple, yellow and white flowers poking out and reaching up to the sky.
I was going to write about international travel.
I was going to write about how itâ€™s easy to point fingers elsewhere.
I was going to write about how we have to point fingers elsewhere because none of us can solve this on our own.
I was going to write about how pointing fingers sometimes feels abrupt and uncomfortable.
I was going to write about how awful it would be if the world burned just because we didnâ€™t want to do anything abrupt or uncomfortable.
I was going to write about how there are so many people, who are doing SUCH TERRIBLE things for the environment that itâ€™s really easy to go â€˜oh well theyâ€™re worseâ€™ and slip into atrophy.
I was going to write about the fact that Iâ€™m just supposed to be documenting whatâ€™s happening at Bike for Good on Victoria Road so no one needs to hear my free wheeling, nervy musings on this climate catastrophe weâ€™re all facing.
I was going to write about how the first film made some people think and smile and debate and we have some exciting ideas for the next film.
I was going to write about a robot who comes back from the future and tells us a moving story of how we destroyed the earth and convinces us to all change our ways, and thatâ€™s when I knew I was really going into freefall.
I was going to write something that was breezy and upbeat and made it seem like broadly Iâ€™ve got everything under control.
But instead I wrote this.
Iâ€™m reminded of a quote fromÂ Timothy Morton;
We are losing a fantasy â€“ the fantasy of being immersed in a benevolent Mother Nature â€“Â and a person who is losing a fantasy is a very dangerous person.
And also ofÂ Joanna Macyâ€™s call for us to have Active Hope.
Active Hope is not wishful thinking. Active hope is not waiting to be rescued by the Lone Ranger or by some saviour. Active Hope is waking up to the beauty of life on whose behalf we can act.
I was going to try and write an eloquent, robust yet empowering closing statement, but there isnâ€™t an end yet. Weâ€™re right in the middle. And itâ€™s how we write the present that will determine what the end is.
Lewis is working embedded with Bike for Good for two years to document their VeloCommunities project and contribute to their activities widening access to cycling and helping Glasgow to become a more sustainable city.
This artist in residence is part ofÂ Bike for Goodâ€™s VeloCommunities Project, which is funded by theÂ Scottish Governmentâ€™s Climate Challenge Fund.Â Weâ€™ll keep you posted of updates and developments on this blog, and pleaseÂ get in touchÂ with any questions or ideas!
Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â Â
The post Guest Blog: Crises. Crocuses. Creativity. appeared first on Creative Carbon Scotland.
Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.
In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.
We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.
Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:
Changing their own behaviour;
Communicating with their audiences;
Engaging the publicâ€™s emotions, values and ideas.
Go to Creative Carbon Scotland
Powered by WPeMatico