This post comes from Ecoscenography
After an exciting season on the Lower East Side in New York,Â The Living Stage is returning home to Victoria (Australia) â€” this time to the coastal town of Lorne. A centre piece of the Lorne Sculpture Biennale, the project will provide a platform for celebrating the townâ€™s vibrant and eclectic mix of flora and fauna, as well as hosting performances by local artists and musicians.
For those of you that are new to The Living Stage, my original idea (conceived during my PhD in 2012) centred on creating a recyclable, biodegradable, biodiverse and edible performance space that combined stage design, horticulture and comunity engagement. Part theatre, part garden and part growing demonstration, the Lorne project will feature a portable plant-lined stage amongst a corridor of suspended botanical sculptures.
Since its inception in 2013, Iâ€™ve been incredibly lucky to see the project grow and take shape over multiple interations. The Living Stage (Lorne) is our sixth project and it is a concept that continues to travel the world. However, as each living stage evolves out of a direct response to the localities of site, ecology and community, no project is ever the same.
The Lorne project has been created in collaboration with Ashlee Hughes, assistant designer Pia Guilliatt and the local community. Lorne residents, Helen Smith and Colin Leitch have been particularly instrumental in procuring soil, plants and objects for the stage, with more than 45 boxes of plants actively growing in preparation for the Lorne Sculpture Biennale Opening on the 17th of March.
The Living Stage will include a series of performances by local artists over the three weekends from 17. March to the 2nd April. Iâ€™m super excited to announce ourÂ current line-up for The Living Stage performances: including local musicians and dancers that will respond to the unique space that surrounds them. Information about our artists are listed below:
Saturday 17th March: Mountain Grey (live music) 3-5pm
Immerse yourself in the heart of the Blues on The Living Stage. Join us in celebrating an appreciation for all things nature through the lyrical poetry of front man Mike Robinson Koss (vocals/harmonicas/lyrics) and his dynamic ensemble. Complete with vintage guitar tones and bluegrass/ragtime style, this local band combines environmental themes with character and pizazz that will have you tapping your feet and asking for more.
Sunday 18th March: Randall Forsyth â€˜In search of an acoustic shorelineâ€™ (live music) 1-3pm
Randall has a long history of playing guitar on the south west coast in various incarnations, most notably with the Beachniks since the early nineties. The Living stage provides a perfect opportunity for him to explore a more ambient side of his palette. Drawing on the natural sound elements of wind, ocean and forest, he hopes to compliment the natural soundscape rather than dominate with a series of acoustic guitar loops composed and created in real time. Links to contemporary songs may intercede in the overall context of exploring the tidal qualities and interwoven duality of landfall.
EASTER Weekend: 31st March & 1st April: Helen Duncan & Sofie Burgoyne (Dance performance) 9:30-2:30pm (final performance: 2pm)
Two highly skilled dancers will inhabit The Living Stage to grow an original performance piece over a two-day creative development period. Sculpted live during the Easter Weekend, these performers will develop a site-specific, experimental work in response to lush design of living plants. Bring your picnic, kids and your coffee, relax in front of the stage as these performers work hard to create your show. Stop by and have a chat to them and maybe offer some creative ideas. See what has evolved when they perform a final showing for you on Saturday 31st March and Sunday the 1st of April at 2pm.
Sponsored by: the Thrive Research Hub (Melbourne School of Design, The University of Melbourne), the Great Ocean Road Coast Committee and Graham Blashki & Evelyn Firstenberg. This project has been made possible by the community of Lorne, including: Helen Smith, Anne Nadenbousch, Colin Leitch, Sue Grant and Grace Nicholls. Assistant designer: Pia Guilliatt. Set builder: Tim Denshire-key. Plants donated by Batesford Nursery, Bushland Flora, Flinders Nursery, Tavistock Nursery, Tree Growers Advanced (TGA), Warners Nurseries, Rhodo Glen Nurseries.Â
Community workshops in Lorne. Photos by Tanja Beer and Grace Nicholls.Â
Helen Duncan in The Texture of It by Elanor Webber. Photography by Gregory Lorenzuttiâ€™
The post, The Living Stage (Lorne),Â appeared first onÂ Ecoscenography.
Ecoscenography.com has been instigated by designer Tanja Beer â€“ a PhD candidate at the University of Melbourne, Australia, investigating the application of ecological design principles to theatre.
Tanja Beer is a researcher and practitioner in ecological design for performance and the creator of The Living Stage â€“ an ecoscenographic work that combines stage design, permaculture and community engagement to create recyclable, biodegradable and edible performance spaces. Tanja has more than 15 years professional experience, including creating over 50 designs for a variety of theatre companies and festivals in Australia (Sydney Opera House, Melbourne International Arts Festival, Queensland Theatre Company, Melbourne Theatre Company, Arts Centre) and overseas (including projects in Vienna, London, Cardiff and Tokyo).
Since 2011, Tanja has been investigating sustainable practices in the theatre. International projects have included a 2011 Asialink Residency (Australia Council for the Arts) with the Tokyo Institute of Technology and a residency with the Royal Central School of Speech and Drama (London) funded by a Norman Macgeorge Scholarship from the University of Melbourne. In 2013, Tanja worked as â€œactivist-in-residenceâ€ at Julieâ€™s Bicycle (London), and featured her work at the 2013 World Stage Design Congress (Cardiff)
Tanja has a Masters in Stage Design (KUG, Austria), a Graduate Diploma in Performance Making (VCA, Australia) and is currently a PhD candidate at the University of Melbourne where she also teaches subjects in Design Research, Scenography and Climate Change. A passionate teacher and facilitator, Tanja has been invited as a guest lecturer and speaker at performing arts schools and events in Australia, Canada, the USA and UK. Her design work has been featured in The Age and The Guardian and can be viewed at www.tanjabeer.com