The PalaisÂ de Tokyo is honored to present from November 25, 2015 to January 10, 2016, the innovative installation Exit presented byÂ the Fondation Cartier pour lâ€™art contemporain. Based on a prompt set out by French philosopher and urbanist Paul Virilio, this experimental work was created by American artists and architects Diller Scofidio + Renfro in collaboration with architect-artistLaura Kurgan and statistician-artist Mark Hansen with a core team of scientists and geographers for the exhibition Native Land, Stop Eject in 2008, and is now part of the Fondation Cartier collection. Exit is composed of a series of immersive animated maps generated by data that investigate human migrations today and their leading causes, including the impacts of climate change. Its complete 2015 update has been planned to coincide with the pivotal Paris-based United Nations Climate Change Conference (COP21). A crucial opportunity to limit global warming, the COP21 provides a powerful context in which to consider the issues at the heart of Exit: Â«Itâ€™s almost as though the sky, and the clouds in it and the pollution of it, were making their entry into history. Not the history of the seasons, summer, autumn, winter, but of population flows, of zones now uninhabitable for reasons that arenâ€™t just to do with desertification, but with disappearance, with submersion of land. This is the future.Â» (Paul Virilio, 2009)
Commissioned by the Fondation Cartier at a time when human migration flows began to take place on an unprecedented scale, Exit was first shown in its space at the end of 2008 as part of the exhibition Native Land, Stop Eject, and subsequently at the Kunsthal Charlottenborg, Copenhagen during the COP15 in 2009, and at the inauguration of the AlhondigaBilbao, Bilbao in 2010. Conceived as an artwork, Exit uses geo-coded data that was collected from over 100 sources, processed through a programming language and interpreted visually. The work is a reflection on the notions of being rooted and uprooted, as well as related questions of identity, Native Land addressed issues that have continued to intensify. The current asylum crisis makes the 2015 presentation of Exit more timely and relevant than ever.
Exit takes form in an immersive space that presented a 360Â° projection of six animated and thematic maps: Population Shifts: Cities; Remittances: Sending Money Home; Political Refugees and Forced Migration; Natural Catastrophes; Rising Seas, Sinking Cities; Speechless and Deforestation (created in collaboration with AlhondigaBilbao and Unesco).
Using a wide array of sources ranging from international organizations to NGOs and research centers, Exit provides the rare opportunity to visually understand the complex relationships between the various factors underpinning contemporary human migrations. The work has been entirely updated, reflecting the alarming evolution of the data since it was first presented in 2008. In each of the six maps, the connection between humans and their environment has degraded considerably over the past seven years. The number of people displaced by wars, persecutions and violence has reached an all-time peak since the end of World War II, leading to a major political crisis here in Europe, though most of those displaced are hosted in developing countries. Urbanization and large-scale deforestation in tropical countries have continued at a riveting pace, leading to the uprooting of an increasing number of indigenous communities and the resulting loss of their native languages. Current pledges to cut greenhouse gas emissions are judged widely insufficient to achieve the goal of a maximum temperature increase of 2Â°C by the end of the century, and scenarios of a global warming that could reach 4Â°C or even 6Â°C are no longer considered science-fiction.
The success or failure of the COP21 negotiations will be felt for years to come, and will contribute to the course of the planet. Showing Exit for a two-month period at Palais de Tokyo within this context is not just an important artistic event, but also a call to action, as the updated data paints the picture of movement across the globe today. The pixels making up each map represent human experiences, and reveal that our present relationship to our native land is based less on our attachment to a particular place than on our movement across the globe today. The pixels making up each map represent human experiences, and reveal that our present relationship to our native land is based less on our attachment to a particular place than on our movement across it.
The post Echoing Cop21, the Palais de Tokyo Presents EXIT | Diller Scofidio + Renfro , Laura Kurgan, Mark HansenÂ appeared first onÂ MELD.
meld is an ongoing interactive global art platform and collaborative catalyst to commission, produce and present ground-breaking and evocative works of art embedded in the issues and consequences of climate change. meld invites exceptional artists and innovative thinkers dedicated to the moving image and committed to fostering awareness and education to join us in our campaign for social change. Through a collaborative dialogue, we hope to provoke new perceptions, broaden awareness and education and find creative solutions concerning climate change, its consequences and its solutions.
meld was formed by a devoted group of individuals guided by a passionate belief in the power of art to convey personal experience and cultivate social progress. meld is inspired by the idea that when art melds into the public realm, it has the power to reach people beyond the traditional limitations of class, age, race and education and encourage public action.