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Jillian Mcdonaldâ€˜s augmented reality work From the Valley of the Deer, resulting from a residency at Glenfiddich, is now accessible on the Turbulence website.
The press release is as follows,
â€œFrom the Valley of the Deerâ€ is an augmented reality artwork based on Valley of the Deer, a video installation produced in Scotland in 2013. In each city where the installation is exhibited, local GPS coordinates will be haunted by characters and scenes from the video, discoverable on walking tours near the exhibition site. These apparitions may also be stumbled upon as â€˜Points of Interestâ€™ by passersby, the locations visited long after by spirits of a distant valley.
â€œFrom the Valley of the Deerâ€ is a 2013 commission of New Radio and Performing Arts, Inc. for its Turbulence website. It was funded by the Jerome Foundation.
Jillian McDonald is a Canadian artist who divides her time between New York and Canada. She is an Associate Professor of Art at Pace University. She is hopelessly in love with northern places, snow, fog, and the ocean, and since 2006 has watched a healthy amount of horror films. She spent much of the past year living and working in Northeastern Scotland.
Solo shows and projects include the Esker Foundation in Calgary; Moti Hasson Gallery, Jack the Pelican Presents, and vertexList in New York; The San Francisco Arts Commission Gallery and Rosenthal Gallery in San Francisco; Hallwalls in Buffalo; La Sala NaraÃ±ja in Valencia, Spain; and YYZ in Toronto. Her work has been included in group exhibitions and festivals at The Chelsea Museum and The Whitney Museumâ€™s Artport in New York; The Edith Russ Haus for Media Art in Oldenburg, Germany; MMOCA in Madison, Wisconsin; Onsite at OCADU and YYZ Gallery in Toronto; The International Biennial of Contemporary Art in MÃ©rida, Venezuela; The Sundance Film Festival in Utah; La Biennale de MontrÃ©al; and the Centre dâ€™Art Contemporain de Basse-Normandie in Caen, France.
Her work was the subject of a 2013 radio documentary by Paul Kennedy on CBCâ€™s IDEAS. It has been reviewed in The New York Times, Art Papers, The Globe and Mail, The Toronto Star, Border Crossings, and The Village Voice, among others. A discussion of her work appears in several books including Better Off Dead, edited by Sarah Juliet Lauro and Stalking by Bran Nicol.
McDonald has received grants and commissions from The New York Foundation for the Arts, The Canada Council for the Arts, Soil New Media, Turbulence.org, The Verizon Foundation, The New York State Council on the Arts, The Experimental Television Center, and Pace University. She lectures regularly about her work and has attended numerous residencies including The Headlands Center for the Arts in California, Lilith Performance Studio in Sweden, The Lower Manhattan Cultural Councilâ€™s Workspace Program in New York, The Western Front in Vancouver, and The Banff Centre for the Arts in Alberta. In 2012 she represented Canada at the Glenfiddich international residency in Dufftown, Scotland.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established byÂ Chris Fremantle, producer and research associate withÂ On The Edge Research,Â Grayâ€™s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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