Yearly Archives: 2012

Environmental “artshop” and teaching laboratory this fall at Parsons the New School for Design

This post comes to you from Cultura21

From the 27th of September, continuing over a four-month period, artists, designers, architects, dancers, chefs and scientists will be offering a wide array of interactive exchanges, ranging from workshops to of-site explorations at theSheila C. Johnson Design Center (SJDC) atParsons The New School for Design (NYC, USA).

The focus of this laboratory lies in public participation dynamically transforming and shaping the experience of both visitors and artists. Radhika Subramaniam, Director and Chief Curator of the Sheila C. Johnson Design Center and the curator of the lab supports this approach of letting the public engage more and subsequently think more:

“We see the galleries as spaces with which to think, rather than as venues for display.”

The opening reception illustrates the nature of the gallery, as the artist Tattfoo Tan is assisted by a member of the Staten Island Collective 5 P.M. (Poop Machine) ,  a chicken, in  the workshop on raising urban chickens!

For a full program and to sign up for workshops, visit www.SJDCParsons.org.

For more information about the Design Center visit www.newschool.edu/sjdc.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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the family and the world heat up in Nick Payne’s play

Photo: Joan Marcus

This post comes to you from Ashden Directory

Kellie Gutman writes:

If There Is I Haven’t Found it Yet, with Brian O’Byrne and Jake Gyllenhaal, opened in New York’s Roundabout Theatre in September and runs through 25 November.  It was written by Nick Payne, and inspired by his reading of Heat by George Monbiot, about decreasing one’s carbon footprint.  Payne saw that many authors of environmentally-themed books had dedicated them to their children, and it gave him the idea of a father trying to save the planet in order to make the world a better place for his children, and beyond.  But the father is so wrapped up in his work that he fails to notice the problems within his own family.  The New York Times review is here.

Artistic director Todd Haimes writes:

On one level, we are watching a domestic drama play about a mother, father, daughter, and uncle.  But the play also takes on a much bigger global issue.  We all want to do the right thing for both the world at large and for the world of our own family, but maybe that’s impossible.

More George Monbiot on ashdenizen:
roundheads and cavaliers
the negotiator and the polemicist
vanishing act
George Monbiot finds Dr. Faustus the classic text for climate change

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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A ‘Typical’ Day

This post comes to you from Shrimp Boat Projects

Actually, there is no such thing as a typical day for us. Nothing is ever the same on the bay. But our second season of shrimping got going back in mid-April and we have settled into somewhat of a routine. Now thanks to the photography of our friends David Feil and Oopey Mason,  we . . . → Read More: A ‘Typical’ Day

Shrimp Boat Projects is a creative research project that explores the regional culture of the Houston area. The primary site of the investigation is a working shrimp boat on Galveston Bay which serves as a catalyst for labor, discussion and artistic production. Shrimp Boat Projects is co-created by Eric Leshinsky and Zach Moser, artists-in-residence at the University of Houston Cynthia Woods Mitchell Center for the Arts.

Go to Shrimp Boat Projects

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Symposion on culture & sustainable development

This post comes to you from Culture|Futures
The French and Québec ministries of culture organize a symposion on culture and sustainable development 22 and 23 November 2012 in Paris. Read more about the symposion at www.culture-dd12.org  

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

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Event Reminder LA Stage Alliance and Arts:Earth Partnership

LA STAGE Alliance, Arts:Earth Partnership, and partners have several new services and features that can help you improve and manage your space, venue or facility, and help members of the Los Angeles community who are eager to use your space find you!

Join them for a presentation on the growth of SpaceFinderLA.org and Arts:Earth Partnership’s green business certification program!
CLICK HERE TO RSVP – It’s Free, but space is Limited!

Tuesday, October 16
9:30 AM – 12 NOON
@ Groundlings Theatre & School
7307 Melrose Avenue
Los Angeles, CA 90046
For Directions and Parking, please click here!

Terence McFarland of LA STAGE Alliance will talk about the inception of SpacefinderLA.org in Los Angeles, the growth the service has experienced in the last year, explain the history of the inception of Arts:Earth Partnership and how they are transforming the cultural facilities of our region.

Adam Meltzer and Justin Yoffe of AEP will share details about how your organization can benefit by becoming a part of AEP’s expanding Green Business Certification program exclusively for the cultural sector – with 38 cultural facility members in the greater Los Angeles area already and 18 certified, AEP is leading the way in greening the cultural sector. Expanding missions and funding opportunities through the greening of your spaces will also be discussed.

Lisa Niedermeyer of Fractured Atlas will be visiting from New York to share the exciting new features available on SpaceFinderLA – learn how to maximize your space’s listing with new features like Share My Calendar, allowing SpaceFinder users to search for venues based on availability. (I need a meeting space on Saturday morning!)

SpaceFinderLA will now also include the ability to search for film and visual arts related spaces – as the second largest directory of it’s kind in the country, SpaceFinderLA continues to add spaces on a daily basis, and to increase web traffic and searches by people who are looking for your space!

This event is supported by the LA County Arts Commission and the Department of Cultural Affairs, City of Los Angeles.

Just click on the link below and register. It’s free.

CLICK HERE FOR REGISTRATION

After you click on the link, click through where it says “Presentation”

Carbon 13: Ballroom Marfa and Cape Farewell team up

This post comes to you from Ashden Directory

In Marfa, Texas

Kellie Gutman writes: Marfa is a small town of 2,121 people in western Texas.  In 2003, Virginia Lebermann and Fairfax Dorn converted a former 1927 ballroom into a performance and exhibition space called Ballroom Marfa.  In this intellectual environment, issues and perspectives are explored through film, music, art and performance.

Ballroom Marfa contacted Cape Farewell’s David Buckland to curate Carbon 13: From the High Arctic to the High Desert, which runs from 31 August until 20 January 2013.  Eight artists who have traveled with Cape Farewell to the Andes, the Arctic and Scotland’s island communities are presenting newly-commissioned works to highlight the effects of climate change.  The exhibit is supported in part by an Artistic Innovation and Collaboration (AIC) Grant from the Robert Rauschenberg Foundation.

The artists represented are Ackroyd & Harvey, Amy Balkin, Erika Blumenfeld, David Buckland, Adriane Colburn, Antony Gormley, Cynthia Hopkins and Sunand Prasad.

In the online art newspaper, artdaily.org, the reviewer of Carbon 13 wrote:

Ballroom Marfa continues its ambitious mission of presenting art as a transforming media capable of addressing the most pressing issues of our time.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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What does an Ice-Free Arctic mean?

This post comes to you from EcoArtScotland

Stephen Leahy’s article (published by the Inter Press Service) on the “uncharted territory” of an ice-free arctic makes interesting reading.  It’s not just a problem for the indigenous peoples of the circumpolar region.  It’s not just a problem for polar bears, although they are faced with extinction as a result.  And in that context talking about it being a problem for us because it’ll change our weather seems facile.

What is interesting is reading it having just been reading Farley Mowat’s Canada North Now: The Great Betrayal.  The Second Edition was published in 1976, and whilst the impact of extraction industries on the landscape and culture of the North was foremost in the author’s mind, at that time the Arctic Sea Ice was a given.  There is no sense in this book of the Polar Ice Cap changing.  In 36 years we’ve gone from assuming that it’s a given, a permanent feature of the world, to a point where one summer it’ll be gone and the news will cover the first ship at the North Pole.  It’s quite a change.  The speed of change is what we seem to be unable to grasp.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Cartographies Of Hope: Change Narratives

This post comes to you from Cultura21

Gallery DOX – Prague – Nov. 2012 to Feb. 2013

“In the last few years we have witnessed how the corrosion of the three main modes of social imaginary that defined modernity – the market economy, the public sphere, and the self-government of citizens – has reached a critical point. As a result, the increasing number of people in different fields, social scientists, artists, public intellectuals, and activists are calling for rethinking and reinventing social change. Such voices, however, are too often fragmented in their respective boundaries, and, consequently, they have not yet been able to articulate a compelling alternative metanarrative that the public would identify with and which would thus result in a major positive change.

The project Cartographies of Hope: Change Narratives was born out of the sense of urgency and the effort to address this situation. It seeks to bring attention to this condition and to call for joint effort to identify alternatives we can agree. The premise of the project is that narratives of social imaginary play a key role in generating positive changes. Social change is always seen as a certain story, which then becomes an important driver of the change itself. This double function of reflection and agency constitutes a methodological core of the project.”

More information on the project webpage

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Earthrise – Trashing Lebanon (performance)

A threare group aims to use powerful images of everyday garbage, humour and solid facts to examine Lebanese attitudes towards consumption, and prompt them to consider where their trash ends up. Zeina Aboul-Hosn takes a seat in the final performance.

More on the Theatre Communications Group Website here: http://www.tcgcircle.org/2012/08/detrashing-lebanon/

via earthrise – Trashing Lebanon – YouTube.

Summer 2012 Report: Hibernation and Ranger Tales

News from the LA Urban Rangers:

You haven’t heard from us in a while, as the Los Angeles Urban Rangers have been in relative hibernation since our Engagement Party residency at The Museum of Contemporary Art, Los Angeles (MOCA) last summer. Huddled together in the den, we’ve been busy whittling a new video about Public Access 101: Downtown L.A., expanding our virtual ranger station, reflecting on our active past, and imagining trails into the future.

We want to announce to you, our steadfast cohort, that we’ve decided to enter into a phase of temporary dormancy (i.e. you won’t see us out and about, at least in uniform, in the coming months), partly due to long-distance migrations and other exciting metamorphoses among our rangers. Rest assured, our spirit of exploration runs strong and we will keep you posted of any and all adventures ahead.

In the meantime, we’re eager to share several new tales about the Rangers that have appeared in recent months:

  • KCET collected over 30 stories from hikers on our L.A. River Ramble last August, which can be found on Departures. If you have any field notes of your own about experiences on the L.A. River, please let us know!
  • Amelia Foster reflected on our Critical Campout last September in the Fall/Winter 2011 issue of Public Art Review
  • Meredith Drake Reitan wrote a short piece about our Malibu safaris in David C. Sloane’s new book, Planning Los Angeles
  • Bill Kelley’s recent article for KCET’s Artbound is a thoughtful reflection on the topography and artistic climate in which we Rangers continue to explore.
  • Longer “external guides” about the Los Angeles Urban Rangers are expected soon and we will keep you posted.

As always, we enjoy hearing your stories of urban trail exploration! We’ll add your field notes to our Ranger logs.

Your Faithful Stewards,

The Los Angeles Urban Rangers

laurbanrangers.org

via Summer 2012 Report: Hibernation and Ranger Tales.