Okay, so I canâ€™t keep my nose out of itâ€¦
Iâ€™m here in beautiful Eugene, Oregon attending the 2009 Earth Matters on Stage: A Symposium on Theatre & Ecology at the University of Oregon. Last night was the official beginning of the event with keynote speaker Una Chaudhuri giving a talk on what she has dubbed Zooesis, or the discourse of animals (or, rather non-humans) in the media.
As I emerged from the talk I looked at Ian Garrett of the Center for Sustainable Practice in the Arts and Moe Beitiks of the Green Museum Blog and said: â€œIâ€™m not smart enough to be here.â€ Which is to say if the opening moment of EMOS 2009 is a reliable indicator, it will be a highly academic affair. Chaudhuri was followed by obligatory phases of mingling with strangers (not my forte) while smugly observing the corn-based disposable cups, paper plates and napkins, an engaging, often heart wrenching (though also quite academic) play by EM Lewis called Song of Extinction, and the most structured post show discussion (aka talkback) Iâ€™ve ever participated in, led by Cal State LA professor and playwright Jose Cruz Gonzalez. Part of me thought, â€œoh, I shouldnâ€™t have stuck around for this.â€ It had the effect of stifling the power of the play, and its masterly intertwined themes. I jotted on my program during the talkback this tidbit: â€œRobbing the visceral through incessant deconstruction.â€ But thatâ€™s my own problem, right?