â€œAny campaign to protect the wild world which avoids acknowledging our intuitive, emotional relationship with it will leave itself open to the kind of heartless ideological assault it is now receiving from the neogreens. […] Perhaps the best rejoinder to those who believe the world is a giant spreadsheet is an engagement with its messy, everyday complexity.â€
Thus spoke â€œDark Mountain Projectâ€ co-founder Paul Kingsnorth, in an article on the website of The Guardian on August 1st, about the â€œNeogreensâ€ (or â€œneo-environmentalismâ€) movement and their promise that â€œscience and business will provide while nature can adaptâ€.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21â€²s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in LÃ¼neburg, Germany) and Rana Ã–ztÃ¼rk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Douglas Strang asked ecoartscotland to highlight the Carrying the Fire weekend 20-22nd April 2012 at Wiston Lodge near Biggar in the Scottish Borders.
I seen he was carryinâ€™ fire in a horn the way people used to do and I could see the horn from the light inside of it. â€˜Bout the colour of the moon. And in the dream I knew he was goinâ€™ on ahead and he was fixinâ€™ to make a fire somewhere out there in all that dark and all that cold.
from â€˜No Country for Old Menâ€™ by Cormac McCarthy
The Dark Mountain Project is a cultural movement for an age of global disruption. It is a growing network of writers, thinkers, artists, and craftspeople who have stopped believing in the stories our civilisation tells itself. We believe we are entering an age of material decline, ecological collapse and social and political uncertainty, and that our cultural responses should reflect this, rather than denying it. Carrying the Fire hopes to become the northern cousin of Uncivilisation, the main Dark Mountain Festival. Hosted by Wiston Lodge near Biggar in South Lanarkshire, it will be a smaller event, more intimate, but still with a strong programme of speakers, poets and performers. And still asking the question: where are the stories to guide us through this era of crisis and change?
The dominant stories â€“ those that speak of growth, endless progress, more of everything â€“ continue to be proclaimed throughout the land, but thereâ€™s a hollowness in the telling and a growing mistrust of the tale. At â€˜Carrying the Fireâ€™ we will hear from those with a different perspective:
Paul Kingsnorth, co-founder of Dark Mountain, will be there to discuss the Project â€“ where itâ€™s come from and where itâ€™s going.
Margaret Elphinstone will read from and discuss â€˜The Gathering Nightâ€™, which is set during the Mesolithic era. Her novel is a celebration of â€˜wildnessâ€™ and of the â€˜animismâ€™ which once formed the basis of our relationship to the natural world.
Kenneth Whiteâ€™s â€˜Geopoeticsâ€™ is correlated to the Dark Mountain idea of â€˜uncivilised writingâ€™. Norman Bissell, director of the Scottish Centre for Geopoetics, will discuss Whiteâ€™s ideas and use them in an exploration of â€˜the Golden Landâ€™ â€“ the utopian vision which so haunts Orwellâ€™s â€™1984â€².
Sharon Blackie of TwoRavens Press and the soon to be launched journal â€˜Earthlinesâ€™, will discuss the art of storytelling and the ways that stories connect.
And there will be other talks and tellings, including from Luke Devlin, director of the Centre for Human Ecology, the artist Matthew Donnelly, and Gehan MacLeod of the GalGael Trust. There will be art workshops and ecopoetry sessions, storytelling for children (and adults), and opportunities to explore the land and the woods round Wiston Lodge â€“ including Tinto Hill (2334 ft) beneath which Wiston nestles.
In the evenings there will be music from the likes of Mairi Campbell as well as more informal sessions. On Saturday night, we will set off into the woods for the latest instalment of Liminal â€“ an otherworldly mix of art, poetry and physical theatre.
So, if you canâ€™t wait till â€˜Uncivilisationâ€™ in August, or are based in the North and want to support a Dark Mountain event closer to home, join us for what promises to be an amazing weekend on the 20th â€“ 22nd April. Come, celebrate spring amidst the hills of the Borders, gather by the fire in a clearing in the woods. There are stories to be toldâ€¦
For more information and how to book tickets click here.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
One of my favorite poets, Drew Dellinger, has reached Congress through the raw beauty and strength of his words.Â Click here to see Congresswoman Tammy Baldwin refer to Drew’s poem in aid of Al Gore describing our responsibility to our future grandchildren as it relates to climate change.
Iâ€™m really pleased to say that the RSA Arts & Ecology site is hosting a new artwork. Itâ€™s a collaborative piece of poetry created by Melanie Challenger and John Kinsella called Dialogue between the body and the soul.
The idea came from a reading that both poets were invited to in New York in 2007. Though they had worked together â€” John had edited Melanieâ€™s debut collection â€”Â theyâ€™d never actually met, so the event would have given them both that chance. Kinsella lives in Australia; Challenger lives in the UK. But both were becoming increasingly uneasy about the idea of artists travelling internationally just to give readings of their own work.
In the end, neither travelled to New York. Instead, theyâ€™ve decided to create this collaborative work which comes from their decisions to eschew air travel for such events.
The first poem arrived in my email box yesterday; itâ€™s posted on the site today, initiating the exchange. Take a look. Iâ€™m loving the idea of seeing a piece of work like this evolve in my email inbox.
You can link to the poems here tinurl.com/dialoguepoems.
The poets Melanie Challenger and John Kinsella have vowed never to take transatlantic flights to promote their work. For practitioners of a form which often struggles for wider attention, to restrict themselves this way has been a difficult decision. In this new commission for RSA Arts & Ecology, they are collaborating over the next few weeks in an extraordinary exchange of poems that explores their decision. The poems are published online as they arrive. Go to RSA Arts & Ecology
Poets Melanie Challenger and John Kinsella are creating a new online poetry work for the RSA Arts & Ecology Centre based on their decision to abandon long-haul flying for ethical reasons. Go to RSA Arts & Ecology