Activists

New Life Copenhagen: hospitality as art

I am soon to be assigned to a guest house in Copenhagen by the remarkable New Life Copenhagen art project. For five days people I don’t know, who don’t know me, will put me up durng my stay in Copenhagen.

Everything I hear from them, while I wait, makes me more and more admiring of this enterprise.

The Danes feel they have a reputation for being an unhospitable place. New Life Copenhagen has decided to turn this reputation on its head with a phenomenal act of generosity, opening the doors of their homes to 3,000 activists, NGO workers and delegates who are arriving in Denmark over the coming weeks to attend the pivotal COP15 conference.  It’s a spirit of openness you can only hoped will be matched by the governmental delegates.

In this act alone,  Woloo.org’s  Sixten Kai Nielsen and Martin Rosengaard, who created New Life Copenhagen may have already created the most significant artwork to align itself with the COP15 process:

The explain themselves: Instead of inviting artists to contribute art for a traditional museum exhibition, we have chosen to utilize hospitality and the human encounter as an exhibition platform. The purpose of the festival is to create a breeding ground for alternative ways of living together. Individual solutions are not enough. In order to stop climate changes, we have to rethink our way of life collectively.

The artists Superflex, Signa and Marisa Olson are also creating work as part of New Life Copenhagen. Olson will host a live event at Copenhagen’s City Square, Signa are going to produce a guest book in which we can all evaluate each others’ lifestyles, and Superflex are going to ask all of us to commit to a climate-friendly burial in the case that we die during our visit to Copenhagen.

Which is one of those committments I kind of hope I’m not going to have to live up to.

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Hard science vs harder politics

You can find yourself feeling sorry for UK home secretary Alan Johnson, currently embroiled in a messy fracas with his own former scientific advisor on drugs. In the rough and tumble of  pre-election politics, an evidence-based drug policy which advocates the downgrading of the status of cannabis and ecstasy can become  kind of inconvenient.

It’s not hard to imagine a similar situation arising with climate change.

Maybe it already has.

When the government’s former chief scientist Sir David King said back in 2005 that atmospheric carbon dioxide levels needed to stabalise at the level of 550 parts per million there were activists and scientists who were shocked at how high he’d pegged the figure. David King later explained that it would be “politically unrealistic” to demand anything lower.

Sir David King clearly had a better understanding than the sacked Professor David Nutt of what constitutes “science” in the political context.

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Charles Clover: “environmentalists are very boring”

How 2009 became the year of the campaign movie from RSA Arts & Ecology on Vimeo.

Charles Clover energised the campaign to alert the world to approaching fish stock collapse earlier this year with the film The End of the Line. It was a great example of how a single coordinated attack using the right media can produce a quantum leap in awareness. I spoke to him and  the Guardian’s Environment Editor John Vidal about how an imaginative, passionate and above all clever approach can galvanise action and force suppliers and politicians to rethink their strategy.

But he’s scathing about how the broader environment movement has failed to grip the public imagination. Responding to a recent IPPR survey that said the public were “bored” with climate change:

It’s because environmentalists are very boring, he says. They used not to have jobs when I got into this business. They had something very burning and interesting to say which quite a lot of people wanted them not to say, and people tried to shut them up. They were very exciting people to know, and they didn’t have a pension fund. Now they have pension funds and sit around in offices and try and think of something interesting to say, and not a lot of them achieve it.

Has the professionalisation of the climate movement creating a beast that feeds itself? Is that part of the reason the public finds climate activists, in the words of the report “smug”?

Charles Clover and John Vidal were in the house to discuss The End of  the Line at a screening organised by RSA Events who run the best public lectures series you’ll find in London – and you don’t have to work here to think that. Follow them on http://twitter.com/RSAEvents

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Dancers for Dolphins

New Zealand's Soul Speed Activist Theatre and Dance Troupe

Dancing for Dolphins

We can’t see dolphins swimming under the water, getting caught in nets, BUT we can see dancers imitating dolphins getting caught.

Maui’s Dolphins are endangered dolphins found in New Zealand’s waters: There are only about 110 Maui’s Dolphins left. The most significant dangers are entanglement in fishing nets and by-catch.

Read here to see how this group of activists found a powerful way to bring attention to an additional danger disrupting the dolphin’s life: invasive research methods.

Most of the activists are parents, and they want their children to grow up with the dolphins in their shared future of humans, nonhumans and the land.  To protest the research actions, they created a dance.

Go to Eco-Catalysts

How we failed to change minds

Tim Smit

Tim Smit

We know how serious things are. So why doesn’t everyone agree with us? Despite Tim Smit’s  “scream from the future”, attitude change is agonisingly slow.

It’s tough to admit that activists have clearly alienated a lot of the middle ground – the middle ground that needs to change behaviour the most. …

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Narrative shift: telling stories about climate

Last weekend, Robert Butler of the Ashden Directory, in associaton with Charlie Kronick of Greenpeace and writer Caspar Henderson  invited 15 academics, writers and activists to explore the issue of how we create narratives around climate change. RSA Arts & Ecology blogger Caleb Klaces returned enthused by the debate and …

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