Ministry Of Culture

Solidarity Campaign for IDEA (International Drama/Theatre and Education Association)

This post comes to you from Cultura21

IDEA (The International Drama/Theatre and Education Association) currently needs some help from all of us who are supportive of arts education, in a difficult situation they are experiencing at the moment with the Ministry of Culture in Brazil.

The campaign focus in short (quote from Robin Pascoe):

We need to convince Ms Marta Suplicy, Minister of Culture in Brazil to intervene to resolve a case which is seriously damaging the professional and personal lives of key drama educators in the Brazilian Network of Arteducators (ABRA). For three years, ABRA has carried a debt which has now grown to US$300,000, caused by the Ministry of Culture, who have refused to meet the organizers to reach a bilateral resolution, since January 2012.

Please find more details in this PDF file: Letter from IDEA to its members, friends and partners (January 2014) To support this campaign,  please use the following Word document: Action letter (January 2014)

You can also watch this campaign video from Manoela Souza of the Brazilian Network of Arteducators:

This post is also available in: FrenchSpanish.

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Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Prix Coal 2014: PARIS

Prix_Coal_2014_appelThe COAL Art & Environment Prize reveals the wealth of answers brought by artists to current environmental issues. Since 2010, the COAL Prize has honored  ten projects related to environmental issues each year, which are selected through a call for international projects and in which hundreds of artists from around the world participate. One artist is awarded the Prix COAL worth € 10,000 by a jury of personalities from the art and ecology. In 2013 COAL price on the theme  Adaptation , was presented to Lawrence Tixador for its “transitional architecture.”

In 2014, the theme of the COAL Prize is PARIS . Environmental and societal issues of the French capital are numerous: pollution, energy, sprawl, transportation, land use, biodiversity loss, climate change adaptation, etc.. A creative approach to ecology emerges in new social organizations, alternative modes of productions, collaborative ways of living and working that promote usability as well as the happy sobriety. Having long has Paris been the city of light, the symbol of industrial modernity and progress… will she once again shine in the post embodying ecological modernity?

Paris, one of the world capitals of culture and creation, invites artists in 2014 to demonstrate the central role that art can play in a sustainable and responsible city. Artists, predominantly urban, heirs of the diversity embodied in Paris are invited to shake, rethink, reinvent the capital, in a multipolar world and connected to define a fairer and radiant urban culture in harmony with nature.

The COAL Price 2014 will be presented in Paris on 13 February 2014, at a ceremony attended by the ten selected artists and personalities of art and sustainable development.

Established in 2010 by the COAL association, Coalition for art and sustainable development, COAL Price Art and Environment, is under the patronage of the Ministry of Culture and Communication, the Ministry of Ecology, Sustainable Development and Energy and the National Center for Visual Arts.

Download the call for projects pdf

Schedule

The closing date of the call for projects is January 5, 2014 at midnight .
COAL The award will be presented February 13, 2014.

The selection committee and the jury will be announced shortly.

See the jury of the previous edition

Selection of projects

The criteria for selection of projects take into account the artistic value, relevance (understanding of the issues), originality (ability to suggest approaches, thematic or angles of original view), pedagogy (the ability to convey a message , awareness), social and participative approach (engagement, testimony, efficiency, societal dynamics), eco-design and feasibility.

The COAL Price supports artistic projects in progress or planned. Its endowment of € 10,000 does not necessarily intended to cover all production costs of the project and should be considered as an aid to development.

Beyond the presentation of COAL Prize, the call for proposals is also an opportunity to promote artists involved and witness the creative potential of art on the theme of the environment.

Coal wants to promote the networking of these artists with scientists and stakeholders, produces, develops and promotes projects identified by the call for proposals in the context of exhibitions, events and commands. Projects may be a broadcast on resource 0, national arts and ecologies platform, with the consent of the artists.

Application

The application shall consist of the following documents together in a single pdf file ( The application should not exceed 20 pages):

-A summary description of the proposed and illustrated with his artistic dimension and put into perspective with the environmental issue and the annual theme project
– Two high-definition visuals illustrating the project
-A note on the technical characteristics of the project, particularly in terms of infrastructure and means of production
, a budget estimate;
-A Curriculum Vitae and an artistic record.

Submission of applications

All proposals must be submitted on the server COAL before 5 January 2014.

> Put your online folder on the server COAL

Special Conditions

By participating in this call, the authors projects expressly authorize the COAL association publish, reproduce and publicly distribute all or part of the elements of their project for all purposes related to the promotion and communication of project COAL in all media by all media, in all countries and for HOW LONG LEGAL COPYRIGHT. Projects submitted and not selected will remain in the archives of the COAL association. However, they remain the property of their authors. Participation in this call for projects resulting full acceptance of the above conditions.

Contact

For any request please write to:  contact (at) projetcoal.fr

Competition To Design A Sustainable Theatre Now Open

Could You Design a Sustainable Theatre?

World Stage Design 2013 is a celebration of International performance design from the world of theatre, opera and dance. The event will take place in Cardiff, UK  in September 2013, hosted by the Royal Welsh College of Music & Drama and includes an exhibition as well as public performances and installations in non theatre spaces

The Royal Welsh College of Music & Drama is seeking proposals for a competition to design a sustainable temporal theatre, to be built in Cardiff, as part of the World Stage Design 2013 festival.

This competition is open to students and emerging practitioners from across all related disciplines; theatre architects, technicians and scenographers should all see this as an opportunity to develop and apply their practice.   Collaborative proposals are also welcome.

The theatre will be built in the courtyard of the Anthony Hopkins Centre (adjacent to Cardiff castle) and must seat between 100 and 150 people. The structure must be weather and sound-proof and be designed using either existing and readily available building components or alternative sustainable elements. Full entry details available from the website http://www.wsd2013.com/competition/

All design entries will be exhibited on the WSD2013 online gallery, the best ten designs will be exhibited in Cardiff and the winning design will be built and performed in for the duration of the festival.

Deadlines:
Digital submissions must be received by 1 March 2013

Contact details:
Registering interest is available through http://www.wsd2013.com/competition/
Email: WSD2013@oistat.org

WSD2013 is hosted by the Royal College of Music & Drama and is supported by the Welsh Government, OISTAT, the Ministry of Culture Taiwan, & the Society of British Theatre Designers.

COAL Prize Art and Environment 2013: Adaptation

This post comes to you from EcoArtScotland

CALL FOR ENTRIES

Application deadline: February 28th, 2013

http://www.projetcoal.org/coal/category/prix-coal-2013/

The Coal Prize Art and Environment rewards each year a project by a contemporary artist involved in environmental issues. Its goals are to promote and support the vital role which art and creation play in raising awareness, supporting concrete solutions and encouraging a culture of ecology. The winner is selected out of ten short-listed by a jury of well-known specialists in art, research, ecology and sustainable development.

The 2013 Coal Prize will reward entries that focus on adaptation issues. The award of the 2013 Coal Prize will take place in spring 2013 at Le Laboratoire, a private art center specializing in the blending of art and science.

The prize carries an award of 10,000 Euros. Launched in 2010 by the French organization Coal, the coalition for art and sustainable development, the Coal Prize is supported by the French Ministry of Culture and Communication, theFrench Ministry of Ecology and Sustainable Development, the National Centre of Fine Arts (CNAP), Le Laboratoire, PwC and a private benefactor.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

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Organizers of the Prague Quadrennial announce the new title and concept for 2011

The twelfth edition of the biggest international exhibition dedicated to scenography and theatre architecture Prague Quadrennial (PQ) will take place in June 2011, however, organizers are already busy preparing it. The PQ 2011 wants to introduce a large number of performance disciplines from theatre and visual arts to even larger audience than in 2007 when almost 30.000 visitors and 5.000 active participants visited the PQ 07.

After more than 40 years of existence, the Prague Quadrennial International Exhibition of Scenography and Theatre Architecture is changing its name to the Prague Quadrennial of Performance Design and Space, with the goal of breaking down the often imaginary differences between the performance fields. “In the next edition we want to include a wider range of disciplines and genres connected to performance design and to observe current trends in contemporary performance,” explains Sodja Lotker, Artistic Director of the PQ. This is also the reason for widening the international team of curators and commissioners for each section and project. Boris Kudlička, Slovak stage designer, was appointed the General Commissioner of the PQ.

The Prague Quadrennial will be traditionally divided in three main sections: the Section of Countries and Regions, the Architecture Section and the Student Section. “In these days we officially call for countries from all over the world to take part in all three sections and we announce the deadline for applications – 30th June 2009,” says Pavla Petrová, the Director of the PQ and the Arts and Theatre Institute. The event is focused on professionals and general public.

The Prague Quadrennial is announced by the Ministry of Culture of the Czech Republic and it appoints the Arts and Theatre Institute to be the organizer. More information can be found at www.pq.cz.

The Prague Quadrennial of Performance Design and Space is the largest event of its kind in the world – presenting contemporary work in a variety of performance design disciplines and genres – costume, stage, light, sound design, and theatre architecture for dance, opera, drama, site specific, multi-media performances, and performance art, etc. Every four years, since it’s establishing in 1967, the Prague Quadrennial has presented work from more than seventy countries, from five continents, in individual countries’ expositions in three competitive sections. The Golden Triga is awarded for the best exposition as well as gold medals.

The largest part of the PQ 2011 will be again the Section of Countries and Regions that represents works from all performance design disciplines in each country and region in the past six years. The organizers hope that the national curators will have a strong concept that will introduce unique and specific contemporary trends in a given country or region. Works can be presented in a group exhibition, a monographic exhibition of a single artist or an exposition/installation that it itself is performance space. Organizers hope to strengthen presentation in all scenographic disciplines at the PQ 2011 and relations among them. Fifty-one countries from five continents took part in this section in 2007.

Like in the previous years, vast space will be dedicated to students of art schools in the so-called Student Section. After great success of the last edition of the PQ, the project Scenofest will strengthen the educational aspect again. It is a common project of the Prague Quadrennial and the International Organization of Scenographers, Theatre Architects and Technicians (OISTAT). The program of Scenofest will consist of workshops, lectures, performances etc. The great interest from the students in the PQ 07 demonstrates the importance of the event; 2.200 students of theatre and art schools took part in it.

The Architecture Section will deal with the question “What is a theatre now?”. The section aims to strengthen a dialogue among theatre architecture, stage design and contemporary theatre. It is conceived as a gathering ground for stage designers and other theatremakers with creators of theatre space. The section will focus on all types of theatre space: constructed (built), performed (improvised) and imagined (unbuilt) in the 21st century.

Although the exhibition takes place in 2011, the deadline of the applications for the countries and regions which are interested in participating in the PQ 2011 is 30th June 2009. Each country participating in the PQ must appoint its own curator who sends the obligatory application for the individual sections and coordinates the representation of their country in the PQ. Further artistic and organizational conditions of participation in the PQ are stated in the Statute and Concept and can be found at www.pq.cz.

Other programs that will address the international public will accompany three exhibition sections of the Prague Quadrennial. Programs are designed to create a platform for creative exchange between the theatre professionals, students and public. A successful program in the streets of Prague will be repeated, as well as the program PQ for Children.

The PQ 2011 is prepared by an international team of professionals. Dorita Hannah, an architect and stage designer from New Zealand was appointed a Commissioner of the Architecture Section. A leading British sound designer Steven Brown became a curator of sound design. Simona Rybáková, Czech costume designer and the winner of the Golden Triga in 1999, is a curator of a costume project Extreme Materials. American lighting designer Cindy Limauro will lead Scenofest. A German director and theatre researcher Thea Brejzek was appointed the curator of theory. A Czech stage designer and director Tomáš Žižka is in charge of a project focused on African theatre. An interactive installation/performance called Intersection will be an important part of the PQ 2011 with many international partners. The whole event will be accompanied by a rich program composed of lectures, presentations, discussions, costume shows, meetings and theatre performances.

A Slovak stage designer Boris Kudlička is the General Commissioner for the Prague Quadrennial 2011. Kudlička works mainly for opera, ballet and film. He has collaborated with many leading scenes in Europe and the USA and important directors and conductors like Mariusz Trelinski, Roman Polanski, Keith Warner, Dale Duising, Kent Nagano or Placido Domingo. Boris Kudlička has taken part in three editions of the PQ and he won the Golden Medal for the best use of theatre technology in 2007. He also received Dosky 2003 award, Norwid Award (Polish Theatre Institute), the Award of the Minister of Culture of Poland Gloria Artis.

The core of the PQ management is Pavla Petrová – Director, Sodja Zupanc Lotker – Artistic Director, Daniela Pařízková – Deputy Director and Petr Prokop as Head Manager. 

The place and date of the PQ 2011 will be announced during 2009 because the left wing of the Industrial Palace that hosted the PQ in previous years was destroyed by fire in October 2008.

Detailed information including a concept, status and archive of past editions of the Prague Quadrennial since 1967 are available at www.pq.cz