Imaginations

Culture’s role in environmental change

This post comes to you from Culture|Futures

The British newspaper The Guardian asks: What have the cultural and creative industries got to do with climate change?

guardian-culture-network

“Climate change is not just about the climate – it will have huge knock-on effects on human rights, economics, democracy, equality and social and civil justice landscapes.The cultural and creative industries already make work that reflects implicitly and explicitly on these issues listed above. We already stir the imaginations, minds, emotions, spirits and souls of audiences on these subjects. So why is environmental sustainability the topic so often missing from the list? The window for averting climate change is narrow. If we want to choose our own path, not have one forced upon us, we need to take responsibility and act now. We must have the courage to programme much more work about environmental issues…”

Guardian Culture Professionals Network – 15 July 2013:
Culture’s role in environmental change The live and digital work of the cultural and creative industries is key to a low carbon transition and future, says Hannah Rudman

Guardian Culture Professionals Network’s Facebook page

Newsletter from The Guardian Culture Professionals Network
Date: 16 July 2013
Subject: Culture’s role in environmental change | Sustainability should be at the heart of our artistic vision 

What have arts and culture got to do with climate change?

“As a sector we are a powerful collective imagination and a trusted voice” – so starts consultant Hannah Rudman in her piece for us on the role the culture sector must play in making positive environmental change. “We must tell stories of hope and warning about what the future holds.”

There’s no doubt about the capability of the arts to create life-changing experiences — and life will change quite significantly if we don’t look after our planet.

The facts and figures might speak for themselves, but the arts can make them speak louder. “Our disruptive, audacious thinking can get people engaged,” adds Hannah. “Our stories about ecological sustainability and greener living will be essential to preparing us all for a new ecosystem. Statistics cannot motivate us in the same way stories can.”

And for more stories on sustainability in the arts, read these from director of Julie’s Bicycle, Alison Tickell: why sustainability should be at the heart of our collective artistic vision; and

why reporting data will give the arts confidence to act.

Matthew Caines | Journalist | matthew.caines@guardian.co.uk

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Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.

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Jonathan Jones faces the empty museum

This post comes to you from Ashden Directory

Guardian art critic Jonathan Jones on the sixth extinction:
“Human activity endangers entire species, yet human culture is profoundly rooted in nature. The loss of a species is also a loss of the images, stories, symbols and wonders that we live by – to call it a cultural loss may sound too cerebral: what we lose when we lose animals is the very meaning of life…The range of animals and plants threatened by the sixth extinction is such that it menaces the foundations of culture as well as the diversity of nature. We are part of nature and it has always fed our imaginations. We face the bare walls of an empty museum, a gallery of the dead.”

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

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Geologic City

New Yorkers co-exist intimately with the traces of powerful geo forces. Apartments made of red sandstone from the Triassic (245-208 million years ago) both shelter us and populate our visual space. Rockefeller Center elevates and displays limestone from the Mississippian Period. The iron of the Manhattan Bridge stands as a message from Pre-Cambrian times.

Geologic City: a field guide to the GeoArchitecture of New York will visualize the reality that modern life and geologic time are deeply intertwined. With the field guide in hand, residents and visitors will be able to interact with familiar, even iconic New York architecture and infrastructure in an unexpected way: by sensing for themselves the forces of deep time that give form and materiality to the built environment of the City.

During 2010-11, we will research geologic materials of New York’s architecture and infrastructure and design the printed field guide and a supporting website. The project will illustrate several themes: geologic time is neither inert nor inaccessible; geologic time has composed—and continues to compose—the materials that make New York City; through design, humans enculturate those materials as the city’s architecture and infrastructure.

The City’s architecture and infrastructure depends upon extractions of geologic materials that took millennia to form. Yet, we have virtually no cultural awareness of this reality. Some people argue that this is because humans are cognitively incapable of imagining deep time. We disagree. With this field guide to New York’s geoarchitecture, we offer a speculative tool that humans can use to project their imaginations into deep time as they move through the City. We believe that as works made in response to geologic time become more common, human capacities to design, imagine, and live in relation to deep time will expand.

Geologic City is funded in part by a grant from the New York State Council on the Arts, Architecture Planning & Design Program, 2011.
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Geologic City: a field guide to the GeoArchitecture of New York is a project of Friends of the Pleistocene (FOP). An illustrated project description can be viewed here.

Project updatese will be posted at fopnews.wordpress.com

For more information contact: Jamie Kruse and Elizabeth Ellsworth at smudgestudio@gmail.com