Energy Future

Field Guide to Renewable Energy Technologies

This post comes to you from Green Public Art

This month the Land Art Generator Initiative released a free Field Guide to Renewable Energy Technologies. The first edition handbook will likely serve as a useful resource for artists and anyone else interested in a clean energy future. LAGI makes special note that “some of the more interesting examples that may be applicable as a medium for public art installations are the translucent thin films which can be flexible and offer interesting hues and textures, piezoelectric generators that capture vibration energy, and concentrated photovoltaics, which allow for interesting play with light.”

The second edition (scheduled release unknown), will include pros and cons, lifecycle carbon costs, and more detailed diagrams of the technologies.

Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the master’s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.

Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public art’s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements.

Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project. Go to Green Public Art

$10,000 in prize money for Climate Fix Flicks

Climate scientists from Macquarie University, the University of Melbourne and Monash University have launched a short film competition, Green Screen: Climate Fix Flicks.

Professors Tim Flannery, Lesley Hughes and Ann Henderson-Sellers are seeking film submissions of between 30 seconds and five minutes that communicate positive messages about a zero or low carbon, clean energy future. Fifteen films will be shortlisted and publicly screened in Sydney around the Australian Film Festival in March 2012. Entries will be judged by a panel of well-known artists, film-makers and scientists including Kimble Rendall (Matrix and I, Robot) and Professor Tim Flannery.

The winning entry will receive $5000, up to five films will be awarded ‘highly commended’ prizes of $500 each, and there is a people’s choice award worth $2500. Participants are encouraged to push their creative boundaries! This competition is a great opportunity to have work seen by high profile film and television professionals as well as audiences around the country.

Deadline for submissions is February 10th 2012.

See www.greenscreen.org.au for further details and official entry form..

Proudly supported by CLIMARTE

Future Arcola Weekly Video Blog

We have also started a new project to track the progress made in our new home on Ashwin Street!  You can visit our new YouTube Channel, ArcolaEnergy1, which will have regular video updates.

Check out our video for Week 2!

httpvh://www.youtube.com/watch?v=QhzcERbVlrk

Arcola Energy – Future Arcola \”The Transformation\” (Week 2)

Check out our video for Week 1!

httpvh://www.youtube.com/watch?v=jxcCeE7U3aM

Arcola Energy – Future Arcola \”The Transformation\” (Week 1)

Go to Arcola Energy

What’s up Autumn 2010?

Our 2010 Autumn Energy Newsletter is complete! Follow this link to read it…
http://www.arcolaenergy.com/contribute/going-green/arcola-newsletter/

We have also started a new project to track the progress made in our new home on Ashwin Street!
You can visit our new YouTube Channel, ArcolaEnergy1, which will have regular video updates.

Check out our video for Week 1!
Arcola Energy – Future Arcola \”The Transformation\” (Week 1)

Go to Arcola Energy

PLATFORM: ‘C Words’

PLATFORM: ‘C Words’ – 3 Oct-30 Nov
at Arnolfini’s ‘100 Days’ to Copenhagen – 29 Aug – 6 Dec

Marking the countdown to the 15th United Nations Conference of the Parties on Climate Change (COP 15), opening in Copenhagen on 7 December, the artist-activist group PLATFORM and their collaborators are presenting ‘C Words: carbon, climate, capital, culture. How did you get here and where are we going?’ from 3 October – 29 November at the Arnolfini Gallery, Bristol.

  • The PLATFORM events are the centrepiece to the Arnolfini Gallery’s 100 Days, from 29 August to 6 December, a season of exhibitions, performances, screenings and debate around issues of climate change, social justice and the relationship between art and activism.
C Words is a two-month investigation into carbon, climate, capital and culture. PLATFORM and their collaborators will hold over 25 events, installations, performances, actions, walks, courses, discussions and skills-sharing.

C Words cross-examines the present and looks to the next two decades. It investigates how everything from carbon offsets and transport, to racism and bank accounts play their part in the carbon web. How will culture be produced in a low ene rgy future? Can we imagine our way from here to there?

PLATFORM members will be in residence at Arnolfini throughout the project. The season will build towards a public departure to COP 15.

Seven new commissions are part of C Words:

  • Ackroyd & Harvey: The Walking Forest – In the spirit of slow travel, people are invited to bring a small tree or sapling to add to The Walking Forest, Ackroyd & Harvey’s Bristol time-based artwork.
  • African Writers Abroad: All Change! – African Writers Abroad (PEN) presents new commissioned work and workshops from poets Dorothea Smartt and Simon Murray on climate change and justice.
  • Hollington & Kyprianou with Spinwatch: Adams and Smith – Adams and Smith are auctioneers of late capitalist period artefacts, with provenance and history provided by Tamasin Cave and Spinwatch. Live auction included.
  • Institute for the Art & Practice of Dissent at Home’s Half-Term Holiday – Two adults and three children will set up a homemade activist cell to take action against Carbon, Climate Chaos and Capitalism. Join them for their half-term holiday.
  • Laboratory of Insurrectionary Imagination: Experiment Number 10 – This will involve building an irresistible weapon of creative resistance, which will be unleashed during the COP 15 summit.
  • Trapese Collective: Experiments against Enclosure – Tools to reclaim the Commons – The Trapese Collective present dayschools, film nights and an installation for your participation.
  • Virtual migrants: The Centre Cannot Hold – Multimedia installation, live dialogues and music performances explore the racial underpinnings of climate change, and the potential for a super-holocaust in the global south.
Also collaborating are Amelia’s Magazine, Art Not Oil, Carbon Trade Watch, The Corner House, Feral Trade, FERN, Greenpeace, Live Art Development Agency, new economics foundation & Clare Patey, Sustrans – Art & the Travelling Landscpae, Ultimate Holding Company and other artist and activist ‘co-realisers’.

Arnolfini’s ‘100 Days’

The title ‘100 Days’ refers back to the project for Documenta V (1972) by Joseph Beuys, the influential artist/activist, as well as aiming to give a sense of urgency in the lead-up to the Copenhagen conference. In addition to the PLATFORM events, the season includes exhibitions by Ursula Biemann, Ocean Earth and Barbara Steveni of the Artists Placement Group, and an ongoing Speakers Corner.

www.100days.org.uk has details of events and how to get involved, either by attending or posting news of other events and comments.

‘C Words: carbon, climate, capital, culture. How did you get here and where are we going?’

www.platformlondon.org

www.100days.org.uk

www.arnolfini.org.uk