Creative Industry

AHRC Collaborative Doctoral Award Opportunity

For a PhD on “New Visual Economies: Art, GIS and the Geographic Imagination,” supervised by Prof. Deborah Dixon in partnership with Environment Systems.

Project Summary:

This is one of three interlinked PhD studentships that, in collaboration with three organisations in different sectors — a scientific site (UNESCO’s Dyfi Biosphere, Wales), a geovisualisation business (Environment Systems, Wales and Scotland), and a leading cultural producer (The Arts Catalyst, London) — explore the production and audience engagement of art/science projects.

The “New Visual Economies” Studentship will explore the creation and experience of immersive, engaging visualisations that communicate the nature of landscapes to a diverse array of audiences, including state agencies, creative industry businesses and the lay public. Analysing the place of aesthetics in developing the geographical imaginary of these visualisations, research will explore how high-fidelity, high-resolution, data-driven, 3-D scientific visualizations are developed by artists, computer specialists and earth scientists working collaboratively. Research questions can include:

  • What recent developments in creative geovisualization software have taken place, and how have these been applied to visualisations of people, place and landscapes?
  • How, where and in what form have past and present art/GIS collaborative ventures emerged?
  • How do audiences respond, conceptually but also viscerally, to such geovisualisations?

The studentship will be animated by ethnographic work, as well as by practice-based research during which the student will create, explore and work with a prototype landscape geovisualisation. Following an investigation of the aesthetic dimensions of geo-visualisation, as well as art/GIS collaborations specifically, the project will focus on ethnographic analysis and participant observation of three selected, current art/GIS projects. This will be supported by in-depth interviews with key participants, as well as academic and industry experts within the emerging field of ‘creative GIS.’

The awards are funded by the Arts and Humanities Research Council, and the studentship pays post-graduate fees and an annual maintenance grant.Please note that the usual AHRC eligibility rules apply to these studentships. UK residency is normally required. EU citizens may also be eligible for fees-only awards. Further details on basic eligibility requirements are available from the AHRC web-site see:

http://www.ahrc.ac.uk/FundingOpportunities/Documents/GuidetoStudentFunding.pdf

Further enquiries can be sent to the lead supervisor: Deborah Dixon: dxd@aber.ac.uk

Applications should be made by following the link: http://www.gla.ac.uk/colleges/scienceengineering/graduateschool/prospectivestudents/essentialinformation/

Funded PhD: theatre and learning for sustainability

This post comes to you from EcoArtScotland

‘Sustaining the imagination: theatre and learning for sustainability’

3 year funded PhD hosted by the School of Culture and Creative Arts at the University of Glasgow in partnership with Catherine Wheels Theatre Company – Further informationClosing date 9th July 2012.

Theatre Studies at the University of Glasgow is seeking to award one fully funded PhD studentship to commence 1 October 2012.

The studentship, which will support three years of full-time study, is funded through the AHRC Collaborative Doctoral Awards Scheme. Within the wider School of Culture and Creative Arts, the studentship will be based in the Theatre Studies’ subject group. The studentship is with non-academic partners Catherine Wheels.

The student will undertake a critically informed and contextualised practice-based doctoral thesis exploring how site-orientated theatre can facilitate children’s engagement with sustainability learning. Reviewing the landscape of theatre that connects with environmental and climate change agendas, the research will suggest original ways in which place-based rather than issue-based performance can engage children in developing everyday sustainability practices. Through the partnership with Catherine Wheels Theatre Company, the student will have an opportunity to acquire a range of creative industry skills and knowledges whilst developing critically-informed work which aims to respond to one of the greatest and most pressing challenges of our time. Working directly with Catherine Wheels, and supported by its Artistic Director Gill Robertson and Company Producer Paul Fitzpatrick, the student’s practice-led research will be developed at and respond to two contrasting sites: a primary school located in an urban context (Glasgow) and another in a rural context (East Lothian). 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Culture|Futures conference in Milan, Italy: Oct 19, 2011

This post comes to you from Culture|Futures

The amazing Palazzo Marino in Milan will October 19th 2011 be the setting for another international Culture|Futures conference, which in Milan is organised by Ragnarock Association in cooperation with the City of Milano and other partners.

The conference will discuss the role that Scandinavian and Italian actors in the creative industry have in reaching an ecological age that is the Culture|Futures vision for 2050.

The conference will also be focusing on the way design, food, fashion and innovation can guide people towards more sustainable standards of living in the next few years.

To speak at the conference, Culture|Futures and Ragnarock have invited several guests from the sector to talk about how they connect creativity and sustainability, the guest-list includes among many others Kigge Hvid (CEO of INDEX), Francesco Paulo Zurlo (Vice director of INDACO) and Guizy Bettoni (Director of CLASS).

For further details on the Culture|Futures Conference in Milan and the full program and guest-list of the day download the Culture Futures programme

For registration  please write conferenza@ragnarock.eu

Please also see, RSVP the Italia Facebook Event page

If any other question, please contact:

Elisabetta Ferrario

e-mail: elisabettaferrario@ragnarock.eu
mobile: (+39) 3473578941.

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Artist Commission: Nils Norman – Loughborough University Arts

“Public Workspace Playscape Sculpture Loughborough” is a prototype for an outdoor public play/workstation, composting unit, a roof planter, wifi-hotdesking area and rocket oven.

The design embodies 5 core concepts – play, organisation of the work place, DIY-eco design, defensive street furniture, and the public sphere. Creating an absurd prototype for a new kind of creative industry workstation, public sculpture and piece of street furniture. Expanding the work place into public space, conflating the modern factory space with the urban space of the public park.

As innovations in creative industry workspaces ape those of traditional public spaces: The Agora, the Market Place, the Street and Boulevard so too the privatised and enclosed spaces of the city and its various civic spaces: the Museum, the University, the Park, etc begin to reproduce the conditions and design of the factory. With gates, surveillance, controlled usage, prescriptive recreational areas and productive activity zones.

In order to capture and maximise those moments between work, those lost minutes having lunch,time-out, between class, walking home, weekends, cigarette breaks, family time… a new space and design is required to potentialise those seconds that are the elements of profit. Enclosing creativity and leisure, its activities and spaces, in order to harvest value.

Nils Norman has developed his own mix of art and activism, examining histories of utopian thinking and ideas on alternative economic systems that can work within urban living conditions.

Recent solo shows include;

Surrounded by Squares, Raven Row, London, 2009

Degenerate Cologne, Galerie Christian Nagel – Köln 2006

The Homerton Playscape Multiple Struggle Niche, City Projects – London 2005

Hey Rudy!: A Phantom on the Streets of Schizz, Galerie Christian Nagel – Berlin 2003

The Geocruiser, the University of Cambridge Botanic Garden and The Institute of Visual Culture, Cambridge – England 2001

Recent group exhibitions include;

It Starts From Here, De La Warr Pavilion – Bexhill on Sea 2007

Revolution is not a Garden Party, Galerija Miroslav Kraljevi – Croatia 2007

British Art Show 6, Newcastle (touring) 2005/6

50th International Art Exhibition Venice Biennale – Italy 2005

via Artist Commission: Nils Norman – Loughborough University Arts.

Green Sundays start at Arcola Theatre

Arcola Energy will host Green Sundays on the first Sunday of each month, starting with a launch on 1 March. The Green Sundays are free events, and the public is welcome to drop in to Arcola Theatre throughout the day from 1:30 – 7:30 pm.

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The Green Sundays programme will feature music, games, films, speakers and readings based loosely on an issue under the climate change umbrella, such as food, travel, energy or politics.

Green Sundays are intended to demonstrate how a creative industry, such as theatre, can provide a space to discuss the environment and how people can work together to tackle climate change.

The March launch theme was food – growing, making, enjoying and sustaining food. The day included meals, short films and a screening of ‘Our Daily Bread’, a reading from The Hungry Cyclist: Pedalling the Americas in Search of the Perfect Meal by the author Tom Kevill-Davies, an open mic session and presentation of the Food Chain Campaign by Friends of the Earth,

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Arcola’s partner for Green Sundays is Be The Change.

www.arcolatheatre.com 
www.arcolaenergy.com 

a: 27 Arcola St 
London, E8 2DJ 
Nearest station- Dalston Kingsland

Go to the Ashden Directory