Challenges

Emergence presents: Resilience in the Face of Challenge Creu Cymru at WSD2013

ImageFri 13 Sept 9.30 – 11.00

AHC Conference room

Creu Cymru is the development agency for theatres and arts centres in Wales. It currently has 44 member organisations who pay an annual fee to receive a range of services. With support from the Welsh Government’s Support For Sustainable Living Fund, Creu Cymru is working with Cardiff University, Julie’s Bicycle and Cynnal Cymru-Sustain Wales to develop a project to support the theatres and arts centres of Wales in becoming more resilient in facing the challenges of the 21st Century, particularly addressing the following 3 areas: energy and waste – consumption & treatment, the supply chain – examining theatre production and touring, communicating to audiences the issues and potential solutions

This session is designed to give theatre makers and producers an opportunity to hear how the project is progressing and work together on collaborating over programming and artistic response. The event will be a learning seminar to share best practice and showcase this project to an international audience.

Price: £6

BUY TICKETS 

Eight UK museums set out to ‘make carbon history’

This post comes to you from Culture|Futures

tyne-and-wear-museums590Eight museums in the Tyne and Wear in the north east of the United Kingdom are taking action to address climate change. In April 2013, they launched a new initiative called ‘Make Carbon History’. The first goal is to reduce their carbon footprint by 12 percent within the next two years.

With the UK Government committing to reduce carbon emissions by 80 percent by 2050, museums across the north east of the country, in a region called Tyne and Wear, have decided they want to play their part in helping to achieve this target.

Led by Tyne and Wear Archives and Museums (TWAM) through the Museum Development Programme funded by Arts Council England, ‘Make Carbon History’ is a two-year programme of support that will enable museums to reduce their carbon footprint by 12 percent by 2015, whilst helping reduce their carbon footprint and become more sustainable. And not only that, they also want to help create a sustainable future for communities across the region.

“Art and culture has played a huge role in Tyne and Wear’s regeneration, however, the sector faces significant challenges ahead,” explains Sarah Carr, Senior Museum Development Officer at TWAM. According to her, the initiative is about creating a sustainable future for the region’s museums and in this way to ensure that they can continue to have a positive impact on the surrounding communities: “The purpose of museums is to inspire and educate, and I hope that the action we are taking to address climate change, will also influence museum audiences to look at how they can implement sustainability and reduce their own carbon footprint.”

The not-for-profit low-carbon consultancy CO2Sense will work with the eight museums to identify and implement practical solutions to minimise their carbon emissions through reduced grid energy demand and sustainable facility management. These measures will allow the museums to reduce their energy bills, whilst also creating a more comfortable environment for visitors, staff and volunteers.

Environmental commitment 
Tyne and Wear Museums is a grouping of 11 museums and galleries in the north east of England, administered by a joint board of local authorities. The group writes on its home page that its commitment is to provide “a world-class service that is sustainable and which aims to minimise the environmental impacts of our operations. We are committed to continually improving our green policies and will work to reduce our consumption of gas, electricity, water and other materials.”

“The Director is fully committed to supporting the green campaign and champions green issues including setting a corporate objective in the organisation’s operational plan, chairing the TWAM Energy Reduction Group and ring-fencing an allocation of capital resources for sustainable ‘invest to save’ initiatives.

The Senior Management Team takes the lead on environmental performance, awareness and engagement activities for TWAM. Managers throughout the organisation are committed to improving the physical infrastructure and environmental management of their individual venues, and minimising the environmental impact of services they provide.

Staff are encouraged to participate in green polices and are kept up to date with green initiatives and activities through:
• Staff newsletter
• Quick tip emails to staff on energy saving and recycling
• Minutes of the Energy Reduction Group

TWAM has achieved the Julie’s Bicycle certification programme standard, Industry Green, which acknowledges its environmentally responsible business practices, and its commitment to ongoing improvement.

The Industry Green (IG) Standard is the environmental certification scheme managed by Julie’s Bicycle which provides an audit report of environmental performance covering energy, waste, water and travel.

The four core Industry Green criteria are:
• Commitment
• Understanding
• Improvement
• Communication”


The museums across Tyne and Wear who are currently engaged in the programme are: Bebe’s World, Heugh Gun Batterty, Killhope Lead Mining Museum, Woodhorn Museum, Oriental Museum, Durham Light Infantry, Middlesborough Institute of Modern Art, and Hexham Old Gaol.

For more information on how CO2Sense work with museums, you can contact Kristina Lomas on e-mail: Kristina [DOT] Lomas [AT] co2sense [DOT] co [DOT] uk or visit their home page:co2sense.co.uk

Sources: 
dur.ac.uk/oriental.museum/news
twmuseums.org.uk

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
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Tauris by Sarah Moon

tauris-image-with-black-1Sarah Moon’s new play Tauris will be performed as a staged reading at the Wild Project in New York March 16th and 17th.

She’s fundraising with Kickstarter to help cover the costs of production, rehearsal and publicity. This reading is an important step in the development of the play and I feel grateful to have the opportunity to workshop it with a great cast, director and music director before another revision and full production — Tauris has been accepted into the Planet Connections festival in June.

This play adapts the Greek drama Iphegenia at Tauris, mashing it up with sci-fi elements, contemporary issues and music to create a story that is adventurous, dramatic and sometimes funny. The play aims to address the challenges we face as a society and as individuals regarding a shift away from a one-way relationship with nature to real sustainability. The goal is not to preach or “teach the world to sing.” We’re well past the shaming phase of environmentalism, we’re well past believing in a utopian back-to-land fantasy. Where does that put us? This play explores where we’re at now relative to re-shaping our relationship to the earth and each other and the personal issues we face in coming to terms with the fact that no one of us can make the journey alone.

We’re raising $2,500 to cover the costs of production. Whether you can contribute $3 or $30 or more, it means a lot. And if you don’t have a cent to spare, but know some people who would be interested in supporting this project, please pass this along.

Tickets: https://web.ovationtix.com/trs/pr/921097.

Contribute: http://www.kickstarter.com/projects/1310353082/staged-reading-of-tauris

Creating climate change parks – greenspace scotland

This post comes to you from EcoArtScotland

A new e-resource launched today by greenspace scotland, in partnership with Scottish Natural Heritage, will help park and greenspace managers respond to the challenges of climate change by creating ‘climate change parks’.  Full story at creating climate change parks – greenspace scotland

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Conference 12 – Delivering Sustainable Theatres

This post comes to you from Cultura21

12 June 2012 – Stratford Circus, London

The challenge of achieving the triple bottom line

Conference 12 looks at the sustainable design, development and operation of theatre buildings in relation to environmental, economic and social disciplines, and the challenges of delivering sustainable theatres for future generations. The conference will look at what sustainable development now means for theatres, what opportunities exist for theatre buildings in the new National Planning Policy Framework, how funding programmes are now promoting more sustainable capital development of theatre buildings, and what is needed to ensure theatres can meet the triple bottom line head on and continue to thrive.

The conference will explore the way how theatre buildings have addressed the sustainability agenda and introduced new technologies and adapted to meet rising energy costs, tougher environmental building standards, economic constraints and the expectations of the audiences,  and they will also share the experiences of the 48 London theatres on The Theatres Trust ERDF funded ECOVENUE project.

Conference 12 will be of interest to those trying to maximise economic, social and environmental returns from their theatre buildings through redesign, adaptation or new builds. It provides the opportunity to discuss these issues with other theatres, government and arts policy makers, theatre consultants and architects and take part in the debate.

Final deadline for registration is 9 June 2012

For more details and registration, click here.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

CSPA Quarterly: On Art & Agriculture

The seventh issue of the CSPA Quarterly is now available!  Cultures around the world rely deeply on both local creativity and agricultural activity. Creative culture and agriculture are inextricably linked, and both are facing challenges as we globalize. This issue contains stories from public projects, visual installations, film, and theater, and examines local vegetable farming, cotton and rice paddy industries, and shrimpboating.

Featured artists include Susannah Mira, Thomas Buttery, Jeremy Pickard, Hui Ling Lee, Eric Leshinsky and Zach Moser.

http://www.magcloud.com/browse/issue/328247/follow

TEDx Youth @Thames Event – 20 November – ZSL London Zoo

If the voices of young people alive today were heard in parliaments, councils,
courtrooms and corridors of power, what would we do differently? If future
generations not yet born could speak to us now, what would they say about the
world we hand down to them?

With speakers who have innovative ideas and creative solutions to the challenges intergenerational justice poses for topics such as climate change and sustainability, democracy, law, and economics, its certain to be a fascinating afternoon. For more information including how to book tickets, see HERE

The event is part of a global network of independently organised TED events.

Go to Arcola Energy

“In The Meantime”

This post comes to you from Cultura21

October 3rd, 2011
“The New School” (USA)

“In 1992 Jack Persekian founded Anadiel Gallery, the first and only independent gallery for Palestinian artists in Jerusalem. Persekian later founded the Al-Ma’mal Foundation to continue the gallery’s mission and to further promote, instigate, and disseminate the production of art in Palestine. In his talk, Persekian will share his experience – the challenges and the outcomes – of creating a space for Palestinian artists in Jerusalem. Have the methods for working in contested spaces, such as Israel, changed over the years? Does art have the potential to engage a zone of conflict in a different way than politics? Persekian was Head Curator of the Sharjah Biennial (2004–2007), Artistic Director of the Sharjah Biennial (2007–2011), and Director of the Sharjah Art Foundation (2009–2011).”

Al-Ma’mal Foundation:  www.almamalfoundation.org

The “Zones of Emergency: Artistic Interventions – Creative Responses to Conflict & Crisis” Fall 2011 lecture series investigates initiatives and modes of intervention in contested spaces, zones of conflict, or areas affected by environmental disasters. The intention is to explore whether artistic interventions can transform, disrupt or subvert current environmental, urban, political, and social conditions in critical ways. A crucial question is how can such interventions propose ideas, while at the same time respecting the local history and culture.

More information at the Zones of Emergency Blog: http://zonesofemergency.mit.edu/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

ecoartscotland: Scotland’s new resource on culture and the environment

ecoartscotland is a new project focused on the connections between culture and environment.  It is a platform for practice and research focused on the cultural challenges of environmental crisis.

The ecoartscotland website http://ecoartscotland.net has:

  • information on artists,
  • resources for learning projects,
  • highlighting formal education courses,
  • and including an extensive bibliography,

ecoartscotland draws on a wide range of sources to provide up to date information on everything from funding and creative opportunities to key policy and exemplary practice.

You can subscribe to a weekly news digest from the site, and we would be very happy if you would add us to your press mailing list.

Chris Fremantle
ecoartscotland
http://ecoartscotland.net
chris@fremantle.org