Carrying The Fire

Merz DIY

This post comes to you from EcoArtScotland

e421449f2b5aca03a0e6369369fb25c2Miki, who along with Christine I met at Carrying the Fire where they were doing their Travelling Hearth project, asked me to post this, promoting Merz DIY this summer.  It’s an opportunity to experiment with being thinkers, builders, dwellers.  I should think the stuff on Let’s Remake might be useful.

Also download and circulate as a pdf: Merz DIY 13 e-flyer. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Carrying the Fire 2013

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6201c9215101d5900cd50d839a74b1e8Dark Mountain “feels like the beginning of the story of the world. Not a world shaped by politicians

or by global corporations, but by storytellers and singers who make us feel at home on the earth.”

Charlotte Du Cann, The Independent

14th-16th June at Wiston Lodge near Biggar,

South Lanarkshire

An intimate festival of ideas, poetry, music, and performance.

Exploring the connections between the arts, ecology and cultural resilience.

With talks/performances from:

  • Jay Griffiths, author of ‘Wild’ and ‘Kith’
  • Sara Maitland, author of ‘Gossip from the Forest’
  • Chris Fremantle, ecoartscotland
  • Neil Harvey, GalGael Trust ‘Metaforestry’
  • Mairi Campbell & Em Strang

For further information go to: carryingthefire.co.uk

In association with The Dark Mountain Project and Wiston Lodge

Please download the flyer Carrying The Fire 2013 pdf and circulate

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Podcast of Paul Kingsnorth from RANE

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Paul Kingsnorth of the Dark Mountain project will be at Carrying the Fire 20-22nd April in Biggar.  For those interested, he also recently spoke at RANE in Falmouth and they just put up a podcast.

“And so we find ourselves, all of us together, poised trembling on the edge of a change so massive that we have no way of gauging it. None of us knows where to look, but all of us know not to look down. Secretly, we all think we are doomed: even the politicians think this; even the environmentalists. Some of us deal with it by going shopping. Some deal with it by hoping it is true. Some give up in despair. Some work frantically to try and fend off the coming storm. Our question is: what would happen if we looked down? Would it be as bad as we imagine? What might we see? Could it even be good for us?”

Uncivilisation: The Dark Mountain Manifesto, Paul Kingsnorth and Dougald Hine, 2009

Non-fiction author, poet and novelist, Paul Kingsnorth is one of the UK’s most original – and controversial – writers on the environment. His first book, One No, Many Yeses (2003), explored the rise of the global resistance movement. In 2008, his polemic travelogue Real England: The Battle against the Bland was described in the Independent as “a watershed study, a crucially important book”. In 2009, Paul co-founded the Dark Mountain Project, a global network that aims “to bring together writers and artists, thinkers and doers, to assault the established citadels of literature and thought, and to begin to redraw the maps by which we navigate the places and times in which we find ourselves”. Paul is also a former editor of the Ecologist magazine and a frequent contributor to national newspapers.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Carrying the Fire

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Douglas Strang asked ecoartscotland to highlight the Carrying the Fire weekend 20-22nd April 2012 at Wiston Lodge near Biggar in the Scottish Borders.

I seen he was carryin’ fire in a horn the way people used to do and I could see the horn from the light inside of it. ‘Bout the colour of the moon. And in the dream I knew he was goin’ on ahead and he was fixin’ to make a fire somewhere out there in all that dark and all that cold.

from ‘No Country for Old Men’ by Cormac McCarthy

The Dark Mountain Project is a cultural movement for an age of global disruption. It is a growing network of writers, thinkers, artists, and craftspeople who have stopped believing in the stories our civilisation tells itself. We believe we are entering an age of material decline, ecological collapse and social and political uncertainty, and that our cultural responses should reflect this, rather than denying it. Carrying the Fire hopes to become the northern cousin of Uncivilisation, the main Dark Mountain Festival. Hosted by Wiston Lodge near Biggar in South Lanarkshire, it will be a smaller event, more intimate, but still with a strong programme of speakers, poets and performers. And still asking the question: where are the stories to guide us through this era of crisis and change?

The dominant stories – those that speak of growth, endless progress, more of everything – continue to be proclaimed throughout the land, but there’s a hollowness in the telling and a growing mistrust of the tale. At ‘Carrying the Fire’ we will hear from those with a different perspective:

Paul Kingsnorth, co-founder of Dark Mountain, will be there to discuss the Project – where it’s come from and where it’s going.

Margaret Elphinstone will read from and discuss ‘The Gathering Night’, which is set during the Mesolithic era. Her novel is a celebration of ‘wildness’ and of the ‘animism’ which once formed the basis of our relationship to the natural world.

Kenneth White’s ‘Geopoetics’ is correlated to the Dark Mountain idea of ‘uncivilised writing’. Norman Bissell, director of the Scottish Centre for Geopoetics, will discuss White’s ideas and use them in an exploration of ‘the Golden Land’ – the utopian vision which so haunts Orwell’s ’1984′.

Sharon Blackie of TwoRavens Press and the soon to be launched journal ‘Earthlines’, will discuss the art of storytelling and the ways that stories connect.

And there will be other talks and tellings, including from Luke Devlin, director of the Centre for Human Ecology, the artist Matthew Donnelly, and Gehan MacLeod of the GalGael Trust. There will be art workshops and ecopoetry sessions, storytelling for children (and adults), and opportunities to explore the land and the woods round Wiston Lodge – including Tinto Hill (2334 ft) beneath which Wiston nestles.

In the evenings there will be music from the likes of Mairi Campbell as well as more informal sessions. On Saturday night, we will set off into the woods for the latest instalment of Liminal – an otherworldly mix of art, poetry and physical theatre.

So, if you can’t wait till ‘Uncivilisation’ in August, or are based in the North and want to support a Dark Mountain event closer to home, join us for what promises to be an amazing weekend on the 20th – 22nd April. Come, celebrate spring amidst the hills of the Borders, gather by the fire in a clearing in the woods. There are stories to be told…

For more information and how to book tickets click here.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland