CREATING CHANGE CAPSTONE
I recently graduated from North Dakota State University, and this entire spring was devoted to my senior capstone project. I had chosen to write a research paper about how artists can influence and make environmentally friendly decisions while creating art. It was incredibly discouraging to work on the project while campus was shut down for COVID-19 and while the media was relentlessly throwing new and terrifying information at me through my TV, phone, and laptop. Nevertheless, I completed a twenty-page paper all about artists and green production ideas and created a YouTube video about my thesis that many peers and professionals viewed!
â€” C.C. Manstrom (Fargo, North Dakota)
(Top photo: The Earth and Askanase Hall, my homes.)
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FEED THE BIRDS
Iâ€™m obsessive about keeping the backyard bird bath filled, year â€˜round. Are we seeing more birds because of the necessitated decrease in human activity during COVID-19, or because we are home 24/7 now, and able to observe the birds? Our native plant-landscaped yard sees a lot of hummingbird and bee activity, as well as the lively routines of mockingbirds, house sparrows, mourning doves, and crows. Now the bird population is so spirited and varied that even a red-tailed hawk stopped in to watch the action. As our yard grows, so does the wildlife.
â€” Bethia Sheean-Wallace (Fullerton, California)
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ASPIRATION FOR CLIMATE COURAGE
Being a local volunteer and the founder of the Art and Sea Initiative sometimes feels like being Cassandra of Greek mythology: she is cursed to see the future, but no one will believe her. This is perhaps the most daunting aspect of climate change. We know the frightful impacts and we know what we need to do to avoid global calamity; however, we have failed to make the necessary efforts to create systemic global change. But I do not fear for the future, because I know that most now believe in the need for climate action.
â€” Zahra Rafeeq Bardai (Hoover, Alabama)
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THE CARBON FOREST
Selecting â€œoffset your flightsâ€ always felt too easy. How could I ever comprehend my carbon emissions, flying Canberra-Singapore-New York, premium economy return, for a business trip?
Thatâ€™s 9.9 tonnes of COâ‚‚e.
15 Eucalyptus viminalis seedlings to sequester one tonne.
149 trees. Two full daysâ€™ planting: the landâ€™s degraded and droughtâ€™s made it dry.
Now theyâ€™ve just got to be looked after â€“ for the next hundred years. If there are no more really bad bushfires. Which there almost certainly will be.
Just for one travellerâ€¦ one tripâ€¦ that next time Iâ€™ll insist it be done via videoconference.
â€” Adam SÃ©bire (Craigie, Australia)
This series is edited byÂ Thomas Peterson. One of the editors of Artists & Climate Change, he is also a theatre director and researcher whose work focuses on the climate crisis.
Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.
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