The new year brought major breakthroughs and inspiration for the 2018-19 Superhero Clubhouse Fellows who shared their progress last month at the SHC Salon. Spoken word poet Shy Richardson and climate scientist Karina Yager traveled from New York City to Puerto Rico to explore the resilience of the island during and after Hurricane Maria for the performance they are currently developing. With the help of a NET/TEN travel grant, the generosity of El Puente LCAN (Latino Climate Action Network), and Shy’s family, the team spent six days on the island and met up with David Ortiz, Program Director of El Puente Puerto Rico.
A sister hub of El Puente in Brooklyn, this branch of the social and climate justice organization had an important role to play in the aftermath of the storm. David explained that money was raised to buy and distribute thousands of solar lamps to Puerto Ricans, many of whom had to wait months for power to be restored after the hurricane. These seemingly small and simple tools became beacons of hope in the darkness.
In addition to El Puente staff and volunteers, the team conducted interviews with Shy’s family members, climate experts, and other residents of the island. The team asked each one of their interviewees the question: What is your hope moving forward? They heard answers ranging from wishes for a more sustainable Puerto Rico as a whole to the very personal desire for family members to be alright in the aftermath. From the big picture of the island to the health of individuals, these hopes are connected.
What does this kind of collective wellbeing look like? For David, it wasn’t an image, but a sound. He said he first knew that everything was going to be okay after the storm when he heard balls bouncing in the street. Kids were outside playing again. Breathing, rebounding, yelling – sounds of life. “The hope brought back the sound,” David remarked. Soon, neighbors were coming out of their homes, sharing resources, and in some cases, meeting each other for the first time.
Shy and Karina are now in the process of taking the materials collected on their trip (hours of interviews and hundreds of pictures) and mixing them with their own text to create a performance piece. Shy is filtering the experience through her poetic skill, creating a series of poems capturing the displacement one can feel after a loss, whether it be of a home or a loved one. Much of the work has been colored by the recent passing of Shy’s beloved grandmother, Maria. In the poem “How to Make Pasteles as Per the New York Times,” Shy mixes the traditional recipe with memories of Maria preparing the dish. When the narrator remarks that you “assumed you’d have forever to learn,” it aches with love and regret. It also drives home how the loss of a matriarch can shift your position in your family and your worldview.
Karina is embarking on an additional trip that will also inform the piece. She’s traveling to the Andes region of South America, where she studies the social and ecological impacts of climate change on mountain environments, to conduct glacier research. Rapidly melting tropical glaciers affect pastoral agriculture and local indigenous communities. Though the glacier is literally thousands of miles away from Puerto Rico, Karina sees a connection through the global water cycle. As she continues to unlock the narrative potential of water moving through this system, she will examine larger themes of loss and change over time.
Shy and Karina left those who attended the last Salon sessions with a wealth of material from their travels.
The sound of a ball bouncing
The sound of a glacier melting
The sound of a story told
A recipe recited
An island honored
For every loss, a hope
What will Shy and Karina create from this thoughtful and intentional investigation? A work-in-progress of Trés Marias was performed on March 23 at The Tank in New York City, marking the culmination of Superhero Clubhouse’s six-month paid Fellowship for environmental justice and performance. Weaving personal stories of loss and resilience that bridge New York, Puerto Rico, and the glacial Andes, Trés Marias is a love poem to the communities that emerge from the wreckage of displacement. Associate Fellows Aya Lane and Imani Dennison also showed a work-in-progress of Drexciya, an underwater mythical resistance story honoring the black diaspora’s complicated relationship to water.
This is the fourth of five blogs in our Building Bridges series about the intersection of environmental justice and performance. These blogs will be responding to a monthly Salontaking place at The Lark in New York where our Fellows, Associate Fellows, and others in the Superhero Clubhouse community are exploring this intersection in their own ways.
Megan McClain is the resident dramaturg for SHC’s series of Planet Plays, Flying Ace, and other projects and co-leads The Salon. As R&D Program Director at the Civilians, she’s guided the work of over 70 writers, composers, and directors creating original works of investigative theatre. She is also the Accessibility Manager at The Lark. Additional dramaturgical/literary work for Goodman Theatre, Disney Theatrical, Hartford Stage, PlayPenn, Playwrights Realm and more. M.F.A Dramaturgy: UMass Amherst.
Artists and Climate Change is a blog that tracks artistic responses from all disciplines to the problem of climate change. It is both a study about what is being done, and a resource for anyone interested in the subject. Art has the power to reframe the conversation about our environmental crisis so it is inclusive, constructive, and conducive to action. Art can, and should, shape our values and behavior so we are better equipped to face the formidable challenge in front of us.
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