Yearly Archives: 2013

Arts projects in the Transition Network

This post comes to you from Culture|Futures

transition-articles-headerThe Transition Network is a growing network of over a thousand communities around the world. The network “supports community-led responses to climate change and shrinking supplies of cheap energy, building resilience and happiness.” The summer issue of the magazine Transition Free Press, which was published on 1 May 2013, contains four articles about arts projects that relate to the topics of sustainability and ecology in various ways. In summary:


Art and Science meet at new Bee Festival

The Louth Festival of the Bees, organised by Transition Louth in the United Kingdom in May 2013, combines biological sciences with an art exhibition, exploring “the relationships between the aesthetic and the rational”.

“We may not, single-handed, be able to stop war, cure disease, end hunger, or save the planet, but we can, each of us, plant some flowers that give insects a better chance and make our world a little more beautiful,” writes Biff Vernon, a teacher who grows vegetables and flowers in Lincolnshire, and is, according to the magazine editor, “attempting to save the planet one Facebook post at a time.”

“If we are to make the transition to a truly sustainable post-industrial society, protection of biodiversity must be an urgent priority. The festival aims to raise awareness of biodiversity, focussing particularly on wildflowers and all their pollinators,” Biff Vernon writes.

Louth Festival of Bees includes a Family Fun Day, Conference Day and Art Exhibition with stalls, exhibitions, children’s activities, workshops, talks about wild bees, wild flowers, beekeeping and art.

transitiontownlouth.org.uk/bees.html


Anne-Marie Culhane and the art of ‘Abundance’

Anne-Marie Culhane, a performer, activist and catalyser of projects who lives in Cornwall in the United Kingdom, tells about the projects ‘Abundance’ and ‘The Diary Keepers’, about the festival ‘Grow Sheffield’, and about exploring the dynamic relationship between the artist and the community:

When Anne-Marie Culhane talks about Art, it is not as it is commonly understood, a commodity to be bought and owned, but a narrative co-created by people seeking to bring the earth and belonging into an urbanised culture.

“I’ve always been uncomfortable with the perception of an artist as a solitary creator who’s outside society,” she tells Transition Free Press.

To be resilient in the face of ecological and economic challenges, communities need to be adaptive and collaborative. As climate scientists admit, “we’re not managing to communicate properly”. Because what inspires us to change are not dry facts, but celebration, creativity, and most of all, belonging:

“We can’t go into any meaningful thinking about the future unless we are examining how we live now, and the diversity of the way different people in the community live now: really looking, taking time, slowing down, observing our place within natural cycles, seeing what we share. So we can say: OK, this is where we’re at. From this point we can look forward.”

Anne-Marie Culhane developed a project, ‘Diary Keepers’, to engage people into thinking about these things by keeping a diary for a month, where they would be trying to answer questions about what it is like to live now.

For Anne-Marie Culhane everything began when she came across climate change as a student of geography: “I was overawed by what it meant,” she said. Characteristically her first piece of work did not appear in a gallery, but in a city park in Leeds – twelve installations, actions and performances during one year.

“I began to ask: How can I support people to grow their own food, to be more knowledgeable about what they’re eating, to start seed-saving and seed-sharing and using organic and permaculture methods which nourish the land and communities? This where the main energy for ‘Grow Sheffield’ came from.

The idea was to hold a big season of events around harvest, giving people from different backgrounds lots of points of access – some creative, some more practical. We had guerrilla gardening in the city centre, a film screening and open space session in a local cinema, poetry walks and Allotment Soup, a celebration of allotment culture, with artists taking up mini-residencies on different allotments.”

Her creative project ‘Abundance’ started from an idea about harvesting unwanted fruit from street trees, but it also quickly took foraging and growing stuff to another level and became about doing and being with people.

www.amculhane.co.uk
www.charlotteducann.blogspot.com


Firing up the imagination

Jeppe D. Graugaard writes about ‘The Telling’ which he describes as “a new kind of grassroots, power-down, artistic event which draws on various forms of storytelling, performance, music and craft to explore what living through a time of transition means.

“Born in the imagination of Warren Draper, The Telling is inspired by The Dark Mountain Project and created on a DIY ethos as a reaction against the debilitating effect of the entertainment industry on folk culture.

The enchanting performance of Mr. Fox is just one of many that evening set in the post-apocalyptic Church View courtyard, which is adorned by a large mural by street artist Phlegm, depicting an archer sitting in a giant horn shooting down human bones tied to floating balloons. And the evening programme is just the culmination of a series of events and workshops that ran throughout the day: a pop-up cinema, the Sheffield City Giants (15 ft large puppets), bread-making, make-do-and-mend, a singing workshop, a talk on peace, and my absolute favourite: making iron in a clay foundry.

This diverse mix of activities and performances makes The Telling a place to be inspired and to learn practical skills at the same time.”

More information, pictures and videos of The Telling can be seen online atforthetelling.wordpress.com.

Jeppe D. Graugaard is a writer and researcher at UEA, with an interest in grassroots movements and projects. More of his writing is available on patternwhichconnects.com


Arts book in the making: mapping arts and ecological living

Fifteen artists and writers gathered at a Writing Residency at Lumb Bank in Yorkshire to lay the first tracks down for a groundbreaking workbook – mapping ways in which the arts inspire a different way of living within the ecological limits of the planet, reported Lucy Neal.

“At Lumb Bank we glimpsed an everyday ‘art of living’ which now remains to build on and articulate over the next few months, as the book and the project come together.”


You can read these four articles in full here:

Transition Free Press – Issue 2, Summer 2013 – published on 1 May 2013:
issuu.com/transitionfreepress


More about the Transition Network

Transition and literature

“Stories shape the way that we act,” says Shaun Chamberlin, author of ‘The Transition Timeline’, in this interview which is an excerpt from the film ‘In Transition 1.0: From oil dependence to to local resilience’ from March 2012.


A transition art piece

About the art piece Oil Memorial
Another excerpt from the same film, ‘In Transition 1.0’.


• Transition Towns channel on YouTube
www.youtube.com/user/TransitionTowns

• Documentary film from April 2012
The Transition Movement – An Introduction

• TEDx presentation about the Transition Towns and Transition Network
“My Town in Transition: Rob Hopkins at TEDxExeter” – 1 May 2012

• The Transition Network’s home page:
www.transitionnetwork.org

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

Powered by WPeMatico

Call for participants: “Field_Notes – Deep Time”, 15th – 24th September 2013, Kilpisjärvi Biological Station, Lapland/Finland

This post comes to you from Cultura21

sanaa-1024x768“Field_Notes – Deep Time” is a week long art&science field laboratory organized by the Finnish Society of Bioart at the Kilpisjärvi Biological Station in Lapland/Finland. Five working groups, hosted by Oron Catts, Antero Kare, Leena Valkeapaa, Tere Vaden, Elisabeth Ellsworth and Jamie Kruse, together with a team of five, will develop, test and evaluate specific interdisciplinary approaches in relation to the “Deep Time” theme.

“Field_Notes – Deep Time” is in search of artistic and scientific responses to the dichotomy between human time-perception and comprehension, and the time of biological, environmental, and geological processes in which we are embedded. The local sub-Arctic nature, ecology, and geology, as well as the scientific environment and infrastructure of the Kilpisjärvi Biological Station will act as a catalyst for the work carried out.

Dates and places:

15th – 22nd September 2013, field laboratory at the Kilpisjärvi
Biological Station
23rd, 24th of September 2013, conference in Helsinki

Application process:

The organizers are looking for 25 artists, scientists and practitioners, who are interested to develop, collaborate and work in one of the below mentioned groups.

Application including CV, group preference and a max A4 letter of motivation and/or direction of possible Field_Notes research/contribution are to be sent to erich [dot] berger [at] bioartsociety [dot] fi

Application deadline: 31st of Mai 2013

The organizers welcome artists, scientists and practitioners from different fields to apply. They will pay for the journey from Helsinki to Kilpisjärvi and back, as well as for full board and accommodation at the Kilpisjärvi Biological
Station for the whole working week. Participants from outside of Finland have to take care of their travel to Helsinki and possible necessary accommodation in Helsinki themselves.

Groups, hosts and fields:

During one week the five groups will approach the “Deep Time” theme from different angles. They will organize themselves in work groups, think tanks, and workshops. They will carry out their work in their related field environment, as well as have common activities of lectures, presentations and feedback sessions. Expected results include abstracts, collaborations, data, documentation, future workshops, hard an software, ideas, knowledge, photos, presentations, prototypes, skills, sounds, projects, videos and more. The languages used are Finnish and English.

The five groups are:

* Journey to the Post-Anthropogenic
hosted by Oron Catts, takes place in the sub-Arctic nature, in the lab, and in the study

* Deep Futures in the Making
hosted by Elizabeth Ellsworth and Jamie Kruse, takes place in the sub-Arctic nature and in the study

* Deep Time of Life and Art
hosted by Antero Kare, takes place within the sub-Arctic geology of bedrock, sediments and caves, the lab and the study

* Time and Landscape
hosted by Leena Valkeapää, takes place in the sub-Arctic landscape, amongst reindeer and the Sami culture

* Second Order
hosted by Tere Vaden, takes place amongst the working groups and in the study

More information at: http://bioartsociety.fi/deep_time/  or contact erich [dot] berger [at] bioartsociety [dot] fi

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Continuous Cover Forest Policy

This post comes to you from EcoArtScotland

Cathy Fitzgerald has just blogged about the The Green Party in Ireland who have just launched it’s Forest Policy (read the press release here).  This new Policy argues that

“Ireland’s public forests are at a point where, non clearfell, continuous cover forest systems need to be introduced and supported to fully realise the full long term economic, environmental and amenity values of Ireland’s forests.”

Helen Mayer Harrison and Newton Harrison would, we are sure, endorse this – it’s the sort of Policy that they were proposing in amongst other works, the Serpentine Lattice.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Powered by WPeMatico

Eight UK museums set out to ‘make carbon history’

This post comes to you from Culture|Futures

tyne-and-wear-museums590Eight museums in the Tyne and Wear in the north east of the United Kingdom are taking action to address climate change. In April 2013, they launched a new initiative called ‘Make Carbon History’. The first goal is to reduce their carbon footprint by 12 percent within the next two years.

With the UK Government committing to reduce carbon emissions by 80 percent by 2050, museums across the north east of the country, in a region called Tyne and Wear, have decided they want to play their part in helping to achieve this target.

Led by Tyne and Wear Archives and Museums (TWAM) through the Museum Development Programme funded by Arts Council England, ‘Make Carbon History’ is a two-year programme of support that will enable museums to reduce their carbon footprint by 12 percent by 2015, whilst helping reduce their carbon footprint and become more sustainable. And not only that, they also want to help create a sustainable future for communities across the region.

“Art and culture has played a huge role in Tyne and Wear’s regeneration, however, the sector faces significant challenges ahead,” explains Sarah Carr, Senior Museum Development Officer at TWAM. According to her, the initiative is about creating a sustainable future for the region’s museums and in this way to ensure that they can continue to have a positive impact on the surrounding communities: “The purpose of museums is to inspire and educate, and I hope that the action we are taking to address climate change, will also influence museum audiences to look at how they can implement sustainability and reduce their own carbon footprint.”

The not-for-profit low-carbon consultancy CO2Sense will work with the eight museums to identify and implement practical solutions to minimise their carbon emissions through reduced grid energy demand and sustainable facility management. These measures will allow the museums to reduce their energy bills, whilst also creating a more comfortable environment for visitors, staff and volunteers.

Environmental commitment 
Tyne and Wear Museums is a grouping of 11 museums and galleries in the north east of England, administered by a joint board of local authorities. The group writes on its home page that its commitment is to provide “a world-class service that is sustainable and which aims to minimise the environmental impacts of our operations. We are committed to continually improving our green policies and will work to reduce our consumption of gas, electricity, water and other materials.”

“The Director is fully committed to supporting the green campaign and champions green issues including setting a corporate objective in the organisation’s operational plan, chairing the TWAM Energy Reduction Group and ring-fencing an allocation of capital resources for sustainable ‘invest to save’ initiatives.

The Senior Management Team takes the lead on environmental performance, awareness and engagement activities for TWAM. Managers throughout the organisation are committed to improving the physical infrastructure and environmental management of their individual venues, and minimising the environmental impact of services they provide.

Staff are encouraged to participate in green polices and are kept up to date with green initiatives and activities through:
• Staff newsletter
• Quick tip emails to staff on energy saving and recycling
• Minutes of the Energy Reduction Group

TWAM has achieved the Julie’s Bicycle certification programme standard, Industry Green, which acknowledges its environmentally responsible business practices, and its commitment to ongoing improvement.

The Industry Green (IG) Standard is the environmental certification scheme managed by Julie’s Bicycle which provides an audit report of environmental performance covering energy, waste, water and travel.

The four core Industry Green criteria are:
• Commitment
• Understanding
• Improvement
• Communication”


The museums across Tyne and Wear who are currently engaged in the programme are: Bebe’s World, Heugh Gun Batterty, Killhope Lead Mining Museum, Woodhorn Museum, Oriental Museum, Durham Light Infantry, Middlesborough Institute of Modern Art, and Hexham Old Gaol.

For more information on how CO2Sense work with museums, you can contact Kristina Lomas on e-mail: Kristina [DOT] Lomas [AT] co2sense [DOT] co [DOT] uk or visit their home page:co2sense.co.uk

Sources: 
dur.ac.uk/oriental.museum/news
twmuseums.org.uk

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

Powered by WPeMatico

Beyond the Surface: Environmental Art in Action

This post comes to you from Cultura21

A conference investigating relationships between art and the environment

May 31, 2013, 9 am – 5 pm, Schuylkill Center for Environmental Education, Philadelphia (USA)

Bringing artists & arts professionals to Philadelphia to explore ways art can create environmental awareness while restoring ecological systems. With: Lillian Ball, Sam Bower, Jenny Laden, Stacy Levy, Amy Lipton, Eve Mosher, Frances Whitehead.

“No longer content with scratching the surface of environmental problems, these artists want to move beyond the surface to engage audiences in becoming part of the solution.”

5-7 pm: Reception celebrating Rain Yard, the Schuylkill Center’s new permanent environmental artwork by Stacy Levy.

Conference Details & Online Registration: click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico

Moveable micro-city to innovate culture of sustainablity

This post comes to you from Culture|Futures
ArtEpi-livet-mellem-bygningPaint a picture of Europe’s sustainable thinking, knowledge and experiences. That is one of the assignments for a ‘green performing city’, Art-Epi, which will be kaunched in Denmark on 18 August 2013. The project aims to find new ways of cultivating innovation and development in the sustainable sphere – socially, scientifically, artistically, culturally, tourist- and business-wise.



An interesting experiment blending arts, architecure and science is taking shape in the centre of the Danish mainland, Jutland: a moveable micro-city of 100 inhabitants, organised around a series of sustainable, environmental and resource-conscious building activities, lectures and workshops.

This year, Art-Epi will roll out a laboratory and a pilot project where sustainable thinking of the future will be stimulated and co-created. The micro-city will rise on the moor of Præstbjerg in Mid-Western Jutland from 18 August til 19 October 2013.

The goal is that Art-Epi, with all its initiatives and ideas, will travel in Europe the next couple of years. After that Art-Epi will return to Denmark and visit Aarhus when the city becomes the Cultural Capital of Europe in 2017, gathering and presenting all the experiences and inspirations from four years of travelling.

The micro-city will function as an ordinary city where 100 people live and work, half of the inhabitants are to have come from outside of Denmark and half from within the country, in a blend of approximately half from the arts world and the other half from the
world of science, creating interdisciplinary networks locally, regionally, nationally and internationally on a platform where music, theater, visual art, beekeeping, science, carpentry and farming can meet and inspire and learn from each other.

The green performing city will have a performance venue, a communal soup-kitchen, and many other facilities enabling it to host events on a daily basis. Visitors are welcomed to walk around on the site and to join the daily activities.
They must bring with them everything they need during their stay, and they should have a focus on sustainability.

Starting up in Jutland, the micro-city will be like an epicentre right in the middle of group of collaborating cities.
Art-Epi is organised by the organisation Kultursamarbejdet i Midt- og Vestjylland – The Cultural Collaboration in Mid-Western Jutland – a collaboration between 57 cultural organisations and seven
municipalities.

“The word Art in Greek means ‘crafts’. Everyone has his or her own ‘craft’ to help create new ways of thinking, acting, producing, concept development and innovate with a focus on sustainability.
By bringing different worlds together in an alternative room, we bring different mindsets together. This gives the opportunity to create new connections, new networks and the opportunity to visit different worlds,” writes t

Culture|Futures is an international collaboration of organizations and individuals who are concerned with shaping and delivering a proactive cultural agenda to support the necessary transition towards an Ecological Age by 2050.

The Cultural sector that we refer to is an interdisciplinary, inter-sectoral, inter-genre collaboration, which encompasses policy-making, intercultural dialogue/cultural relations, creative cities/cultural planning, creative industries and research and development. It is those decision-makers and practitioners who can reach people in a direct way, through diverse messages and mediums.

Affecting the thinking and behaviour of people and communities is about the dissemination of stories which will profoundly impact cultural values, beliefs and thereby actions. The stories can open people’s eyes to a way of thinking that has not been considered before, challenge a preconceived notion of the past, or a vision of the future that had not been envisioned as possible. As a sector which is viewed as imbued with creativity and cultural values, rather than purely financial motivations, the cultural sector’s stories maintain the trust of people and society.
Go toThis post comes to you from Culture|Futures

Powered by WPeMatico

OPEN CALL FOR ARTISTS featuring SOLAR ART

nightgarden_cropped

Michigan’s [USA] Great Lakes Bay Region located approximately 90 minutes north of Detroit including five main cities: Bay City, Frankenmuth, Midland, Mt. Pleasant and Saginaw will be hosting a month-long celebration of art, culture and science in October 2013 called Fall In… Art and Sol.

SOLAR ART is any work of art that incorporates solar technology to harness the power of the sun to affect its design. Solar Art combines Design + Technology + Environmental Education.

The celebration will feature the world’s first major solar art exhibition. The exhibition will be unique in combining the display of works of international and national designers, a competition open to everyone, and an educational initiative involving approximately 1,000 students from throughout the region. We are very excited to show the results of these three initiatives together during October.

You can download the Competition’s Trifold below with details on honorarium, selection criteria, exhibition details and competition dates.

Please contact us if you have any further questions. We take this opportunity to encourage you and your friends to participate.

PLEASE, SHARE THIS OPEN CALL ANNOUNCEMENT!!!

LINKS:
Festival’s website: http://fallin-glbr.com/
Exhibition: http://fallin-glbr.com/solar-art/solar-artist/
Educational Initiative: http://fallin-glbr.com/solar-art/educational-workshops/
Competition: http://fallin-glbr.com/open-call-for-proposals/

CALL FOR PROPOSALS: COLLEGE ART ASSOCIATION CONFERENCE

ARTSPACE FORUM:  SATURDAY, FEBRUARY 15, 2014  10AM – 2 PM in Chicago
TITLE:  Designing a Better Future: A Participatory Platform for Exchange
Session Producers: Jacki Apple & Mat Rappaport

LogoArtists and designers operating as thinkers and communicators, visualizers and producers can be leaders in changing how we think, live, and act, in order to make a better world.

Are we ready to discuss cultural production and the arts as viable and meaningful practices beyond the established system of commodity trading? What potential models of an effective creative practice can we envision and develop?

Artists, designers, media producers, photographers, filmmakers, architects, writers, theorists, educators, cultural historians are invited to submit proposals for presentation and discussion that will inspire others to join them in imagining, inventing, and actualizing a more sustainable and enlightened possible future, whether it be local or global.

What would you do to effect change?  What would that look like? Do esthetics matter?

We seek provocative and challenging theoretical concepts and/or models for practical application. Visionary, daring, unconventional ideas, collaborations across fields in the arts, sciences, and  humanities that conceive different ways to address social, economic, and environmental realities are encouraged.

General topics/themes to consider

  1. Climate Change, the Environment and Sustainable Living:
    • Consumption
    • Energy
    • Waste
    •  Food
    • Water
    • Air
    • Economic & Social Consequences.
  2. The Culture of Violence:
    • social
    • political
    • cultural
    • economic manifestations
  3. Technology and Human Rights:
    • biological
    • political
    • intellectual
    • spiritual.
  4. Other

PRESENTATION FORMAT

The format for presentation will be an interactive forum of exchange between speakers and audience. There will be no podium. Speakers will be placed within the audience. Presentations may include visuals – images, texts, charts, etc.

Each speaker will be given 7 minutes to present her/his proposal. The audience will then have equal time – 7 minutes to respond and discuss. Time may be slightly less or more depending on the number of outstanding proposals selected.

SUBMISSION INSTRUCTIONS

Please send a description of your topic and the theoretical concepts and/or model that you intend to propose in approximately 300 words, plus a brief bio/CV of no more than 2 pages. The 300 word proposal must include a title, name/s of author(s), address, email, phone number. Please submit all proposal files as PDF documents. 

TO: studio@meme01.com

DEADLINE: FOR PROPOSALS: June 1, 2013                                                             

NOTIFICATION OF SELECTION: June 20, 2013

From Sarah Moon: Tauris to Premiere in NYC… and you can help.

Friend of the CSPA, playwright Sarah Moon, has reached us with a letter about the next steps for her piece, Tauris, which will premiere in New York City This June:

Erin and Bryan

Dear Friends,

I’m excited to let you know that my play TAURIS, an adaptation of Euripides Iphegenia at Tauris, on evironmental themes, will be premiering  at New York’s Planet Connections Festivity in June. We’ve put together a great team that includes Director Jenny Fersch, Composer/musician Daniel Emond, Actors Erin Layton, Bryan Burton, Matt Jacques and Laura Delhauer.

We are raising funds now to support the full production of the play. We need the support of people like you who know the creators behind the project and can either donate or help us spread the word. You can find out more about the production, watch our video and donate here: http://www.kickstarter.com/projects/1310353082/tauris-in-planet-connections-theatre-festivity.

For those who contributed to the staged reading at the Wild Project in March, without which this production would not be happening, thank you so much. I want you to know that your support is allowing this play to reach the next step and me to achieve a dream I’ve been working toward for about ten years.

The Play: An adaptation of Euripides’ Iphegenia at Tauris, this epic musical adventure engages its audience in questions both personal and social: cultural attitudes toward environmental change, the complicated relationship between personal drive and public usefulness, and the conflict that arises when ideology gets in the way of love. Incorporating contemporary environmental concerns like mountaintop removal coal mining and the tension between fossil fuel companies and the EPA, Tauris asks audiences to consider how we transcend old enmities to find a way forward for society as a whole.

If you can attend!

Performance Dates:

Saturday 6/1/13 – 4:00pm

Monday 6/3/13 – 4:00pm

Thursday 6/6/13 – 4:30pm

Sunday 6/9/13 – 12:30pm

Wednesday 6/12/13 – 6:30pm

Thursday 6/13/13 – 8:30pm

Visithttp://planetconnections.org/tauris/ to purchase tickets

Thank you for whatever support you can provide, be it $5 or $50 or $500, or helping spread the word to people excited about new plays, original composition, and/or socially and environmentally conscious art. Please help us make this first full realization of TAURIS a success!

All Best, Sarah

Td Summer School 2013: Transdisciplinary Research at the Science | Society Interface


This post comes to you from Cultura21

Methodenzentrum“Td Summer School 2013: Transdisciplinary Research at the Science | Society Interface”  will be held at Leuphana University Lueneburg, Germany, from September 1 – 10, 2013. The Td Summer School 2013 offers a “Td Training Module” (Sep., 1-6) and a Special Training Module in “Constellation Analysis” (Sep., 9-10) in cooperation with the Center for Technology and Society at Technical University of Berlin. The Modules can be attended separately.

For further informations see www.leuphana.de/cm-td-training and this PDF file.

Furthermore: For people interested in the First Global Conference on Research Integration and Implementation, Canberra, Australia and Online (http://www.i2sconference.org/) Leuphana University Lueneburg is organizing a Co-Conference (Sep., 9-10) which can be combined with the Td Summer School 2013.

For further informations on the I2S Co-Conference please contact Prof. Dr. Ulli Vilsmaier: vilsmaier [at] leuphana [dot] de

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Powered by WPeMatico