Friend of the CSPA, playwright Sarah Moon, has reached us with a letter about the next steps for her piece, Tauris, which will premiere in New York City This June:
I’m excited to let you know that my play TAURIS, an adaptation of Euripides Iphegenia at Tauris, on evironmental themes, will be premiering at New York’s Planet Connections Festivity in June. We’ve put together a great team that includes Director Jenny Fersch, Composer/musician Daniel Emond, Actors Erin Layton, Bryan Burton, Matt Jacques and Laura Delhauer.
For those who contributed to the staged reading at the Wild Project in March, without which this production would not be happening, thank you so much. I want you to know that your support is allowing this play to reach the next step and me to achieve a dream I’ve been working toward for about ten years.
The Play: An adaptation of Euripides’ Iphegenia at Tauris, this epic musical adventure engages its audience in questions both personal and social: cultural attitudes toward environmental change, the complicated relationship between personal drive and public usefulness, and the conflict that arises when ideology gets in the way of love. Incorporating contemporary environmental concerns like mountaintop removal coal mining and the tension between fossil fuel companies and the EPA, Tauris asks audiences to consider how we transcend old enmities to find a way forward for society as a whole.
Thank you for whatever support you can provide, be it $5 or $50 or $500, or helping spread the word to people excited about new plays, original composition, and/or socially and environmentally conscious art. Please help us make this first full realization of TAURIS a success!
Imagine marketing a theatre event without printing a single postcard, flyer, or business card. Imagine a small, unknown group of theatre artist-activists reaching hundreds of people while saving trees, energy, and money.
This is exactly how playwright Shawn C. Harris and director Sara Lyons are taking green theatre one step further for their production of Tulpa, or Anne&Me for the Planet Connections Theatre Festivity.
Tulpa, or Anne&Me is the first piece developed through Crossroads Theatre Project and will have its world premiere at the Planet Connections Theatre Festivity. Tulpa, or Anne&Me tells the story of a web comic artist whose world gets turned upside down when Anne Hathaway crawls out of her television set, creating an intimate portrait of how race impacts their lives as women, friends, and human beings.
When the project was selected for New Yorkâ€™s premiere eco-friendly theatre festival, paperless marketing made perfect sense.
Says Harris, â€œAs a fledgling project putting up our very first production, going with paperless marketing was an easy decision for us. With a shoestring budget, we only had enough money to pay for the essentials of staging our play. But Sara and I quickly discovered that our necessity gave us a powerful way to practice green theatre.â€
Through a combination of e-mail, social media, and face-to-face, the production team of Tulpa, or Anne&Me has found a way to reach their audience without wasting paper, ink, or money.
â€œBecause we canâ€™t rely on a crowd of people showing up to our play because they like our postcard, we have to focus on making real connections with people. Itâ€™s time-consuming and exhausting, but the deeper connections weâ€™re making with people is worth it. Weâ€™re reaching people who normally would not come to our show or see theatre at all, but theyâ€™re interested in what weâ€™re doing and really want to support us.â€
Planet Connections Theatre Festivity is New Yorkâ€™s premiere eco-friendly, socially conscious not-for-profit theatre festival.
Tulpa, or Anne&Me plays at the Robert Moss Theatre (440 Studios) on June 2 at 6pm, June 3 at 4pm, June 16 at 8pm, and June 19 at 8:15pm. Tickets are $18. For more information and to buy tickets, visithttp://planetconnections.org/tulpaoranneme.
SHAWN C. HARRIS (Playwright, founder of Crossroads Theatre Project) found playwriting through an unconventional path involving role-playing games, attempts at screenwriting, and a creative writing course during her sophomore year at Florida A&M University. Tulpa, or Anne&Me is her second full-length play.
Shawn is committed to using the arts â€“ particularly theater and film â€“ to challenge mainstreamÂ representations of women, people of color, and LGBTQ people. About a year ago, ShawnÂ founded Crossroads Theatre Project to give unconventional Black playwrights a chance toÂ develop their own work. She runs two blogs, Ars Marginal and Love’s Labors Lost, gearedÂ towards examining the arts and entertainment from marginalized perspectives.
Shawn doesn’t limit her activism to cyberspace. She is also a member of WOW Cafe Theatre,Â a theater venue collectively run by all kinds of women. Lately she has been working with theÂ People’s Institute for Survival and Beyond, where she’s learning more about anti-racist analysisÂ and organizing.
Despite all this activity, Shawn is really just a shy, quirky Southern girl who’s more comfortableÂ in her own little world than in the spotlight.
SARA LYONS (Director) is a recent graduate of the University of Wisconsin- Madison with a degree in Theatre and Gender and Womenâ€™s Studies. She has experience as a director, teaching artist, and performer, and is committed to creating theatre that challenges the status quo and inspires its audience towards a more just and compassionate society.
Sara was introduced to the festival process as the Assistant Director on the premiere of MonicaÂ Bauerâ€™s The Higher Education of Khalid Amir at the 2008 Midtown International TheatreÂ Festival. She worked on several University productions at UW-Madison as a director andÂ performer, and spent four years studying and performing long form improv with The TitanicÂ Players. As a performance artist, she recently performed original work at P.S. 122 under theÂ direction of Tim Miller.
As a teaching artist and applied theatre facilitator, Sara has worked internationally with childrenÂ of all ages in impoverished communities, including rural Bocas, San Luis Potosi, Mexico as aÂ member of the 2009 Savvy Theatre Works crew and in urban slums in the townships aroundÂ Cape Town, South Africa as a 2010 summer teaching fellow with Teach With Africa. At home,Â she worked with patients and staff of the adolescent unit at South Beach Psychiatric Center andÂ currently teaches drama in a Brooklyn elementary school.
Sara looks forward to continuing her journey as an artist-activist with Tulpa, or Anne&Me.
CROSSROADS THEATRE PROJECT empowers new African diaspora playwrights tell innovative stories from multiple axes of identity – including race, gender, sexuality, nationality, etc. – by providing developmental support at all stages of the creative process and facilitating the process of self-production.
The crossroads are rooted in African folklore, Vodou and Delta blues as a place where theÂ strange and unexpected happen. You can speak with the dead, meet the spirits of your ancestors – even sell your soul to the Devil! There is no telling what can happen when you come to the crossroads. In a similar vein, Crossroads Theatre Project challenges assumptions about what African diaspora theatre is and what it can be.
THE PLANET CONNECTIONS THEATRE FESTIVITY is New York’s premiere eco-Â friendly/socially conscious not-for-profit theatre festival. Fostering a diverse cross-sectionÂ of performances, the festival seeks to inspire artists and audiences both creatively andÂ fundamentally, in a festive atmosphere forming a community of like-minded artists. At theÂ heart of the festivity are individuals striving to create professional, meaningful theatre, whileÂ supporting organizations, which give back to the community at large.