Theme Art

Call for Papers – Acoustic Space No. 12: ART OF RESILIENCE

This post comes to you from Cultura21

Riga’s Center for New Media Culture RIXC is welcoming submissions – articles, conceptual and artistic texts, research papers and visual contributions – from artists, theorists, scientists, researchers who are engaged with issues of social and ecological sustainability, and who are interested in a deeper understanding of technology, for the next Acoustic Space (Volume No. 12), a peer-reviewed journal for interdisciplinary research on art, science, technology and society, devoted with the theme Art of Resilience.

The conference exploring the topic — Art of Resilience — took place during Art+Communication 2012 festival in Riga, October 5-6, 2012 (http://rixc.lv/12). The forthcoming publication will include papers presented at this conference, but will not be limited to it and is open for contributions by other authors. It will be published in English.

“Today art is leaving its autonomous position behind the society’s quest for a sustainable future. Artists who once were in vanguard of exploring digital frontiers, today again are among the first ones who are actively engaged in looking for other ways how to make the world more sustainable.

Resilience is one of the key tactics that helps people to undergo unstable, uncertain times. The idea of a resilience is used as a guiding theme and as a point of departure for the discussions with which we aim at fostering deeper understanding of social, cultural and ecological, as well as technological sustainability issues.
We are questioning: How to enhance resilience – our capability to cope with today’s complex situation that has occurred in the result of rapid ‘techno-sciences’ development? Does art play a role of a ‘catalyst’ in this quest for sustainability, if it keeps actively establishing new connections with other fields – science and technology, architecture and design, rural infrastructure development and urban planning, social networking and global engineering? How these emergent art practices that are bridging not only different fields but also exploiting resilience experiences from different times and different cultures, are contributing towards developing a successful scenario for the future world?”

Deadline for submitting full papers – March 15, 2013
However, abstracts can be submitted first – deadline for abstracts: February 11, 2013

Length of texts: between 2500 and 8000 words (i.e. 20 000 – 45 000 characters).

Submitted texts should include:

  1. short abstract (ca. 250 words, i.e. 1500 characters)
  2. 5 – 6 keywords
  3. short bio of the author (ca. 100 words, i.e. 800 characters)

References should be in APA style.

Language for submissions: English.

The publication will come out in October, 2013, and it will be presented at the Media Art Histories 2013: ReNew conference / Art+Communication 2013 festival, October 8-11, 2013.

Please send abstracts and texts to the editor: Rasa Smite rasa [at] rixc [dot] lv

The previous editions of Acoustic Space are available on amazon.com

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Exhibition at Kunstverein Springhornhof

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28 October–16 December, 2012 – Opening: Saturday, 27 October, 5pm; artist talk with Angela Bulloch 6pm

Kunstverein & Stiftung Springhornhof – Tiefe Straße 4, D-29643 Neuenkirchen (Germany)

With: Angela Bulloch, Josephine Meckseper, Shana Moulton, Simon Starling and winners of the Daniel Frese Prize 2012 Fabian Reimann and Niko Wolf

The exhibition The Simple Life opening on Saturday, will present artworks addressing the desire of lifestyles becoming more concerned with sustainability and naturalism as well as resulting dilemmas, from different perspectives.

The role which art plays in this discourse is taken up in different ways by the artists:

Angela Bulloch developed her new wall painting “Let`s Go Paleo!” specifically for this exhibition venue, depicting the supposedly healthy paleolithic diet as an extreme example of longing for naturalness.

Simon Starling, interested in visualizing permanent “re-cyclability” of materials, forms and ideas across space and time, is showing his installation “Carbon(Pedersen)”, which transforms two bikes into “survival kits”. The bike, a classic example of a healthy lifestyle and a natural means of mobility, is becoming more and more fashionable as a lifestyle vehicle.

The realized drafts of the winners of Lüneburg’s Daniel Frese Prize 2012, this year dedicated to the theme “Art and Sustainability/Non-Sustainability”, are also presented at the exhibition. Niko Wolfwith his installation “Museum of Mounds or: The Economy of Oblivion” and Fabian Reimann‘s spatial essay “The Memory of the Stars”.

For more information, click here.

Upcoming Dates:

 

  • Studio visit Niko Wolf in Jesteburg (Harburg)

Sat 17/11/2012, 3 – 5 pm, please register: info [at] kim-art [dot] net

 

  • Presentations, lectures, talks »Sustainable: Art«

with Jeff Derksen (Simon Fraser University Vancouver), Dan Peterman (University of Illinois Chicago), Marjetica Potrc (University of Fine Arts Hamburg), Diego Castro, Fabian Reimann, Katja Staats, Niko Wolf (winners of Daniel Frese Prize Art 2011 and 2012), a.o.

Wed 05/12/2012, 6 pm

Venue: Representation of Lower Saxony at the Federal Government in Berlin, In den Ministergärten 10, D-10117 Berlin

 

  • Workshop »Aporias of Art, Ecology, and Sustainable Development«

with Dan Peterman (University of Illinois Chicago)

Fri 07/12/2012, 2 pm

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

 

  • Workshop »Filling the Weak Points«

with Sabine Bitter (Vancouver ), Jeff Derksen (Vancouver), Stefan Römer (Berlin), Helmut Weber (Vienna)

Sat 08/12/2012, 10 am and Sun 09/12/2012, 10 am

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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