Simon Starling

Aquatopia

This post comes to you from Cultura21

UTAGAWA-KUNIYOSHI-The-Spirit-of-Sanuki-in-Saving-Tametomo-from-Suicide-oban-size-nishiki-e-triptych_The-Rescue-of-Minamoto20 July–22 September 2013, The Imaginary of the Ocean

Deep, Nottingham Contemporary, UK

Aquatopia is a major exhibition of contemporary and historic art and artefacts that explores how the ocean deep has been imagined across cultures and through time to the present day. The exhibition and the accompanying book reveal how human cultures have projected their sexual desires, their will to power, and their fear of difference and death onto the ocean’s invisible depths and the life-forms it sustains. The deep in Aquatopia is a dream-state, akin to the unconscious. At the same time, its mythologies allegorise far-reaching historical processes—globalisation, colonisation, slavery, expropriation, subjugation, patriarchy.

Aquatopia’s utopic and dystopic depths are inhabited by ancient monsters and sirens, shipwrecks and submersibles, militarised gill-men and dolphin embassies, sperm whales and giant squids, water babies and horny octopi. The deep and its species are represented by major pre-19th-century artists such as JMW Turner, Andrea Mantegna, Odilon Redon, Francis Danby, Katsushika Hokusai and Utagawa Kuniyoshi, and major figures in 20th-century art such as Marcel Broodthaers, Oskar Kokoschka, Barbara Hepworth, Edward Wadsworth, Hannah Wilke, Ana Mendieta and Lucian Freud. Contemporary artists include Christian Holstad, Mark Dion, Spartacus Chetwynd, Juergen Teller, The Otolith Group, Shimabuku, Mikhail Karikis, Simon Starling, Sean Landers, Mati Diop and Wangechi Mutu. Scrimshaw (sperm whale teeth carved by sailors), antique diving equipment, elaborately carved shells and coral, and the glass models of marine species of Rudolf & Leopold Blaschka are amongst the artefacts also featuring.

The exhibition is curated by Alex Farquharson, Director of Nottingham Contemporary, in dialogue with Martin Clark, Artistic Director, Tate St Ives. It travels to Tate St Ives in October, and is a partnership between landlocked Nottingham Contemporary and oceanic Tate St Ives. It features over 150 loans from a great many museums and private collections, in particular Tate, Victoria & Albert Museum and National Maritime Museum.

For more information about the exhibition : click here

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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Exhibition at Kunstverein Springhornhof

This post comes to you from Cultura21

28 October–16 December, 2012 – Opening: Saturday, 27 October, 5pm; artist talk with Angela Bulloch 6pm

Kunstverein & Stiftung Springhornhof – Tiefe Straße 4, D-29643 Neuenkirchen (Germany)

With: Angela Bulloch, Josephine Meckseper, Shana Moulton, Simon Starling and winners of the Daniel Frese Prize 2012 Fabian Reimann and Niko Wolf

The exhibition The Simple Life opening on Saturday, will present artworks addressing the desire of lifestyles becoming more concerned with sustainability and naturalism as well as resulting dilemmas, from different perspectives.

The role which art plays in this discourse is taken up in different ways by the artists:

Angela Bulloch developed her new wall painting “Let`s Go Paleo!” specifically for this exhibition venue, depicting the supposedly healthy paleolithic diet as an extreme example of longing for naturalness.

Simon Starling, interested in visualizing permanent “re-cyclability” of materials, forms and ideas across space and time, is showing his installation “Carbon(Pedersen)”, which transforms two bikes into “survival kits”. The bike, a classic example of a healthy lifestyle and a natural means of mobility, is becoming more and more fashionable as a lifestyle vehicle.

The realized drafts of the winners of Lüneburg’s Daniel Frese Prize 2012, this year dedicated to the theme “Art and Sustainability/Non-Sustainability”, are also presented at the exhibition. Niko Wolfwith his installation “Museum of Mounds or: The Economy of Oblivion” and Fabian Reimann‘s spatial essay “The Memory of the Stars”.

For more information, click here.

Upcoming Dates:

 

  • Studio visit Niko Wolf in Jesteburg (Harburg)

Sat 17/11/2012, 3 – 5 pm, please register: info [at] kim-art [dot] net

 

  • Presentations, lectures, talks »Sustainable: Art«

with Jeff Derksen (Simon Fraser University Vancouver), Dan Peterman (University of Illinois Chicago), Marjetica Potrc (University of Fine Arts Hamburg), Diego Castro, Fabian Reimann, Katja Staats, Niko Wolf (winners of Daniel Frese Prize Art 2011 and 2012), a.o.

Wed 05/12/2012, 6 pm

Venue: Representation of Lower Saxony at the Federal Government in Berlin, In den Ministergärten 10, D-10117 Berlin

 

  • Workshop »Aporias of Art, Ecology, and Sustainable Development«

with Dan Peterman (University of Illinois Chicago)

Fri 07/12/2012, 2 pm

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

 

  • Workshop »Filling the Weak Points«

with Sabine Bitter (Vancouver ), Jeff Derksen (Vancouver), Stefan Römer (Berlin), Helmut Weber (Vienna)

Sat 08/12/2012, 10 am and Sun 09/12/2012, 10 am

Venue: Kunstraum of Leuphana University of Lüneburg, Campus Hall 25, Scharnhorststrasse 1, D–21335 Lüneburg

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

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