Science And Technology

Patricia & Phillip Frost Museum of Science RFQ

-1The Miami Science Museum is a well-known and beloved cultural entity aiming to make a difference in people’s lives by inspiring them to appreciate the impact that science and technology can have on every facet of the world. For over 60 years, Miami Science Museum’s award-winning educational programs, family-focused exhibits, historic planetarium, and rehabilitative Wildlife Center and Clinic have enriched locals and tourists alike. Billed as the “museum of the people”, the Museum’s strength lies in its legacy with the community as an attraction and educational entity. In recent years, the Museum has also capitalized on new media and has developed virtual portals and a strong presence on social media in order to give audiences additional opportunities to connect with and become more personally vested in its future.

Overview of the Program

The Miami Science Museum is currently proceeding with its design for a new 250,000 sf science museum in Museum Park in Miami, Florida. The site is approximately four acres, immediately adjacent to a four-acre parcel that will house the new Perez Art Museum Miami. Both buildings and their grounds are within the approximately 28-acre Museum Park in downtown Miami, and the two new institutions will sit atop a new joint parking structure with a plaza linking the two museums.

Key components of the new Miami Science Museum include a 35,000 sf aquarium, a planetarium, and approximately 30,000 sf of indoor and outdoor science exhibits. The aquarium is planned to be one of the iconic elements of the Museum, visible from the exterior, and spanning all the floors of the Museum. The planetarium, one of the centerpieces of the current Museum, will expand its technology and its programs. It is strongly desired to have the flexible museum exhibits both indoor and outdoor to take advantage of the climate, and the possibilities that outdoor exhibits bring to the site and the museum experience. A highly sustainable building is planned, including LEED rating, to reduce energy costs, and to act as a showcase for the latest energy management and control technology.

The Patricia and Phillip Frost Museum of Science is requesting qualifications from artists for interior and exterior artwork to be commissioned for the new Patricia and Phillip Frost Museum of Science currently under construction.

This RFQ is open to all professional artists. Applicants must be practicing visual artists.
Applications from architects, landscape architects or other design professionals will not be considered unless included as part of an artist-led team. Applications will be accepted online only through CaFÉ at: www.callforentry.org

Submitted applications will be judged on a competitive basis from which up to five finalists may be selected for each location. Finalists invited to propose may be interviewed. Finalists will be provided with detailed plans and paid to develop detailed design proposals. Finalists may be considered for more than one location and/or site. It will be up to the art selection committee to choose the final sites and the best possible artwork for each site.

TOTAL ART BUDGET: The overall budget is $2,400,000 (for approximately three projects.)
The total budget may be divided to commission one or more interior or exterior artworks. The selected artists’ budgets will include all costs of design, engineering, fabrication, permitting installation, artwork transportation, special handling fees, special lighting (if any), photographic documentation, travel and other reimbursements, liability, and automobile insurance, and an identifying plaque made to Patricia and Phillip Frost Museum of Science standards and specifications. State laws related to public construction, including licensing, insurance, bonding, and payment of prevailing wage rates, may apply.
Finalists will be apprised of this information.

Intent, Goals, and Themes

The Museum is seeking to commission art that supports the mission, goals and themes of the new Museum, recognizing the power of art to inspire wonder and prompt reflection about the world we live in. This emotional and creative reaction can in turn become the seedbed for motivating science inquiry.

The intent of the artwork is to enhance the aesthetic of the building, using art to create an additional element of approachability, reflecting our intent to be a welcoming threshold for all visitors. At the same time it is to attract attention, underscoring the iconic nature of the building.

The goals of the artwork are to:

  • Provoke questions, awe, or conversation arising from a heightened awareness inspired by the art and of a phenomenon or quality that relates to science;
  • Provide/provoke new perspectives about physical phenomena (e.g., zooming in or out) or new perspectives on aspects of our lives that are underpinned by science;
  • Serve as a platform for voices to be heard – for visitors to engage, connect with others, take action, express their thoughts and feelings;
  • Serve as a threshold into exploration/understanding of an underlying science concept;
  • Underscore the dynamic quality of the overall building and program, by being responsive to the dynamic qualities of the environment, both the elements (sun, wind, water) and the ever-varying human dimension added by the flow of visitors.

The themes for the artwork should interpret the overarching themes of the Museum program. People, Planet, and Prosperity are top-line crosscutting themes for the new Museum that serve to define the program, organize the main gallery spaces, and set up measurable parameters for success. The new Museum will position itself as a catalyst for social change, contributing to social, economic and environmental well being through a broad and varied program. This will range from threshold experiences into science and technology, to more in-depth learning and capacity building, as well as opportunities to connect with others and get involved in projects that benefit the individual, the environment and the community.

The following are suggestive of the range of topics that might be explored through the public artworks:

People: cultural diversity, social interaction, community; health/wellness; communication, connection; the uniqueness of Miami, the things that make Miami Miami (that make us so Miami); the transience of the community, but also Miami as a hub, way station or gateway; Miami as a place where juxtapositions are the norm, where the odd and unusual are welcomed and celebrated, where conceptual collisions are encouraged .

Planet: echoing the main themes of the Living Core aquarium component, this heading is an umbrella for themes that explore the physical and living world; the intricacy and complexity of nature, of life; diversity, interconnectivity and interdependency; evolution, geologic time, change over time; the properties of energy, water, wind and light.

Prosperity: themes that relate to the scientific underpinnings of Miami’s industries (biotech, health, film/entertainment, agriculture, tourism, finance, transportation); mathematical principles, patterns, algorithms, artificial intelligence; new materials and their properties; things that are electric, digital, robotic.

Desirable attributes that cut across these areas include:

  • Works of art that invite and permit interactivity are desirable, including physical as well as digital interactivity;
  • Works of art that are responsive to and expressive of visitor sentiment, thought, and contribution – i.e., participatory;
  • Works of art that are kinetic, dynamic;
  • Works of art that are actually alive, responsive to the elements;
  • Works of art that are cognizant of the green sensibilities of this LEED-certified building;
  • Works of art that are contemporary and ‘of the moment’, while at the same time of enduring significance.

PROPOSED LOCATIONS FOR ART

The museum is open to receiving proposals for all areas of the building, including the following:

  1. Energy Playground: Vertical Wall (approximately 5,255 square feet)
  2. Wall A (Donor wall) (approximately 6,195 square feet)
  3. Wall B (Café Exterior) (approximately 3,389 square feet)
  4. Walls C-D (Flanking Planetarium exterior) (approximately 8,768 square feet)
  5. Subterranean Parking Pedestrian Ramp (approximately 4,210 square feet)
  6. Interstitial Overhead spaces Atrium (approximately 6,308 sq. ft. The height of that space is about 65’ from the bottom of the canopy support beams to the plaza deck.)

Note: Each artwork/location will cover partial areas of these sections.

PLEASE NAVIGATE TO www.miamisci.org/publicartcommissions FOR ARCHITECTURAL VIEWS OF THE PROPOSED LOCATIONS

EXPECTED ART INSTALLATION DATE

The Patricia and Phillip Frost Museum of Science Art Selection Committee will review applications and contact finalists prior to May 31, 2013 Exterior art will be installed prior to May 31, 2015 or as soon as artwork is complete and installation can be coordinated with project manager and Patricia and Phillip Frost Museum of Science staff.

Note: Dates subject to change.

DESIGN CONSIDERATIONS

Any modifications to interior or exterior architectural components will be at the expense of the artist and coordinated and approved through the Patricia and Phillip Frost Museum of Science project manager. The Patricia and Phillip Frost Museum of Science project manager will help facilitate the logistics of installing the proposed art works.

Artwork should work well with existing architectural elements. Arrangement or composition of artwork should interact with the design of existing finishes.
Areas of circulation and public access around artwork should be ADA compliant.

If exterior artwork is selected, the selected artist will coordinate with the project manager. Florida Hurricane season begins in June and usually ends in Late October. Artwork must be designed so that rain and heavy winds do not affect the artwork and its finish.

MAINTENANCE AND SPECIAL CONSIDERATIONS

The installed artwork must be permanent and designed to last the life of the building. Artwork of all media will be considered. Viewers may touch the artwork if it is installed in an accessible location, therefore artwork must also endure substantial public use. Public safety is of great importance in this facility. Routine maintenance and display considerations must be minimal. Replacement features if required, must be commercially available in Florida.

ADDITIONAL CRITERIA FOR ARTIST SELECTION

The criteria for selection will include:

  • Quality, appropriateness, and originality of the artist’s past work as evidenced by the digital images, the letter of interest and resume
  • Durability, maintenance requirements, and safety considerations related to past commissions
  • Past projects and references that attest to qualifications and ability to complete the work on time and in coordination with a firm construction timeline
  • Ability to work with contractors and consultants, design architect, engineers and others on the design team

SUBMISSION DEADLINE: April 30, 2013

SUBMISSION REQUIREMENTS
(6) WORK SAMPLES
RESUME
STATEMENT
SUPPORT MATERIAL (OPTIONAL)

Call for Papers – Acoustic Space No. 12: ART OF RESILIENCE

This post comes to you from Cultura21

Riga’s Center for New Media Culture RIXC is welcoming submissions – articles, conceptual and artistic texts, research papers and visual contributions – from artists, theorists, scientists, researchers who are engaged with issues of social and ecological sustainability, and who are interested in a deeper understanding of technology, for the next Acoustic Space (Volume No. 12), a peer-reviewed journal for interdisciplinary research on art, science, technology and society, devoted with the theme Art of Resilience.

The conference exploring the topic — Art of Resilience — took place during Art+Communication 2012 festival in Riga, October 5-6, 2012 (http://rixc.lv/12). The forthcoming publication will include papers presented at this conference, but will not be limited to it and is open for contributions by other authors. It will be published in English.

“Today art is leaving its autonomous position behind the society’s quest for a sustainable future. Artists who once were in vanguard of exploring digital frontiers, today again are among the first ones who are actively engaged in looking for other ways how to make the world more sustainable.

Resilience is one of the key tactics that helps people to undergo unstable, uncertain times. The idea of a resilience is used as a guiding theme and as a point of departure for the discussions with which we aim at fostering deeper understanding of social, cultural and ecological, as well as technological sustainability issues.
We are questioning: How to enhance resilience – our capability to cope with today’s complex situation that has occurred in the result of rapid ‘techno-sciences’ development? Does art play a role of a ‘catalyst’ in this quest for sustainability, if it keeps actively establishing new connections with other fields – science and technology, architecture and design, rural infrastructure development and urban planning, social networking and global engineering? How these emergent art practices that are bridging not only different fields but also exploiting resilience experiences from different times and different cultures, are contributing towards developing a successful scenario for the future world?”

Deadline for submitting full papers – March 15, 2013
However, abstracts can be submitted first – deadline for abstracts: February 11, 2013

Length of texts: between 2500 and 8000 words (i.e. 20 000 – 45 000 characters).

Submitted texts should include:

  1. short abstract (ca. 250 words, i.e. 1500 characters)
  2. 5 – 6 keywords
  3. short bio of the author (ca. 100 words, i.e. 800 characters)

References should be in APA style.

Language for submissions: English.

The publication will come out in October, 2013, and it will be presented at the Media Art Histories 2013: ReNew conference / Art+Communication 2013 festival, October 8-11, 2013.

Please send abstracts and texts to the editor: Rasa Smite rasa [at] rixc [dot] lv

The previous editions of Acoustic Space are available on amazon.com

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Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

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