Practice Art

New version of 3rd Ring Out opens in Edinburgh

This post comes to you from Ashden Directory

One of the winners of the 2010 Tipping Point commissions, 3rd Ring Out (which we blogged here and here) has now opened at the Grassmarket in Edinburgh. Its director Zoë Svendsen says:

We’ve now got a ‘strategy’ cell as well as a ‘simulation’ cell – we’ve split the use of the two containers into (1) short term crisis in a climate-changed future, under a business -as-usual scenario (which is the same format as last year but now about the Suffolk coastline); and (2) long term alternative futures about the city we are in, generated by ideas gathered from the public and others.

18-28 August, Edinburgh Fringe Festival
In the bright orange shipping containers. Grassmarket
Pleasance Courtyard
60 Pleasance
Phone 0131 556 6560

Other shows of interest at the Edinburgh Fringe blogged here
Zoë Svendsen’s metaphor for sustainability on this blog and the Ashden DIrectory

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

Cape Farewell expedition reaches half-way point

This post comes to you from Ashden Directory

Kellie Gutman writes: Cape Farewell’s journey to the Outer Hebrides has reached its half-way point. The crews have changed each week, but the Associate Director, Ruth Little is onboard for the duration.  Her latest post, filled with wonderful pictures and observations can be seen here.

For all of the expedition posts go here or follow it on our blogroll.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

New metaphors for sustainability: nine so far

This post comes to you from Ashden Directory
From the ‘iron curtain’ to the ‘glass ceiling’, metaphors are one of the most powerful ways in which we frame the way we think.

Yet one of the key concepts in environmentalism – sustainability – seems to be remarkably short of vivid metaphors.

So we asked some artists, writers, architects, cultural commentators, environmentalists, activists and scientists to come up with their own metaphors for sustainability.

We’ve published nine new metaphors so far. More to follow.

New metaphors for sustainability: mercury
New metaphors for sustainability: symbiosis
New metaphors for sustainability: “Come into my house” (DVD)
New metaphors for sustainability: ‘art & grace’
New metaphors for sustainability: my sweet pea
New metaphors for sustainability: water on a fire – helping turn the page – a child asleep – the family – failing better
New metaphors for sustainability: the shopping divider at the check-out
New metaphors for sustainability: the sailboat
New metaphors for sustainability: the act of breathing

Watch a film about four of the new metaphors.

Please suggest metaphors of your own. As @TheMuseDailytweeted yesterday, “The drive toward the formation of metaphor is the fundamental human drive. – Nietzsche”

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

New metaphors for sustainability: "Come into my house" (DVD)

This post comes to you from Ashden Directory

When we asked Hester Reeve, artist and lecturer, to suggest a metaphor for our series New metaphors for sustainability, she offered to make this DVD, “Come into my house.”

The term ‘sustainability’ is rightly used first and foremost in the contexts of both local and global policy changes. Whilst acknowledging the crucial role played by activist pressure in ensuring sustainability is on the agenda in the first place, I see its implementation chiefly as the responsibility of politicians (shame on them).

I made my metaphor in my house. The camera is out on the street and I open each door/window in turn and call out for various thinkers to “Come into my house.”

As an artist, I am more interested in restoring richness to the ‘cult’ of everyday life and in incorporating the force of poetic imagination than in reflecting/interacting with culture at large. My metaphor therefore reflects this sensibility.

I suppose the only thing someone like me at this point in the environmental direness of 2011 can do is to come back to the doorstep, where the agency of the single being starts and to call for that paradigm shift in our thinking that might finally allow us to dwell as an act of loving the world.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

New metaphors for sustainability: the shopping divider at the check-out

This post comes to you from Ashden Directory

Monik Gupta, environmental blogger and researcher has guest blogged for Ashdenizen. Here he suggests a metaphor in our series New metaphors for sustainability: the shopping divider at the check-out.

For me, thinking about sustainability, the object in the picture comes to mind. We come across it so regularly, however there is no word readily available to us to describe it (google suggests it to be termed ‘cashier divider’ by retail experts). Evidently, just like with ‘sustainability’, it is something very well known but much less engaged with.

What’s more important, both the shopping divider and sustainability mark the necessity for confinement of our own consumption and draw attention to others’ needs.

Maybe those two points, shallow engagement despite omnipresence and a focus on limitations of our consumption, are related. We are reluctant to make explicit the distinction between our needs and those of others, even though we are acutely aware of its necessity.

However, this is exactly where the beauty of both the ‘shopping divider’ and ‘sustainability’ could lie: in marking the confines of our needs, they enable us to direct attention to our fellow human beings. We begin to acknowledge that we are ‘in this together’, urgently needing to demonstrate our ‘ability to sUStain’.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

The Southbank re-designed with the tides in mind

This post comes to you from Ashden Directory

Ella-Marie Fowler got in touch about her BA project on sustainability, and here she describes it.

I’m a graduating student from Design for Performance (BA Hons) at Wimbledon College of Art, University of the Arts London. For my final project, I chose to focus on sustainability within theatre and how the arts can affect climate change awareness.

I designed a proposal for a Sustainable Arts Centre on the Southbank, London (pictured). The centre would provide space for visiting artists, performers and theatre companies to respond to climate change awareness. The building would be constructed from reclaimed materials and use green energy sources. Visitors to the centre would encounter different experiences throughout the day due to the changing tide of the Thames.

Last year, I visited the Jellyfish Theatre and researched art organisations such as TippingPoint through the Ashden Directory. This sparked ideas about my final year project. As a graduating student in theatre design, I wanted my work to reflect contemporary issues and consider how to develop a sustainable approach to my future work.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

The editors are Robert Butler and Wallace Heim. The associate editor is Kellie Gutman. The editorial adviser is Patricia Morison.

Robert Butler’s most recent publication is The Alchemist Exposed (Oberon 2006). From 1995-2000 he was drama critic of the Independent on Sunday. See www.robertbutler.info

Wallace Heim has written on social practice art and the work of PLATFORM, Basia Irland and Shelley Sacks. Her doctorate in philosophy investigated nature and performance. Her previous career was as a set designer for theatre and television/film.

Kellie Gutman worked with the Aga Khan Trust for Culture for twenty years, producing video programmes and slide presentations for both the Aga Khan Foundation and the Award for Architecture.

Patricia Morison is an executive officer of the Sainsbury Family Charitable Trusts, a group of grant-making trusts of which the Ashden Trust is one.

Go to The Ashden Directory

Call for Seminal Presentation Proposals: PROJECT EARTH-TO-ART

CALL FOR PANEL PROPOSALS, THEORY PAPERS / PRESENTATIONS AND EXHIBITIONS / WORKSHOPS

THE KUMASI SYMPOSIUM: Tapping Local Resources for Sustainable Education Through Art

Department of General Arts & Art Education, College of Arts and Social Sciences

Kwame Nkrumah University of Science and Technology KNUST, Kumasi, Ghana

July 31-August 14, 2009

A call is made for contributions addressing one or more of the symposium strands and topics: Art Education Practice, Studio Practice, Curatorial/Museum/Community Arts Practice, Art History/Criticism, Arts Administration/Management/Marketing Practice, and Open Session. The symposium entails plenary sessions and support activities such as demonstrations/workshops, exhibitions, and site-specific tours of local national resources. Expression of interest and proposals for Plenary Sessions and Exhibitions/Practical Workshops will be reviews until January 17, 2009. We expect about 200 participants from around the world. The working language of the conference will be English. Applications for individual paper presentation and participation will be reviewed until the space is filled. All abstracts and brief biographies should be submitted electronically to africoae@gmail.com

The symposium is organized as collaboration between African Community of Arts Educators AfriCOAE and KNUST’s Department of General Arts & Art Education. As a follow-up to AfriCOAE’s Project Earth to Art: Tapping Local Natural Resources for Sustainable Art Education Development at Accra. The two-week symposium July 31-August 14, 2009 will deal with the issue of sustainability in the 21st century to enable visual arts education developments in Ghana and perhaps similar settings. Owing to the challenges of transition from the postcolonial stance and to many others, best practices and resourceful programs often fail to roll out nationwide and to be sustained. The following questions will therefore guide the dialogues: Is sustainability of art teaching and learning developments in the postcolonial African environment possible? Can the postcolonial Ghanaian environment and non-Western others today provide adapt resources for sustainable artistic practice? If so, how can the resources best be tapped for education through art in Anglophone Ghana and other Modernist African settings?

Tapping Local Natural Resources for Sustainable Art

Education Development

PROJECT EARTH-TO-ART is an experimental eco-pedagogy project for application in art education in the Anglophone, Lusophone and Francophone African settings. The project addresses problems of shortages of adequately trained school art teachers, costs and reliance on imported art materials, and collaborations with stakeholders of the public and private schools in creating desirable human capital for teaching and learning in art. The idea is to bring together a cohort of art educators for a two-week workshop in Ghana in summer 2008.

The workshop will entail formal discussions and mini-lab tours of regional sites to explore for ecological materials and test their effectiveness in art making. Upon return to their place of teaching, the participants will work with their students to likewise explore, identity, collect, and design art materials from the local environment and test them by art making. In the following year, the cohort will reconvene to share the results of the art laboratory and engaged in papermaking workshop using local-ecological materials. A driving concept of the project is that art materials come from one’s own environment; we reason that in the traditional African setting, the art materials come from the local environment; tools come from the community, and conceptual basis from the human condition. The focus is Ghana, in hope that the results would disperse into other parts of Africa and elsewhere.

via PROJECT EARTH-TO-ART.