Packing Crates

Julie’s Bicycle Releases New Sustainable Production Guide at Sold out Event

JBsustainingcreativity.102840Julie’s Bicycle on Tuesday launched its new Sustainable Production Guide at the first of their autumn events on Sustainable Design in the Arts to 50 arts professionals.

Speakers Donyale Werle, Tanja Beer and Sam Collins led the debate on the role designers and production managers can play in making arts practice more environmentally sustainable. Hosted by the Young Vic, the panel addressed an audience of London and UK based arts professionals from across theatre, opera, visual arts, dance and education.

After her success at World Stage Design 2013, Donyale Werle spoke about her experiences designing and constructing shows sustainably on Broadway, and the need to the normalise sustainable practices and work with current networks and suppliers to create change. Tanja Beer presented her research into eco-design principles and went on to explain her “Living Theatre” project as an example of how work can be designed to engage and enrich audiences, and leave a positive environmental and social legacy.

Sam Collins offered a different perspective, highlighting the potential for sustainably-designed artwork to create the context for honest and open discussions about waste and carbon emissions within the industry, particularly with regards to touring shows. He used the striking example of adding a GPS device to packing crates transporting Cape Farewell’s U-n-f-o-l-d exhibition to track their journey around the world. This was followed by a 50 minute discussion with the audience covering topics of new materials, the use of toxic treatments and contending with fire regulations, waste management, and the role of artistic vision in driving the cultural shift towards a more environmentally sustainable arts sector.

The event also included the launch of Julie’s Bicycle’s new Sustainable Production Guide. Available from today for free download the guide has been developed with a community of production professionals, and offers comprehensive guidance on how to make theatre more sustainable at every stage in the production process.

The guide is available for free download at:
www.juliesbicycle.com/resources/practical-guides/production

Arts Manager Sholeh Johnston said, “The Sustainable Production Guide is the result of a collective effort within the theatre industry to understand and improve the environmental sustainability of production. It showcases best practice developed to date, links to key resources, and provides practical actions for directors, production managers, set designers and builders, costume makers, cast, marketeers and others involved with making great art happen. The guide is both a distillation of Julie’s Bicycle’s research to date, and an invitation to join an exciting community of practitioners pioneering new ways of working in line with environmental, economic, and technological drivers. We want to keep the conversation going, and continue to shout about the fantastic work being developed.”

Download the Guide here: Sustainable-Production-Guide-Final-2013

Sustainable Theatre Competition Winner Presentations at WSD2013

Sun 8 Sept 16.30 – 18.00

The Willow Theatre

BUY TICKETS 

The Sustainable Theatre competition winner will showcase their winning designs.

World Stage Design 2013 opened up a unique opportunity to design a temporal alternative sustainable theatre. The competition was open to professionals and emerging practitioners from across all related disciplines and received over 100 entries from 26 countries.

The Willow Theatre, designed by architect Tim Lai and theatre designer Brad Steinmetz, both of Columbus, Ohio, USA was voted as the winning design and has been built for the event.

Ian Evans, WSD2013’s technical director and a senior lecturer at RWCMD, said: “The design brief was a tough one. We asked for a venue that was eco-conscious, could seat up to 150 people, host a variety of events and be self-built, all for an outlay of less than £20,000. Yet the response has been magnificent, many using highly original approaches and suggesting a wide variety of materials, including hay bales, cardboard boxes and packing crates. The entry from Brad and Tim was everyone’s favourite, though, because as well as meeting the technical brief, it is going to look and feel very interesting – an innovative blueprint that can be copied for other settings.”

The building’s strength will come from hired and returnable industrial scaffolding while the decorative fronds and interior walls will be made from UK-produced horticultural fleece, a re-usable material which can also be recycled to make more of the same fabric.

Internal fittings, including the floor and wooden seating will also be re-usable, recyclable and/or reclaimed and the roof will be retractable to take advantage of natural light and ventilation.

Volunteers will build the temporary venue in time for a full programme of events which will see a series of talks, workshops, debates and shows exploring environmental sustainability and the arts.  The programme is titled People, Profit, Planet and you can read about it in full here.

You can follow the build of the theatre with the live webcam here.