Application Deadline for Visual Arts, Music Composition/Sound Sculpture, Creative Writing, Moving Image: February 18, 2013
Application Deadline for Environmental Art, Landscape/Garden Design, Architecture: April 1, 2013
Self-directed, multi-disciplinary artistsâ€™ residencies will be offered from May through November 2013. Most sessions are 4-weeks in duration and are offered to those working in the Visual Arts, Music Composition/Sound Sculpture, Architecture, Creative Writing, Moving Image and Landscape/Garden Design. There is also a special Environmental Art Program in 2013.
Except for the $30 application fee, the residency is offered at no cost to accepted artists and includes comfortable private living quarters, a private studio and meal program. International applicants are welcome. To defray the cost of travel, four $750 grants will be awarded in 2013 to non-North American artists.
Video Vortex #9, Re:assemblies of Video, is conceived and hosted by the Moving Image Lab and Post-Media Lab of the Innovation Incubator at Leuphana University LÃ¼neburg, Germany. The conference will be held from February 28 until March 2, 2013. The call for contribution is open until 31 August 2012.
Online video vortices such as Youtube, are assemblages of assemblages: its infrastructure and spheres of use and production again consist of assemblages. The video sphere today is a mesh of different types of elements; we have databases, screens, interfaces, protocols and server farms. Comments, tags, lists and channels, cameras, producers, frames, users and audiences. Last, but not least, money flows, broadcasters, advertisers, property rights, eyeballs and statistics, all add to, and operate in multiple assemblages.
Currently there are new configurations of components in video culture, interacting in new ways and with loose forms of influence. VideoVortex #9 proposes that now is a time to re-engage with a structural and contextual analysis of online video culture.
The Video Vortex encourage critics, theorists, artists, programmers and video makers to look at:
1.)â€¦ assemblages of different videos, graphics and texts, be it in material or with a view to new environments of authoring or curation. Such an approach re-poses the question of interactive multi- and hypermedia in the age of html-5, Popcorn, Apps and the likes.
2.)â€¦ assemblages of content, interfaces and infrastructures, as found in platforms, with their changing forms and logics of circulation, and to scrutinize media-â€˜flowsâ€™, â€˜livenessâ€™, â€˜channelsâ€™, â€˜archivesâ€™, â€˜listsâ€™, and producing â€˜dissolving originalsâ€™ and new forms of mash-ups.
3.)â€¦ socio-cultural assemblages of producers, owners, curators and perceptive â€˜audiencesâ€™. The conditions and social realities of video- and TV-production, issues of copyright and re-organization of â€˜imaginaryâ€™ capital evoke questions as to what extent technology, standards and protocols â€“ and their symbolisms â€“ are taking over the role of what before has been ascribed to â€˜cultureâ€™.
4.)â€¦ assemblages contributing to ruptures and revolts: Indeed â€žthe whole world is watchingâ€œ different real or so-called â€˜revolutionsâ€™: social upheavals are transmitted via video. What does it mean to be an â€˜observerâ€™ (individually, socially or scientifically), a â€˜participantâ€™ or a â€˜witnessâ€™? Questions of relevance, media positioning and â€˜real virtualityâ€™ are are gaining new urgency.
Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.
Cultura21â€²s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.
The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:
– Sacha Kagan (based in LÃ¼neburg, Germany) and Rana Ã–ztÃ¼rk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)
Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21
Iâ€™ve just been watching a series of short films exhibited online by the artist-moving-image agency Lux in honor of the 200th year of Darwinâ€™s birth. Theyâ€™ve put up four short films that consider, in their words, â€œDarwinâ€™s complex legacyâ€.
There are a couple of real gems there; go have a look. In particular:
Paul Bushâ€™s While Darwin Sleeps 2004 (illustrated) is a four-minute film that animates 3,000 dead long-dead insect specimens, cunningly using their very diversity to bring them alive again.
And Ben Riverâ€™s wonderfully slow and measured Origin of the Species 2008 is a portrait of an unnamed auto-didact hermit, fascinated by the big questions of life and nature. In occasional moments of voice-over reflects on them from the solitude of his woodland hut. Among the gems of wisdom he dispenses is this one, which I particularly love:
â€œManâ€™s brain. It evolved real quick. And itâ€™s trouble. Itâ€™s just trouble.â€