Refrigerant Management â€“ is a great opportunity for glass curtains. Points will be awarded if the project does not increase and/or reduces a building heat load.
False Creek Energy Centre
Example: Architectural material technologists, Decker Yeadon, have developed a material that regulates a buildingâ€™s climate by automatically responding to environmental conditions, without need of people, or energy intensive machinery. Watch the video to get a real sense of how revolutionary their Homeostatic Facade Systemcould be for building design.
On-site renewable energy â€“ must always be used if artwork needs to be powered
Example: In Vancouver, at the False Creek Energy Centre, public art is activated by the operations of the facility, which produces domestic hot water and space heating for the adjacent community. At the top of each stack is a LED light fixture which changes color from blue â€“ orange â€“ red relative to the heat output of the plant.
Example: PIEZOELECTRIC WALKWAYS is a power technology which uses pressure generated by people walking to produce electricity. Toulouse, France is now using the technology to generate enough electricity to run streetlights.
Green Power – to earn credits in the Green Power category projects must use renewable energy and make it visible and traceable. By definition green power produces no manmade greenhouse gas emissions and can be solar, wind, geothermal, biogas, biomass and hydroelectric
Mags Harries & Lajos Heder's SunFlower: An Electric Garden
Rebecca Ansert, founder of Green Public Art, is an art consultant who specializes in artist solicitation, artist selection, and public art project management for both private and public agencies. She is a graduate of the masterâ€™s degree program in Public Art Studies at the University of Southern California and has a unique interest in how art can demonstrate green processes or utilize green design theories and techniques in LEED certified buildings.
Green Public Art is a Los Angeles-based consultancy that was founded in 2009 in an effort to advance the conversation of public artâ€™s role in green building. The consultancy specializes in public art project development and management, artist solicitation and selection, creative community involvement and knowledge of LEED building requirements. Green Public Art also works with emerging and mid-career studio artists to demystify the public art process. The consultancy acts as a resource for artists to receive one-on-one consultation before, during, and after applying for a public art project. Go to Green Public Art
I recently attended the opening for Remediate/Re-vision: Public Artists Engaging the Environmentat Wave Hill in the Bronx. The exhibition showcases artistsâ€™ projects that raise awareness about issues concerning watershed fragility, industrial and natural history, personal responsibility, and ecological balance. Artists in the exhibition include Lillian Ball, Jackie Brookner, Mags Harries and Lajos Heder, Natalie Jeremijenko, Patricia Johanson, Lorna Jordan, Matthew Mazzotta, Eve Mosher, Buster Simpson, Susan Leibovitz Steinman, Suzanne Lacy, and Yutaka Kobayashi, George Trakas and Mierle Laderman Ukeles.
The exhibition design provides each artist or artist team with a large wall presentation including text, photographic images, documentation and in some cases videos. It’s graphically crisp and clear to look at if somewhat bookish. Curator Jennifer McGregor explained to me that the entire exhibition will be very easy to travel as everything is designed on computer files that can be sent without shipping anything. Nice to see a “green” show with a green concept for travel! This exhibition focuses on current or recently completed projects with a few exceptions.
ecoartspace provided two video interviews for this exhibition. Patricia Johanson was interviewed by Amy Lipton and Jackie Brookner was interviewed by Patricia Watts. For viewing the interviews please go to the ecoartspace youtube page HERE.
Several of the artists were there for the opening and gave brief talks about their work. First to speak was Lillian Ball about her completed project WaterWash which is made of recycled glass, permeable pavement and vegetation to replace asphalt to act as storm water mitigation in Southhold Long Island, NY. She also presented an architectural model as a proposal for a new version of WaterWash for the Bronx River.
Buster Simpson then spoke about his work titled The Monolith in Redding, CA. This work was commissioned by Turtle Bay Exploration Park and created from the ruins of a former gravel plant and the building of the Shasta Dam. Simpson has proposed a water recirculation system and large solar panel for the rooftop of the structure.
George Trakas spoke about his Newton Creek Nature Walk in Greenpoint, Brooklyn. He created public access to a long-inaccessible shoreline surrounding the Newtown Creek Wastewater Treatment Plant. Trakas’ Nature Walk provides an interpretive frame on its surroundings. From staged granite steps to the waterâ€™s edge, visitors can sit on a series of getdowns perforating the bulkhead along the Whale Creek tributary.
Lorna Jordan, spoke about her project Terraced Cascade in Scottsdale, Arizona. The work consists of a series of stepped, rib-like terraces and vertebrae-like cascades. Water flows down the cascade in a metaphorical gesture that suggests water rolling down a human spineâ€”a miniature watershed allows storm water to supplement the irrigation system. Planted terraces provide a demonstration of desert-conscious landscaping and the sculptural garden is an abstraction of the human body in the desert landscape. The artworkâ€™s objective of creatively using storm water is sensitive to the need for harvesting, using and reusing water in an otherwise dry region.
Jackie Brookner presented her recent project, Veden Taika, The Magic of Water. The work consists of three floating islands in the Halikonlahti Bird Pools in Salo, Finland. The largest island provides nesting sites for birds and the two smaller islands contain plants for phytoremediation, These islands are vegetated with plants specially chosen to remove pollutants from the water and sediments. During the warm months a cloud of mist, powered by wind, will rise up over the islands several times a day. Wind powered aerators beneath the islands oxygenate the water and stimulate microbial processes on the plant roots.
Eve Mosher, then spoke about her current project, Seeding the City, in NYC which utilizes social networking to site urban interventions in the form of green roof modules. It capitalizes on community building to introduce urban environmental issues and remediation tools. The modules and their accompanying flags and street level signage will track the growth of the network throughout the neighborhood. Online resources will include mapping of the project, tools for tracking local urban heat island effect and resources to recreate the project worldwide. ecoartspace participated in Seeding the City last fall as part of the exhibition Down to Earth at 53 Mercer St, NYC, we had four of the original planted roof modules on view.
Last, but far from least, Mierle Laderman Ukeles spoke eloquently about her ongoing decades of work with the Fresh Kills Landfill in Staten Island, NY. As the official artist in residence of the NYC Dept. of Sanitation, Mierle has been involved from the beginning in the plan to transform Fresh Kills Landfill into a public park. The park will eventually have four sections, and will be twice the size of Central Park. Mierle suggested that it might take another 20 – 30 years before the park is completed. (In the same breath she mentioned that she is now 70 yrs old). The average time period for all of the works represented in Remediate/Revision from inception to completion was 10 years. Mierle is an inspiration in her dedication and perseverance as are all of the artists in this exhibition that take on large-scale public remediation projects as art.
Meanwhile, Mierle has a proposal soon to be implemented for one million people to participate in an artwork for Fresh Kills Park titled PUBLIC OFFERINGS MADE BY ALL REDEEMED BY ALL, where â€œDonor Citizensâ€ will release material offerings via cultural transfer stations. Stay tuned for more information on that as well as on upcoming events at Wave Hill associated with this exhibition.
Artists Talks will take place on Saturday October 9th with Natalie Jeremijenko and Patricia Johanson and on Sunday October 10th with Jackie Brookner, Eve Mosher and Susan Leibovitz Steinman at Wave Hill.
Remediate/Re-Vision is up at Wave Hill through November 28, 2010.
Images top to bottom: Veden Taika, The Magic of Water by Jackie Brookner; Mags Harries and Lajos Heder speaking about Terra Fugit; Waterwash by Lillian Ball; Terraced Cascade by Lorna Jordan, Mist rising over Veden Taika, The Magic of Water by Jackie Brookner, Seeding the City by Eve Mosher, Aerial view of 2200 acre boundary of Fresh Kills Landfill