the extraordinary song:often straightforward, yet infinitely complex
the diversity (how many millions have been created)
the particularity (each one individual)
a structure enabling brilliant inventiveness
often a voice and an instrument
two kinds of sounds, working
my musician friend John talks about chords as metaphors
about how two â€˜discordantâ€™ tones are shifted
through the addition of a third note, bringing resolve
songs are free, and they can make someone a living
they help people make it through the day, and night
songs have changed peoplesâ€™ minds
a song can contain a lot of information, honed,
ideas packed in language,
thereâ€™s craft in it, and anyone can do it
thereâ€™s multiple ways to begin, and a sense when itâ€™s complete
verse, chorus, verse, chorus, middle eight, chorus,
and key change, â€˜ad lib to fadeâ€™
the pleasure of the repetition, letting the song free up, go
When I think of sustainability, I usually think of losing things, resources, capacity, and I find my materially-centred thought frustrating.
‘If anything, I wanted to understand things and then be free of them. I needed to learn how to telescope things, ideas. Things were too big to see all at once, like all the books in the library – everything laying around on all the tables. You might be able to put it all into one paragraph or into one verse of a song if you could get it right’, Bob Dylan, Chronicles, Volume One, 2004.
photo: by Orelie Grimaldi of John Cartwright playing C#m7
â€œashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UKâ€ (2020 Network)
ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.
The Directory has been live since 2000.