International Exhibitions

Call for papers on The Politics of African Contemporary Art – Seismopolite Journal of Art and Politics

seismopoliteRecent approaches to African contemporary art often celebrate the advent of a global contemporary art scene in which they see an abolition of the provincialist and historicist concepts that were imposed by the West during the colonial period. One assumes that by taking part in new and post-historical/ post-national networks of exchange, facilitated by large-scale international exhibitions, biennials and fairs, artists can express themselves more truly as they are no longer doomed to wrestle with the notions of the pre-colonial/ colonial; to be measured against Western art-historical paradigms, or to be defined via enduring fictions about their own parochialism.

This issue of Seismopolite aims to assess the validity of this perspective and to further inquire into the possibilities and limitations pertaining to the global contemporary art scene in terms of addressing political issues in, and rewriting the history and future of African societies (as well as African art history) in a consequential way through art.

In particular we wish to shed a critical light on how the contemporary art economy influences the political agency and interaction of artistic expression in African societies, and reversely, how African art, although it may be free to address political issues, can retain or represent such a political agency once it has become part of the global contemporary.

Contributors from diverse disciplinary backgrounds are invited to submit essays, exhibition reviews or interviews that address the theme “The politics of African contemporary art” through a high variety of possible angles.

Topics may include, but are not restricted to:

  • The role of art and artists in the rewriting of (art) history and political geography.
  • The development of international contemporary art venues/ festivals/ biennials in African countries, and their impact on the societal function and meaning of art in these contexts.
  • The agency and potential of art to stimulate new future trajectories in precarious socio-political situations.
  • Political activism and post-colonial consciousness in art and art communities under colonial rule.
  • The relationship between cultural politics/ geopolitics and international contemporary art venues/ festivals/ biennials in African countries.
  • Changes to the role and the economy of the artist in African societies.
  • Processes of translation in the global mediation of African contemporary art.
  • Aesthetics and politics of art in ‘African diaspora’.

We accept submissions continuously, but to make sure you are considered for the upcoming issue, please send your proposal, CV and samples of earlier work to submissions@seismopolite.com within February 20, 2013. Completed work will be due March 8, 2013. Commissioned works will be translated into Norwegian and published in a bilingual version.

Seismopolite Journal of Art and Politics is a bilingual English and Norwegian quarterly, which investigates the possibilities of artists and art scenes worldwide to reflect and influence their local political situation.

Current issue: www.seismopolite.com

Previous issues: www.seismopolite.com/artandpolitics

Contact: submissions@seismopolite.com

Lillian Ball: Waterwash ABC

This post comes to you from Cultura21

Lillian Ball works in New York as an environmental artist and activist. She has a multidisciplinary background in anthropology, ethnographic film, and sculpture, which influences her work. Furthermore she has received numerous awards and has traveled widely due to her international exhibitions.

Her latest project Waterwash ABC includes the construction of a wetland park, improvement of habitat as well as increase of public access to Bronx River. Its aim is to filter storm runoff and create consciousness among the community for watershed issues by means of an aesthetic nature experience.  The need for restoration and revitalization of areas challenged by stormwater issues is widespread in waterfront areas worldwide.

The vision of Lilian Ball was a vegetated swale with native plants, permeable pavement, and educational signage explaining the need for non-point source stormwater management in private as well as public places.  The transformation of a neglected space into a public outreach park is supposed to inspire community commitment to stormwater issues.

The runoff from the parking lot and the roof of the ABC Carpet and Home retail facility at 1055 Bronx River Ave was emptied unfiltered into the Bronx River. Ball’s project aims to alter this fact. Rocking the Boat is the fiscal agent for this Bronx River Watershed Initiative in order to construct a wetland habitat that stabilizes the shoreline to detain and filter the outfalls before they enter the river.

Rocking the Boat students will plant a variety of salt-tolerant native species and help the  ABC personnel in planting the community vegetable garden and maintain the site. Above that a hydrologic monitoring will be carried out by Rocking the Boat environmental apprentices.

In that way the project creates a permanent, publicly visible remediation, habitat restoration, and educational site. Above that it acts as a green infrastructure model.
For more information see http://lillianball.com/waterwash/index.html and  www.rockingtheboat.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21