Curators

Funded PhD: theatre and learning for sustainability

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‘Sustaining the imagination: theatre and learning for sustainability’

3 year funded PhD hosted by the School of Culture and Creative Arts at the University of Glasgow in partnership with Catherine Wheels Theatre Company – Further information – Closing date 9th July 2012.

Theatre Studies at the University of Glasgow is seeking to award one fully funded PhD studentship to commence 1 October 2012.

The studentship, which will support three years of full-time study, is funded through the AHRC Collaborative Doctoral Awards Scheme. Within the wider School of Culture and Creative Arts, the studentship will be based in the Theatre Studies’ subject group. The studentship is with non-academic partners Catherine Wheels.

The student will undertake a critically informed and contextualised practice-based doctoral thesis exploring how site-orientated theatre can facilitate children’s engagement with sustainability learning. Reviewing the landscape of theatre that connects with environmental and climate change agendas, the research will suggest original ways in which place-based rather than issue-based performance can engage children in developing everyday sustainability practices. Through the partnership with Catherine Wheels Theatre Company, the student will have an opportunity to acquire a range of creative industry skills and knowledges whilst developing critically-informed work which aims to respond to one of the greatest and most pressing challenges of our time. Working directly with Catherine Wheels, and supported by its Artistic Director Gill Robertson and Company Producer Paul Fitzpatrick, the student’s practice-led research will be developed at and respond to two contrasting sites: a primary school located in an urban context (Glasgow) and another in a rural context (East Lothian). 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
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Do you wish to breathe life into an unused open space within your Glasgow neighbourhood?

Jamie Clements in collaboration with Christian Cherene, ‘Site 001′, 2012, multimedia, Photo by Pavel Douseck

This post comes to you from EcoArtScotland

Ever thought of using an unused open space in Glasgow for a:

  • green gym/ play/ outdoor exercise
  • pop up sculpture
  • exhibition space
  • outdoor education
  • arts project
  • event space
  • urban beach
  • pop up park
  • growing space
  • or any innovative idea

Glasgow City Council now invites applications for the Community Support for Stalled Spaces fund.

Funding is available from a minimum of £1,000 to a maximum of £2,500.

Closing Date for applications: 27th of August.

Proposals should follow the guidelines/criteria as laid out in the following link which also contains inspiring examples and a first point of contact for anyone who wishes to apply for funding:

www.glasgow.gov.uk/stalledspaces

Proposals must take place within the Glasgow City Council Boundary.  Development & Regeneration Officers can assist community groups to complete their applications.  Hard copies of application forms are available on request.

Last year the initiative assisted 42 projects resulting in over 15 hectares of land being brought back into temporary use (the equivalent of 22 international football pitches) and supporting groups to attract match funding totalling approx £500,000

Stalled Spaces
Planning Service – Development Plan
Development & Regeneration Services
Email: stalledspaces@glasgow.gov.uk
0141 287 8618

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Collapse: The Cry of Silent Forms

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BRANDON BALLENGÉE
Collapse: The Cry of Silent Forms
May 5 – June 16

Vertical fall in the Winter call that dances in the spring nocturnal…, 2010/2012 from “A Season in Hell Series, Deadly Born Cry” unique digital chromogenic print 64 x 56 inches In scientific collaboration with Stanley K. Sessions Title from a poem by KuyDelair

Ronald Feldman Fine Arts 31 Mercer Street | New York, NY 10013 | 212-226-3232 | www.feldmangallery.com

Brandon Ballengée, a visual artist and biologist, will exhibit sculptural installations and photographs at Ronald Feldman Fine Arts in his first major solo exhibition in New York.  The exhibition, Collapse: The Cry of Silent Forms, consists of three bodies of work that explore the effect of ecological degradation on marine life and avian and amphibian populations.  Synthesizing scientific inquiry with art-making, Ballengée transforms his field research into metaphors that reduce life to its essentials.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge ResearchGray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Indian Man Single-Handedly Plants 1,360 Acre Forest

This post comes to you from EcoArtScotland

Design won’t save the world on its own regardless of the tag line of this weblog, but performing a life differently can make a real difference – 30 years of improvising a forest.   Wonderful story. 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Atmospheres of Protest

This post comes to you from Cultura21

Symposium on Sustainability and Contemporary Art

Central European University Budapest (Hungary) – 11 May 2012

The upsurge of new popular movements from Egypt to Greece and Bucharest to New York has engendered an atmosphere of defiance and social creativity that has captured the global imagination. Beyond the ebb and flow of individual protest movements, this symposium asks whether global solidarity has really taken hold this time and considers the variety of ways in which contemporary art is embroiled through practices of dialogue and collaboration in the emergence of a common horizon and the imagining of a sustainable future. Providing a trans-disciplinary forum for discussion of the vital issues bridging the fields of art and environmental thought, the symposium sheds light on our understanding of the multifarious notion of sustainability, which appears by turns as a radical concept in global ecological thinking, can be recruited as a corporate strategy for green capitalism, and may act as a spur to new forms of social activism.

Speakers include artist-activists Noah Fischer and Maria Byck, who are members of the Occupy Museums Collective that protests against the domination of the interests of the 1% in the running of New York art institutions, as well as Berlin and Amsterdam-based urbanibalists Matteo Pasquinelli and Wietske Maas, who will present a radical gastro-manifesto that seeks to recover the spontaneous living matter of the city. Activist and writer on affective labour Emma Dowling will reflect on the sustainability of the protest movement in the light of the spread of locally-organised occupations of public and private space, while Tomas Rafa’s video archive of marches and counter-demonstrations illuminates the spectrum of contemporary protest.

The symposium is organised by curators Maja and Reuben Fowkes (Translocal.org) in collaboration with the Department of Environmental Science and Policy and the Centre for Arts and Culture at Central European University (CEU).

Attendance is free, advance reservation is recommended. For more information see the symposium website: www.translocal.org

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Screening of ‘The Yes Men Fix the World’ in Ayr 26th April

This post comes to you from EcoArtScotland

The Ayrshire Group of World Development Movement is holding a Film Show on Thursday 26th April at 7.30 p.m at the Citadel, when we will be showing the film “The Yes Men Fix the World“.

Flyer: WDM Film Show 26 April 2012 please distribute

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Podcast of Paul Kingsnorth from RANE

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Paul Kingsnorth of the Dark Mountain project will be at Carrying the Fire 20-22nd April in Biggar.  For those interested, he also recently spoke at RANE in Falmouth and they just put up a podcast.

“And so we find ourselves, all of us together, poised trembling on the edge of a change so massive that we have no way of gauging it. None of us knows where to look, but all of us know not to look down. Secretly, we all think we are doomed: even the politicians think this; even the environmentalists. Some of us deal with it by going shopping. Some deal with it by hoping it is true. Some give up in despair. Some work frantically to try and fend off the coming storm. Our question is: what would happen if we looked down? Would it be as bad as we imagine? What might we see? Could it even be good for us?”

Uncivilisation: The Dark Mountain Manifesto, Paul Kingsnorth and Dougald Hine, 2009

Non-fiction author, poet and novelist, Paul Kingsnorth is one of the UK’s most original – and controversial – writers on the environment. His first book, One No, Many Yeses (2003), explored the rise of the global resistance movement. In 2008, his polemic travelogue Real England: The Battle against the Bland was described in the Independent as “a watershed study, a crucially important book”. In 2009, Paul co-founded the Dark Mountain Project, a global network that aims “to bring together writers and artists, thinkers and doers, to assault the established citadels of literature and thought, and to begin to redraw the maps by which we navigate the places and times in which we find ourselves”. Paul is also a former editor of the Ecologist magazine and a frequent contributor to national newspapers.

 

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Review of Peter Fend’s “Über die Grenze: May Not Be Seen or Read or Done”

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Installation shot, courtesy of Essex Street

Colby Chamberlain’s intelligent review of Peter Fend’s show of current projects at Essex Street: Peter Fend’s “Über die Grenze: May Not Be Seen or Read or Done” | Art Agenda.

Extensive hi res documentation of the work on the Essex Street website.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Louis Helbig’s images of tar sands development

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Residual Bitumen
N 56.51.42 W 111.20.35 Suncor South, Alberta, Canada

Louis Helbig’s project beautifuldestruction.ca provides aerial documentation of the tar sands developments in Alberta, Canada along with a detailed commentary.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

ecoartscotland in Tent at ECA – 6-10 March

This post comes to you from EcoArtScotland

ecoartscotland will be in residence in the Tent space at Edinburgh College of Art, during the week 6-10 March 2012.

Art, Space & Nature students and staff have worked with ecoartscotland to develop a programme of discussions and events during the week:

Tuesday 6 March
16.00-17.30 Discussion on the Ecology of the Body, Healing and the Environment, and Holistic Spirituality with Sandra Long and Betsy Davis.

Wednesday 7 March
10.00-12.30 “What is the ecology of the practices of arts and ecologies: Art, Space & Nature students and members of the ecoartnetwork.

14.00-17.30 CORE Forum (by invitation only)

Thursday 8 March
16.00 Discussion on Translating Spaces with Catriona Gilbert and Laura Trujillo Muñoz.

Fri 9 March
TBC

The Tent Space is in Evolution House at the junction of West Port and Lady Lawson Street.  Opening Hours for ecoartscotland will be 12.00-17.00 Tues, Thurs and Fri or by arrangement

The ecoartscotland library is available for consultation during these hours.

Documentation of the programme will be posted to http://ecoartscotland.net during the week and following

If you’d like to attend a discussion, please contact chris@fremantle.org +44 (0) 7714 203016

PS Thanks to Betsy Davis (Art, Space & Nature) for remixing the ecoartscotland logo.

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland