…This type of question isnâ€™t always asked, but for Superhero Clubhouse, itâ€™s de rigeur.Â Founded in 2007 by Jeremy Pickard, Superhero Clubhouse is a â€œsociety of theater artists engaged in making original plays and events about the natural world via a green and collaborative process.â€Â How they make their work is equally as important as the subject matter itself.Â A rehearsal room populated with handheld devices may be a solution to printing multiple versions of a script, yet it is also a manner of developing work with more fluidity.Â Theyâ€™re measuring multiple efficiencies here as they constantly tackle large-scale issues: water pollution, mercury poisoning, ethical food production.Â In the process, theyâ€™re also examining an issue that theater artists are only just starting to acknowledge: how the act of creating theater can be so inherently wasteful.Â For Jeremy a play is â€œa way to realize or actualize the conversations weâ€™re having about bigger issues.â€
After the disappointing outcome of Copenhagen last December the next climate change negotiations have started to Â take place in Cancun, Mexico.
Arcola intern, Anthony Ford-Shubrook has been chosen as one of a group of eight to represent UK youth at the UN conference. He will be part of the UKYCC (UK Youth Climate Coalition) delegation, to campaign for politicians to sign up to real emissions cuts and cap temperature rises before itâ€™s too late. Thereâ€™s a lot of scaremongering and even scepticism around about climate change but when a recent study shows that 98% of climate scientists that publish research on the subject support the view that human activities are warming the planet and that this warming will lead to catastrophic events such as floods, droughts and violent storms across the world he feels we have to do something. Anthony says, â€œIâ€™m going to go and take part in the movement trying to call for something to be done. If we act now to cut emissions we really can make a difference.â€
At the conference Anthony will be campaigning and sitting in on the negotiations each day.
Visit www.ukycc.org for more information on Anthonyâ€™s trip.
This is an excerpt from Robert Usdin’s article for Live Design in April, 2008. Remember that November 19th is Green Day at LDI and they’re looking for nominees for green production of the year.
â€œNo Orangutans Were Harmed In The Making Of This Scenery.â€ That was a proposed slogan that came out of a brainstorming session during a green marketing seminar held recently at Showman Fabricators. As a New York commercial scene shop, we have made a commitment to sustainability over the last few years and used this seminar as an opportunity to help with future plans. Another idea was edible scenery, but we wont go there. Fortunately, there are many established green practices that have become standard at Showman and other shops, so orangutans and edible scenery can be left out of the marketing plans. Showmans EMS Environmental Management System is a detailed roadmap, structured in two parts, charting a course for personnel to act green. The first part outlines best practices, and the second part provides clients with solid options to greatly lessen the environmental impact their projects have. Getting the word out is the first of many steps to encourage clients to think beyond what theyve always done.
via How Green Is Green? | No Orangutans Were Harmed In The Making Of This Scenery | Aug 2008.
â€˜Connecting the Frontal Cortext to the Solar Plexusâ€™: The Ashden Directoryâ€™s Contribution to EMOS
The folks over at The Ashden Directory participated in this yearâ€™s Earth Matters on Stage at the University of Oregon from afar â€” an act borne of the desire to contribute to the conference/symposium without flying across the globe to do so.
Here is a DVD they produced in order to introduce their session. Itâ€™s a stand-alone piece of work, with fantastic insight. I think my favorite moment is when Mojisola Adebayo says that many theater artists believe that theater is â€œinherently good for you, therefore theater makers inherently do good.â€ She goes on: â€œI donâ€™t think any of us think our work could be harmful in anyway.â€ When will we, as theater artists, admit that our work can be, and often is, harmful?