Monthly Archives: October 2023

The Missing Foundation report launch

Wednesday 25 October 2023
10:30am – 1:00pm (BST)

 
The Missing Foundation: Culture’s place within and beyond the SDGs

Book now to join us online on 25 October 2023 for the launch of our thought-provoking new report on culture’s place within and beyond the UN SDGs. 

The 2022 UNESCO Mondiacult conference classified culture as a ‘global public good’, reinforcing culture’s position in the global development discourse that is expected to grow as we approach the end of the UN’s 2030 Agenda and the Sustainable Development Goals (SDG) Framework. 

This forward-thinking new report from edge and story, commissioned by The British Council, builds on our 2020 Missing Pillar report, which explored culture’s contribution to the UN Sustainable Development Goals.

There are multiple perspectives on what role culture can or should play in global sustainable development, particularly in the post-2030 agenda. This new report is an important contribution to that conversation, encompassing observation, provocation, and imagination. The report opens up questions about new frameworks to support collective action and encouraging cultural organisations to consider not just their contribution to sustainable development but the opportunity to be an engine for long-lasting change.

Speakers

Join us to hear insights from our edge and story research team: 

  • Kai Brennert
  • Dian Ika Gesuri
  • Francesca Giliberto
  • Katie Hodgkinson
  • Pedro Affonso Ivo Franco
Event details

The event will take place between 10.30am and 1pm, including a short break. It will be live captioned and recorded.

About the report

In the 2020 publication The Missing Pillar – Culture’s Contribution to the UN Sustainable Development Goals, the British Council sought to present relevant evidence of their programmes’ impact and to position culture as a missing pillar in the wider debate of culture’s role in processes of sustainable development. 

The response to that original Missing Pillar report and its resonance for a range of organisations prompted us to commission this further piece of research.  This report is not only a dynamic follow up to our Missing Pillar report, it brings a cultural perspective to the debates about development initiated by 2015 World Development report ‘Mind, Society and Behaviour’.  

Part one of this new report will look at more recent conversations in the culture and SDG field, exploring who talks – and who doesn’t – about culture in sustainable development, what ideas are being favoured, and what rationales tend to dominate the conversations.

Part two is an in-depth analysis of 10 British Council culture programmes and how they relate to the UN SDGs throughout their programme cycles, from design all the way to evaluation. The evidence will help us understand culture’s actual contribution to the UN Sustainable Development Goals.

Part three questions whether the SDGs are the best framework for culture to align itself to, situates culture in various other development logics, and presents an alternative hybrid concept for cultural actors to consider when working in relation to sustainable development.

Book now

(Top image from motherEarth international, one of the British Council Creative Commissions for Climate Action. ©Lin Chinyung)

The Evergreen Conference

We know our communities need better public places—places where neighbours meet, children play, and nature thrives.  

At the Evergreen Conference, we will explore how public places can work harder for both people and the planet.

Public places make our cities. Amid growing social isolation, disparity, and climate change, public places are an essential service. At their best, they are magnetic, green and inclusive spaces and neighborhood hubs that connect people to nature and each other, creating a sense of belonging and a reprieve from the hustle and bustle of city life. We need to nurture these spaces and steward new ones that work hard for communities. The Evergreen Conference is a space for us to dream big, to imagine what our cities can be and to make the case for place across Canada.

Jen Angel, CEO of Evergreen

We can’t do this alone. Together, we can make the case for place. 

Will you join us?  

Making the Case for Place 

The Evergreen Conference is the latest evolution of our annual national conference.   

It is a gathering of urban thought leaders, community members, private and public sector innovators, and city builders that centres public places as cornerstones of inclusive and sustainable communities in Canada.  

Key topics include:  

  1. Public places at the centre of regenerative and resilient cities 
  2. Sustainable and innovative approaches to housing urban populations 
  3. Supporting Indigenous experiences in urban places 

The conference will be hosted at Evergreen Brick Works in the heart of Toronto’s Don Valley. While there are a limited number of in-person tickets, many of the sessions will be held virtually to accommodate our attendees from far and wide. All tickets are free of charge, but we kindly accept donations here

Tickets to our in-person conference are now sold out, but you can still attend many sessions virtually. Learn more and register for our virtual program here.

Keynote Speaker: Zita Cobb – Founder and CEO of Shorefast

Headshot of Keynote Speaker, Zita Cobb

Zita Cobb is an eighth-generation Fogo Islander, Founder and CEO of the registered charity Shorefast, and Innkeeper of the award-winning Fogo Island Inn. Zita graduated high school on Fogo Island before studying business in Ottawa. Following a subsequent successful career in high-tech, Zita returned to Fogo Island and established Shorefast to put another leg on the Island’s struggling economy to complement its ever-important fishery. With an enduring commitment to Fogo Island, Shorefast is expanding its mission through its pan-Canadian Community Economies initiative to strengthen place-based economic development within the global economy. 

Zita has been a Member of the Order of Canada since 2016 and was a 2020 inductee to Canada’s Business Hall of Fame. She holds honorary doctorates from McGill University, Memorial University of Newfoundland, the University of Ottawa, and Carleton University. She volunteers her full time and energy for Shorefast’s charitable initiatives and community businesses.

Conscientious Podcast: e133 deconstruction – how can you constructively deconstruct?

This content is also available in / Ce contenu est également disponible sur: Français


while doing my qi gong one morning I heard roofers removing tiles and recalled a simplesoundscapes recording from 2016…


TRANSCRIPT OF EPISODE

(bell + sound of roofers taking off tiles)

While doing my daily qi gong on May 25, 2023 I was listening to roofers removing tiles on a nearby house.  

I’ve always been troubled and fascinated by the sound of deconstruction… of things being ripped apart… of the undoing of objects held together with glue, nails or screws. 

I sometimes feel the pain of the wood, metals and minerals. 

I sometimes feel like a part of me lives within these materials.

I think about where these materials came from – their extraction from the earth – and how we treat them when they are no longer useful to us. 

I feel gratitude towards these living beings who provide us with shelter and comfort.

Now I want to take you back to another encounter with deconstruction, in August of 2016, the very first recording of my simplesoundscapes project about mindful listening. 

Here is the recording from the very first episode of simplesoundsccapes. 

(beginning of simplesoundscapes pilot episode, with nails being extracted in the background)

This pilot episode of simplesoundscapes explores the ecological and philosophical implications of deconstruction. I have a lifelong interest in environmental issues, in particular with acoustic ecology and so when I heard both the violence and the poetry of siding being removed and nails being extracted from a wall on our cottage, I was compelled to record it and to start this podcast series called simplesoundscapes. So this particular recording was captured in mono on an ipad with the ipad on a window sill. It  was recorded in August 2016 in Duhamel, Quebec.  I invite you to think about the following question: 

If construction is the art and science of building and deconstruction is its opposite, selective dismantlement, how then can we constructively deconstruct?

How can you constructively deconstruct?

*

CREDITS

Thanks to the roofers I recorded and all the best with the development of green practices in your industry. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to American Foundation for Suicide Prevention.

The post e133 deconstruction – how can you constructively deconstruct? appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

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———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation : claude@conscient.ca

acknowledgement of eco-responsibility

I acknowledge that the production of the conscient podcast / balado conscient produces carbon. I try to minimize this carbon footprint by being as efficient as possible, including using GreenGeeks as my web server and acquiring carbon offsets for my equipment and travel activities from BullFrog Power and Less.

a word about privilege and bias.

While recording episode 19 “reality”, I heard elements of “privilege” in my voice that I had not noticed before. It sounded a bit like “ecological mansplaining”. I realize that, in spite of good intentions, I need to work my way through issues of privilege (of all kinds) and unconscious bias the way I did through ecological anxiety and grief during the fall of 2020. My re-education is ongoing.

View the original: https://www.conscient.ca/e133-deconstruction-how-can-you-constructively-deconstruct/

SPRINGBOARD local assembly for creative climate action – Borders 

Creative Carbon Scotland is working with Connecting Threads and CABN – Creative Arts Business Network, and other organisations across Scotland to deliver a series of local assemblies for creative climate action. SPRINGBOARD brings together artists, cultural and sustainability organisations, climate workers, activists, local businesses, third-sector organisations and anyone interested in collaborating to form powerful local networks for creative climate action. Local assemblies are an opportunity to connect with other practitioners in your region to address climate change collectively.

Sign up here!

DETAILS 

Date: 19 October

Time: 12:00pm – 5:00pm BST

Event Category: SPRINGBOARD

Website: https://www.eventbrite.co.uk/e/springboard-local-assembly-for-creative-climate-action-borders-tickets-722033380277?aff=oddtdtcreator

At the Borders assembly, Creative Carbon Scotland and Abundant Borders will lead practical workshops, ending the afternoon with a discussion about where we take the network next to deliver creative climate action. Everyone can sign up for two workshops. These local assemblies are for anyone working or volunteering in the climate or environmental sector, the arts, screen, creative industries, museums, heritage, and libraries. Other local assemblies have taken place or are planned. 

Programme: 

12.00: Join us for lunch. Soup and a roll from Cafe Recharge and good pre-workshop chat will be provided.

12.30: Introduction on influencing and collaboration.The session will start with a shared introduction to how the creative sector can influence society on climate change, and share key-concepts for good collaboration practice and climate justice. 

2.00: session 1

Option 1: Climate justice and arts & culture 

Climate justice and arts & culture – with focus on land ownership in the Borders. Climate justice is a way of understanding how climate change results from and exacerbates existing inequalities and injustices as well as how climate action can help create a fairer world. Creative Carbon Scotland will be sharing our own research into how climate justice thinking is relevant to the arts and culture sector in Scotland. The workshop will focus on questions around community ownership, and the role of culture in supporting powerful forces of change.

Option 2: Land(ings)

With Claire Pencak / Abundant Borders 

Community food gardens are sites for growing and nourishing community cohesion, multi-species collaboration and regenerative cultural practices. In working with plants, we are given access to their roots and to the community of soil. They take us down with them into the earth, opening up ways for us to become more earthly in our bodies, lives and communities.

Drawing on her experience as the Abundant Borders’ project worker for Duns Community Food Garden and her somatic movement practice, Claire Pençak will invite us to reflect together, through sensory and embodied activities, on how food growing offers regenerative processes and metaphors that can transform our relationship to land and to ourselves. What new provocations and languaging might emerge as we spend time together in the company of plants making comfrey fertilisers (dynamic accumulators) and tasting fresh herbal teas? How might ‘composting the ego’ nourish ecological relationships and support us to dwell more sensitively with the earth?

3.00: Break and mapping activity 

3.20: Session 2

Option1: Arts and environmental collaboration on climate change

Collaboration between the arts and environmental sectors can create diverse opportunities for more effective action on climate change. This session will explore the ways that these fields can benefit from collaboration, offer examples of what has been achieved in the past and explore the practical steps needed to make collaborative projects a success. The session will end with an opportunity to consider what a collaborative climate change project would look like for you.

Option 2: Land(ings)

With Claire Pençak / Abundant Borders 

Community food gardens are sites for growing and nourishing community cohesion, multi-species collaboration and regenerative cultural practices. In working with plants, we are given access to their roots and to the community of soil. They take us down with them into the earth, opening up ways for us to become more earthly in our bodies, lives and communities.

Options throughout the day

Swap Shop

CABN will be running a swap shop at this event. It is a free and local exchange where creatives can pass on things (e.g. materials, sheet music, paint, fabric) they no longer want, in exchange for something they need – a cashless bring-and-buy sale! For more details, check our website: https://www.cabn.info/2022/12/cabn-swap-shop-manifest-2022/

Project sharing table

If you have a project you want to share please bring materials for it to put on the project-sharing table. I.e. publication, flyers, art objects. 

Mapping of creative climate action in the Borders

We will bring a big map of the Borders and ask you to pin down any relevant creative climate projects you know!

Travel bursaries

CABN have an access fund to support travel expenses to the event if you’re a creative based in the Scottish Borders. Email Julia & Jessie – hello@cabn.info for more info.

Accessibility

Everyone is welcome at our events.

We know that it’s sometimes difficult for everyone to attend because of unintended barriers. We want to make any necessary adjustments to our events so that no one is excluded. St Boswells Village Hall is fully accessible, with disabled toilets and wheelchair access. Please inform us of accessibility requirements during the registration process or get in touch by email if you would like to provide more information or ask any questions. Please contact maja.rimer@creativecarbonscotland.com at least one week before the event if you would like to provide more information or ask any questions.

Please see our Safe Working Spaces Statement for more information.

Getting there

Bus times for the venue: Get the number 68 from Galashiels Transport Interchange at 11.30, arriving at St Boswells Bus Stand @ 12.17 or coming from Jedburgh Bus Station at 11.49 & arriving at St Boswells Bus Stand @ 12.17. 

You will be asked some questions as you sign up. We are collecting this data so we can understand the needs of those attending the event, share follow-up information and plan future SPRINGBOARD collaborations. We ask for travel information so we can assess the carbon impact of our events.

(Top image: Alt text: Black background with SPRINGBOARD logo. Text above reads ‘Creative Carbon Scotland in partnership with CABN and Connecting Threads while text below the logo reads ‘Climate needs arts and culture now’ ‘Join our local assemblies’.)

Conscient Podcast: e132 slow – how does the pace of speech relate to the sound of modernity?

This content is also available in / Ce contenu est également disponible sur: Français


my zen practice taught me how unhurried speech invites us to slow down


TRANSCRIPTION OF EPISODE

(bell and breath)

When I was a student at the White Wind Zen Community in Ottawa I had the privilege of listening to recorded teachings by Ven. Anzan Hoshin roshi. You can hear some his recording on wwzc.org.

During these teisho, the roshi speaks very slowly, with a lot of silence between words, a bit like what I’m doing now.

Silence between words.

As well as words between silence.

Now I love listening to spoken words at this kind of slow pace. 

It invites other sounds to permeate the acoustic space, such as the traffic that is in the background now, a bit of birdsong, muffled sounds. 

But we can also notice other things like our breath – it’s pace, depth, odor, weight – so many dimensions that we usually don’t pay attention to and minute movements such as cracking of the floor from the weight of the chair, oscillations of light and so many details we normally don’t notice.

I love the way spoken words linger in the air, hugging the clouds and floating down like rain or snow.

I love the way unhurried speech invites us to slow down.

So you might ask : how does the pace of speech relate to the sound of modernity?

The sound of modernity is the opposite of slowness. It’s fast moving and generally saturated, isn’t it?

Constant in overdrive, with technology accelerating our lives, faster and faster every day, 

We seem to have lost touch with slowness – there’s my phone reminded me to be fast.

We’ve also lost touch with the notion, the feeling of distance. 

So I’m going to slowly walk away from this microphone, while repeating this narration again as an exercise in listening to slowness but also to distance. 

Thanks for listening. 

(Gets up and walks away)

When I was a student at the White Wind Zen Community in Ottawa I had the privilege of listening to recordings of teachings, by Ven. Anzan Hoshin roshi. You can hear some on wwzc.org.

During these teisho, the roshi speaks very slowly, with a lot of silence between words, like I am speaking now.

Silence between words.

Words between silence.

I love listening to spoken words at a slow pace…

*

CREDITS

For more information on the White Wind Zen Community, see https://wwzc.org/.

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to White Wind Zen Community.

The post e132 slow – how does the pace of speech relate to the sound of modernity? appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

Powered by WPeMatico

———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation : claude@conscient.ca

acknowledgement of eco-responsibility

I acknowledge that the production of the conscient podcast / balado conscient produces carbon. I try to minimize this carbon footprint by being as efficient as possible, including using GreenGeeks as my web server and acquiring carbon offsets for my equipment and travel activities from BullFrog Power and Less.

a word about privilege and bias.

While recording episode 19 “reality”, I heard elements of “privilege” in my voice that I had not noticed before. It sounded a bit like “ecological mansplaining”. I realize that, in spite of good intentions, I need to work my way through issues of privilege (of all kinds) and unconscious bias the way I did through ecological anxiety and grief during the fall of 2020. My re-education is ongoing.

View the original: https://www.conscient.ca/e132-slow-how-does-the-pace-of-speech-relate-to-the-sound-of-modernity/

Green Tease: Intergenerational climate justice and culture 

No one will feel the impacts of the climate emergency more than children and future generations.  

Join us for this Green Tease on intergenerational climate justice and culture on the 11 October 4-6pm at Leith Community Croft. Together with experts in climate justice and creative climate education, we will discuss what intergenerational climate justice is, why it matters and how culture can be a way of giving a voice to future generations.   

Sign up here.

Children and future generations are at the forefront of bearing the burdens of the climate crisis. Still, they have little say over the decisions that will affect them more than anyone. Intergenerational justice argues that children have the right to be heard. That the climate crisis is a human rights issue and that climate action must reflect the needs and voices of everyone impacted. The complex interaction of the climate crisis with existing inequalities and injustices is an area where the arts and cultural sector can play a role in developing understanding and breaking down barriers to children participating in climate action. 

An excellent example of this comes from one of our speakers Lucy Power, Co-director at Rowanbank Environmental Arts & Education. In the run up to COP26 they facilitated the creation of a beautiful and moving soundscape of children’s voices that you can listen to here: – Positive Imaginings Soundscape. 

This event will partly take place outdoors so do bring warm, waterproof clothes. We provide tea and coffees to warm ourselves with! 

Speakers:  

Dr Elizabeth Cripps  

Dr Elizabeth Cripps is a Senior Lecturer in Political Theory at the University of Edinburgh and Associate Director of CRITIQUE: Centre for Ethics and Critical Thought. Liz researches and teaches climate justice and ethics. Her most recent books are What Climate Justice Means and Why We Should Care and Parenting on Earth: A Philosopher’s Guide to Doing Right By Your Kids – and Everyone Else. She also has a PhD in Philosophy from University College London and a BA in Philosophy, Politics and Economics from the University of Oxford. 

2050 Climate Group

Since 2014, 2050 Climate Group has been working to empower Scotland’s Young Leaders to lead action on tackling our climate crisis. They believe today’s young people are crucial to building a fairer, more sustainable future. Through their work, they equip future leaders with the skills and knowledge that they require to collectively lead Scotland in the transition to a just and sustainable society. 

Lucy Power 

Lucy Power is a Co-director of Rowanbank Environmental Arts and Education. Lucy has a background in environmental science and aerial performance art and steers the creative focus and output of the organisation. Together with Arran Sheppard she runs Positive Imaginings, a creative climate education project based on woodland performances, providing children an opportunity to imagine a positive future in the midst of the climate emergency. Positive Imaginings uses storytelling to empower and engage children in building hope and resilience for their future. Read our case study about the project here. Lucy has also been awarded a Churchill Fellowship to research best practice in creative climate communication and education from around the world.  

Green Tease is an ongoing informal events programme connecting cultural practices and environmental sustainability across Scotland. Since 2013 Green Tease has provided a platform for those interested in teasing out the links between the arts, climate change and environmental sustainability through the exchange of ideas, knowledge and practices. Green Tease events are equally open to people from creative and environmental backgrounds and free to attend.   

Accessibility 

We want to remove barriers to participation in these events and are happy to make adjustments to prevent people from being excluded. Please inform us of accessibility requirements during the registration process or get in touch by email if you would like to provide more information or ask any questions. Please contact maja.rimer@creativecarbonscotland.com at least one week before the event. Please see our Safe Working Spaces Statement for more information. 

If you have any accessibility needs or questions do get in touch at maja.rimer@creativecarbonscotland.com 

(Top image: Children sitting in a circle in the forest. Text: Intergenerational climate justice and culture)

e131 modernity – are you modernity?


an exercise where I invite listeners to stop what they are doing, listen and to enjoy the experience


TRANSCRIPTION OF EPISODE

(unedited improvised narration)

Listening is at the heart of this season of the conscient podcast. Specifically, listening to the sounds of modernity, but also listening to everything, all at once and noticing what is going on, usually a mix of systems collapse and resilient beauty. 

So today’s episode is a listening exercise. At the end of this recording I invite you to stop what you are doing for a few minutes and listen to what is around you. 

Try not to think or analyse what you hear. Just note what is happening and enjoy the experience. Try to let the sounds enter your body without passing judgment. Just listen. I invite you to stay where you are or move around. 

I’ll give you an example from where I am right now. It’s 5.30 am on May 17, 2023. I’m in an apartment in Montreal. I’m hearing a thin tic toc sound at a distance. Behind that I hear a faint birdsong outside the apartment. I also hear my voice reverberating in this room and the sound of my breath. I also hear and feel the sound of my blood passing through my veins. The more I listen the more I hear and feel connected to this space and this moment. 

I’m not listening to modernity. 

I am modernity. 

*

This listening exercise was recorded on my iphone (poor sound quality) at 5.30am on May 16th, 2023 (I made a mistake and said May 17 on the recording) in one take in mp 3 format.

I wrote the script a few minutes before recording it. I did not edit the recording or add the ‘bell and breath’ at the top. I wanted it to be from that moment, ‘as is’, in the spirit of the exercise. 

I am grateful and accountable to the earth and the human labour that provided me with the privilege of producing this episode. (including all the toxic materials and extractive processes behind the computers, recorders, transportation and infrastructure that make this podcast possible).

My gesture of reciprocity for this episode is to NAISA, New Adventures in Sound Art.

The post e131 modernity – are you modernity? appeared first on conscient. conscient is a bilingual blog and podcast (French or English) by audio artist Claude Schryer that explores how arts and culture contribute to environmental awareness and action.

Powered by WPeMatico

———-

About the Concient Podcast from Claude Schryer

The conscient podcast / balado conscient is a series of conversations about art, conscience and the ecological crisis. This podcast is bilingual (in either English or French). The language of the guest determines the language of the podcast. Episode notes are translated but not individual interviews.

I started the conscient project in 2020 as a personal learning journey and knowledge sharing exercise. It has been rewarding, and sometimes surprising.

The term “conscient” is defined as “being aware of one’s surroundings, thoughts and motivations”. My touchstone for the podcast is episode 1, e01 terrified, based on an essay I wrote in May 2019, where I share my anxiety about the climate crisis and my belief that arts and culture can play a critical role in raising public awareness about environmental issues. The conscient podcast / balado conscient follows up on my http://simplesoundscapes.ca (2016-2019) project: 175, 3-minute audio and video field recordings that explore mindful listening.

season 1 (may – october 2020) : environmental awareness and action Season 1 (May to October 2020) explored how the arts contribute to environmental awareness and action. I produced 3 episodes in French and 15 in English. The episodes cover a wide range of content, including activism, impact measurement, gaming, arts funding, cross-sectoral collaborations, social justice, artistic practices, etc. Episodes 8 to 17 were recorded while I was at the Creative Climate Leadership USA course in Arizona in March 2020 (led by Julie”s Bicycle). Episode 18 is a compilation of highlights from these conversations.

season 2 (march – august 2021 ) : reality and ecological grief Season 2 (March 2021 ) explores the concept of reality and is about accepting reality, working through ecological grief and charting a path forward. The first episode of season 2 (e19 reality) mixes quotations from 28 authors with field recordings from simplesoundscapes and from my 1998 soundscape composition, Au dernier vivant les biens. One of my findings from this episode is that “I now see, and more importantly, I now feel in my bones, “the state of things as they actually exist”, without social filters or unsustainable stories blocking the way”. e19 reality touches upon 7 topics: our perception of reality, the possibility of human extinction, ecological anxiety and ecological grief, hope, arts, storytelling and the wisdom of indigenous cultures. The rest of season 2 features interviews with thought leaders about their responses and reactions to e19 reality.

season 3 (october 2021 – february 2022 ) : radical listening Season 3 was about radical listening : listening deeply without passing judgment, knowing the truth and filtering out the noise and opening attention to reality and responding to what needs to be done. The format is similar the first podcast format I did in 2016 with the simplesoundscapes project, which was to ‘speak my mind’ and ‘think out loud’. I start this season with a ‘soundscape composition’, e63 a case study (part 1) and e64 a case study (part 2), a bilingual speculative fiction radio play, set in an undergraduate university history seminar course called ‘History of 2021 in Canada’. It concluded with a soundscape composition ‘Winter Diary Revisited’.

season 4 (1 january – 31 december 2023) : sounding modernity

About

I’ve been retired from the Canada Council for the Arts since September 15, 2020 where I served as a senior strategic advisor in arts granting (2016-2020) and manager of the Inter-Arts Office (1999-2015). My focus in (quasi) retirement is environmental issues within my area of expertise in arts and culture, in particular in acoustic ecology. I”m open to become involved in projects that align with my values and that move forward environmental concerns. Feel free to email me for a conversation : claude@conscient.ca

acknowledgement of eco-responsibility

I acknowledge that the production of the conscient podcast / balado conscient produces carbon. I try to minimize this carbon footprint by being as efficient as possible, including using GreenGeeks as my web server and acquiring carbon offsets for my equipment and travel activities from BullFrog Power and Less.

a word about privilege and bias.

While recording episode 19 “reality”, I heard elements of “privilege” in my voice that I had not noticed before. It sounded a bit like “ecological mansplaining”. I realize that, in spite of good intentions, I need to work my way through issues of privilege (of all kinds) and unconscious bias the way I did through ecological anxiety and grief during the fall of 2020. My re-education is ongoing.

View the original: https://www.conscient.ca/e131-modernity-are-you-modernity/