This week we recognize the work of artistÂ Erika Blumenfeld.
“In April of 2011, after seven months without rainfall, the Rock House Fire ignited in Marfa and raged across the beautiful landscape of far West Texas, devastating the regionâ€™s environment. I was living in Marfa at that time and, in those weeks while the wildfire reigned, I began collecting material from the burned landscapeâ€”carbonized trees, cacti, dirt, animal bones, grassesâ€”and photographed the charred remains and blackened earth.”
“I followed those devastating wildfires throughout the summer of 2011 to Arizona and New Mexico, again in 2012 during the wildfire season in New Mexico and Colorado and finally in 2013â€™s season in New Mexico. I have documented five major wildfires across of the southwest in this way, gathering burned material from theÂ Rock House WildfireÂ (Texas 2011), theÂ Wallow WildfireÂ (Arizona 2011), theÂ Las Conchas WildfireÂ (New Mexico 2011), theÂ Waldo Canyon WildfireÂ (Colorado 2012) and theÂ Silver WildfireÂ (New Mexico, 2012).”
“For theÂ Wildfire Paintings, I hand-grind the burned debris into a fine carbon pigment and then adhere it to a gilded-edged panel, allowing the raw material to sit on the surface. Each wildfire pigment varies slightly depending on each locationâ€™s indigenous flora and fauna as well as how hot the fire burned. In the Arizona, New Mexico and Colorado wildfires the highly iridescent sheen across the surface of the black carbon tells the story of a very hot fire fueled by burning timber. In contrast, the Texas wildfire consists mainly of grasses and dirt and so the pigment is more matte and slightly brown in tone.”
“For the installation,Â An Offering toÂ Stolen Nature, I filled hand-hammered Tibetan song bowls with charred trees, grasses, pine cones, and pine needles and displayed them alongside burned volcanic rocks, animal bones and cacti. All of these materials were collected from areas that were private, state, or federal land. At each location that I gathered debris, I was at some point evicted from the land, and in one case was asked to put back the burned material I had collected. This piece considers the innate sacredness of nature alongside the human desire to own or manage the land, exploringÂ the question: has our land ownership in one sense stolen the land from nature? InÂ stealing it back, the piece intends to re-sacralize nature beyond our possession of it.
In the photographic works, I documented the thick smoke of the active fires and the blackened landscape in the aftermath of fireâ€™s blaze.
These works become forensic evidence of the crime of anthropogenic climate disruption – they are a eulogy to the wildfires, and homage to the nature they consumed. Yet, as carbon is both the building block of all life and is itself an artifact of light, these works also intend to look to the regeneration that is possible as we look for solutions.”
Erika BlumenfeldÂ is a transdisciplinary artist whose practice is motivated by the wonder of natural phenomena and the relationship between nature and culture. A Guggenheim and Smithsonian Fellow, Blumenfeld approaches her work like an archivist, driven by a passion to trace and collect the evidence and stories of connection across the cosmos. Blumenfeld often works in collaboration with scientists and research institutions, including NASA, Scripps Institution of Oceanography, McDonald Observatory, and the South African National Antarctic Program. The photo and video-based works, installations, paintings, drawings, sculptures, writing and data science visualizations that result from her artistic investigations are the artifacts that express her inquiriesâ€™ reflections and weave an equally conceptual and formalist intent. Blumenfeld lives and works in Houston, Texas.Â erikablumenfeld.com
Featured Images: Â©Erika Blumenfeld, Wildfires series
Header: Smoke: Las Conchas Wildfire (Los Alamos, New Mexico 2011), 2012
ecoartapace was conceived in 1997 by Patricia Watts in Los Angeles. In 1999, Watts partnered with east coast curator Amy Lipton, operating as a nonprofit under the umbrella of SEE, the Social and Environmental Entrepreneurs in California. 2019 marked twenty years that Watts and Lipton have curated art and ecology programs, participating on panels and giving lectures internationally. Combined, they have curated over sixty art and ecology exhibitions, many outdoors in collaboration with artists creating site-specific works. They have worked with over one thousand artists from across the United States, and some internationally. Starting 2020, ecoartspace became an LLC membership organization based out of Santa Fe, New Mexico.
A project of the Social and Environmental Entrepreneurs since 1999
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