This post comes to you from EcoArtScotland
Welcome to a new series of posts here and onÂ Twitter @ecoartscotlandfocused on art, artists and wetlands using the hashtag #art4wetlands. Feel free to join in by posting using this hashtag or contacting us with suggestions for blogs. Weâ€™ll be publishing weekly between now and theÂ Ramsar ConventionÂ Conference of the Parties #RamsarCOP13 which takes place in October 2018 in Dubai, UAE.
Wetlands are amongst the most widely threatened habitats world-wide. Threats include unsustainable urban development e.g. being drained for housing development; pollution from urban settlements, industry and agriculture; invasive species, as well as overharvesting. According to analyses by Ramsar,
The global extent of wetlands is now estimated to have declined between 64-71% in the 20th century, and wetland losses and degradation continue worldwide.
But the biggest threat is a perception that to quote theÂ Wildfowl and Wetlands Trust, wetlands are,
â€¦misunderstood and undervalued by people, leading to a desire to replace them with more â€˜usefulâ€™ and â€˜productiveâ€™ options such as housing developments and agricultural land.
Wetlands are a fundamental part of the water cycle, with a key role in cleaning water as it moves from smaller bodies into larger ones (rivers, seas, oceans). Wetlands are critical to many migratory animals and hence their careful management is an internationally shared responsibility. Wetlands are also home to a multitude of amphibious species. Wetlands such as saltmarshes and mangroves stabilise littoral zones, reducing coastal erosion and storm damage to properties.
Artists have represented waterbirds since neolithic times, and the Ramsar Convention publishedÂ Ramsar Cultural Heritage Information Pack 10Â Wetlands â€“ an inspiration in art, literature, music and folklore
More recently Peter Howardâ€™s pieceÂ Wetland Landscapes in English Arthighlighted how during the 18th and 19th Centuries artists in this countryâ€™s tradition marked changes in perceptions of wetlands. Pieces by contemporary artists Simon Read (Communities and Coastal Change) and Betsy Damon (The Sounds of Water) open up contemporary activist practices where artists are not just representing wetlands but also getting directly involved in conservation and wise use.
We have assembled a programme highlighting artists working in different ways on issues such as habitat restoration, pollution and biodiversity loss. We have examples from all six of the Ramsar Conventionâ€™s regions (Africa, Asia, Europe, Latin America & the Caribbean, North America, and Oceania).
TheÂ Ramsar Conventionâ€™s Culture NetworkÂ underpins this initiative which draws on the expertise of members of the Networkâ€™sÂ Art Focus Group. The Ramsar Convention has a longstanding commitment to culture and the arts from its adoption in 1971 through a series of Resolutions to its partnership with theÂ MAVA FoundationÂ and others in the Ramsar Culture Network (2011-18). As part ofÂ World Wetlands DayÂ every year the Ramsar Convention holds the Global Wetlands Youth Photo Competition.
Please share examples of artists (whether now or in the ancient past) contributing to wetlands conservation and wise use with the hashtagÂ #art4wetlands. We are particularly interested in art that makes a difference and we look forward to learning about new examples over the next four months.
ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.
It has been established byÂ Chris Fremantle, producer and research associate withÂ On The Edge Research,Â Grayâ€™s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.</ br></ br>