This post comes from Creative Carbon Scotland
Our conference was not about pure transmission of information â€“ we wanted ourÂ green arts community to get to know each other, to find common points of interaction, and to explore the approach of others to environmental sustainability. However, we know there are those tricky questions which seem particularly difficult to answer and so, as part of the event, we asked for your submissions, with a promise to do our best to answer them directly.
Here are your questions (and our answers!):
1. In a building with elderly strip lighting, is it more expensive to keep switching on and off, than to leave it on for the day?
The consensus from the experts present wasâ€¦ Neither: change the lights to energy efficient LEDs or energy saving lightbulbs! The cost wonâ€™t be that great â€“ you may be able to get lamps for the same fittings â€“ and the payback time from reduced electricity costs will probably be in months, not years. In some areas such as toilets or storerooms itâ€™s also worth looking at motion sensors or timers so that lights canâ€™t be left switched on by mistake. Again, the cost will be recoupled very quickly. If you canâ€™t do any of these things, then the experts said switch the lights on and off, donâ€™t leave them switched on.
2. How can we ensure sustainable change in our projects when funding may not be sustainable? With funding periods that sometimes last less than a year, projects can often be piecemeal and ineffective.
This is a perennial problem, not just for sustainability projects. A few tips:
- Focus on projects that can be accomplished within the funding window you have â€“ some things can be done quickly and will save carbon and money almost immediately.
- Highlight your sustainability plans and the way in which you are approaching your artistic projects in your applications to funders â€“ this can help gain support.
- Take a long view and start assuming that something will continue, even if it isnâ€™t the project you planned. If the organisation or company is still there, the sustainability project you planned will still be relevant, even if the artistic or other work that you are doing is different to what was originally planned.
3. Are we doing enough â€˜nowâ€™?
It depends what we mean by â€˜enoughâ€™. Clearly we arenâ€™t doing enough, as there is still a problem, Scotland is not quite meeting its carbon reduction targets and at the time of writing the carbon reduction pledges made by countries to the Paris climate change talks arenâ€™t enough to keep the world within the â€˜safeâ€™ 2Â° rise in temperatures. But weâ€™re doing better than we were and itâ€™s a long game. We need to make a start and keep pushing for more. The fact that we were all at the conference was a big improvement on previous years, where nothing like this existed.
4. How can individual artists integrate sustainability into their practice?
- Look at practices to see how you/they can reduce carbon on travel by travelling more sustainably trains not planes), travelling more effectively (multiple meetings etc), travelling less (video conferencing); switch to lower impact practices and materials (as Edinburgh Printmakers did some years ago when they moved from solvent-based to water-based inks).
- Work with galleries/theatres/etc and suppliers who are interested in environmental sustainability â€“ seek them out and let them know that you exist.
- Use your work to engage with the subject.
5. What does the sector look like after another five years of CCS input?
Lower carbon practices will be common. Carbon reporting will be standard. People and companies will have set their own carbon reduction targets related to activity (reductions in carbon per ticket sold or performance or day of exhibition, rather than raw total carbon reductions). Companiesâ€™ annual reports will report on environmental impacts â€“ beneficial and harmful â€“ as well as finances. The arts and cultural sector will be recognised both internally and by the wider world as having a crucial role to play in shaping a sustainable Scotland and changing the wider culture that is the way we live to one that is more sustainable.
6. How can CCS pressure Creative Scotland/Scottish Government to increase/raise CO2 reduction targets?
One of our aims for the next year(s) is to widen our focus from the arts and cultural sector to the wider sustainability sector. So Ben is meeting the Minister for Climate Change in November; weâ€™ll be talking more to sustainability organisations and policy-makers as well as arts people and policy-makers. Scotland is pushing anyway at an international level to raise the ambition. CCS is also working with the City of Edinburgh Council and Glasgow City Councils as two major players and will take the opportunity to engage with other authorities as time permits.
7. How can green creatives work together to reduce our carbon footprint?
This conference is a good case in point â€“ the knowledge and the action is happening and out there, and the thing we at CCS need to do is join it up. Weâ€™re refurbishing our website to make it more possible for you to talk to each other, rather than us talking to you. Weâ€™ll be running more of this sort of event and making it easy for people to exchange knowledge and learning.
I also think we need an artistsâ€™ manifesto, almost a movement, and weâ€™ll encourage that if it emerges â€“ Iâ€™m not sure we (CCS) are yet in a position to lead that movement or whether it should ever be our job, but weâ€™re here to help if someone wants to get it started.
8. How can we engage the public more with green measures and policies?
I think the best way is to show practically how it is relevant to everything we do: the content of the work we make and the way in which we produce and present it. And then to communicate that regularly and as a matter of course: these are our policies; this is what we are doing; this is how you the public can help us or join us; these are interesting ways of looking at this play, that exhibition, that concert which touch upon climate change.
50 Shades of Green: Stories of Sustainability in the Arts Sector took place on 6 October 2015 at the Pearce Institute in Glasgow. It was Creative Carbon Scotlandâ€™s first conference for green arts organisations working to affect their environmental sustainability. A copy of the programme for the event can be found here.
To become part of the Scottish green arts community, and to hear more about events like 50 Shades of Green (as well as our other free training sessions and resources), sign up to the Green Arts Initiative.
The post The 50 Shades of Green Conference: Your Questions Answered appeared first on Creative Carbon Scotland.
Creative Carbon Scotland is a partnership of arts organisations working to put culture at the heart of a sustainable Scotland. We believe cultural and creative organisations have a significant influencing power to help shape a sustainable Scotland for the 21st century.
In 2011 we worked with partners Festivals Edinburgh, the Federation of Scottish Threatre and Scottish Contemporary Art Network to support over thirty arts organisations to operate more sustainably.
We are now building on these achievements and working with over 70 cultural organisations across Scotland in various key areas including carbon management, behavioural change and advocacy for sustainable practice in the arts.
Our work with cultural organisations is the first step towards a wider change. Cultural organisations can influence public behaviour and attitudes about climate change through:
Changing their own behaviour;
Communicating with their audiences;
Engaging the publicâ€™s emotions, values and ideas.
Go to Creative Carbon Scotland
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