Monthly Archives: May 2012

Land Art Generator Initiative 2012

This post comes to you from EcoArtScotland

“Renewable Energy can be beautiful”

In partnership with New York City’s Department of Parks & Recreation, the 2012 Land Art Generator Initiative design competition is being held for a site within Freshkills Park (the former Fresh Kills Landfill) in New York City.

Deadline 1 July 2012.

“At 2,200 acres, Freshkills Park will be almost three times the size of Central Park and the largest park developed in New York City in over 100 years. The transformation of what was formerly the world’s largest landfill into a productive and beautiful cultural destination will make the park a symbol of renewal and an expression of how our society can restore balance to its landscape.

In addition to providing a wide range of recreational opportunities, including many uncommon in the city, the park’s design, ecological restoration and cultural and educational programming will emphasize environmental sustainability and a renewed public concern for our human impact on the earth.” – FRESHKILLS PARK

The design brief is similar to that of the 2010 edition. In summary, LAGI 2012 is an ideas competition to design a site-specific public artwork that, in addition to its conceptual beauty, has the ability to harness energy cleanly from nature and convert it to electricity for the utility grid.

The expansiveness of the design site at Freshkills Park presents the opportunity to power the equivalent of thousands of homes with the artwork. The stunning beauty of the reclaimed landscape and the dramatic backdrop of the Manhattan skyline will provide an opportune setting from which to be inspired, and it offers the perfect environment for a showcase example of the immense potential of aesthetically interesting renewable energy installations for sustainable urban planning.

The monetary prize award ($15,000 First Prize, $4,000 Second Prize, $1,000 High School Edition Winner) will not guarantee a commission for construction; however, LAGI will work with stakeholders both locally (NYC) and internationally to pursue possibilities for implementation of the most pragmatic and aesthetic LAGI designs.

For more information: http://landartgenerator.org/competition.html

ecoartscotland is a resource focused on art and ecology for artists, curators, critics, commissioners as well as scientists and policy makers. It includes ecoartscotland papers, a mix of discussions of works by artists and critical theoretical texts, and serves as a curatorial platform.

It has been established by Chris Fremantle, producer and research associate with On The Edge Research, Gray’s School of Art, The Robert Gordon University. Fremantle is a member of a number of international networks of artists, curators and others focused on art and ecology.
Go to EcoArtScotland

Floating platforms

This post comes to you from Ashden Directory

A new study shows that plastic in the Pacific Ocean has increased 100 times over the last 40 years.The only beneficiary, reports The Economist, is Halobates sericeus, “a small insect that now has lots of nice little floating platforms on which to lay its eggs”.

 

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

White Mountain National Forest & Arts Alliance of Northern NH Invite Applications for 2012 WMNF Artist-in-Residence Program

This post comes to you from Cultura21

Artists in all media are invited to apply for the 2012 White Mountain National Forest (WMNF) Artist-in-Residence program

The program, a collaboration between the WMNF and the Arts Alliance of Northern New Hampshire, seeks to highlight the ways the arts can be used to explore and interpret the forest environment and forest-related issues.

The residency offers professional and emerging artists from around the country (visual and performing artists, craftspeople, writers, composers and choreographers, eco artists and media artists) an opportunity to pursue their particular art form while being inspired by the surrounding forest and, on several occasions, sharing their work and their artistic process with members of the public.

Deadline for applications is May 18; the artist selected will choose a period of at least three weeks between July and September to be in residence.

Click here for more information and to download application materials.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Environmental Film Festival Melbourne Accepting Submissions

The Environmental Film Festival Melbourne began in 2010 with a vision to inform and inspire people in relation to environmental issues. We hope you will see the films on offer here and then choose to be part of the solution to the problems they discuss.

Prepare to be confronted, prepare to have to think, but most importantly of all, prepare to take action. These films present serious problems, but often provide simple answers. Sometimes all it takes is a change in mind-set and some political will, and if we can help generate that then our work here is done.

They’re currently accepting film submissions for EFFM 2012. If you’ve got a film to submit, download the submission form using the link below. Good luck!

Word

EFFM_Submission_2012.doc (149 kb)<

For a listing of the films that they’ve screened previously, check out their archive page.

 

An Ecology of Ideas Conference – July 9-13, 2012 (USA)

This post comes to you from Cultura21

The American Society for Cybernetics (ASC) and the Bateson Idea Group (BIG), a new organization exploring Gregory Bateson’s “pattern that connects,” have joined to hold a conference on the relations among ideas as seen from multiple perspectives. In organizing this conference they seek to find a balance between the spontaneous and the planned. They intend to seed conversations with various forms of presentation, ranging from keynote speakers to workshops and performances; all of which can be considered works of art in the domain of ideas. They will provide many spaces for conversation and innovation.

The three themes of this conference are:

Paradigm

What do our current paradigms determine or enable, and what would changes to these imply? How could we guess what other things would change along with the changes we desire? How would we implement a shift in an ethical and socially acceptable manner?

Recursion

Recursion (like its fellow concepts, self-reference and reflexivity) is open to many interpretations depending on who you are, and the context you are in. We are interested in both what is held in common between these different interpretations, and what is particular to each. We wish to explore not only the implications of acting based on how we understand these ideas, but also what happens when we proceed unaware of the differences.

Praxis

Why are praxis and theory often separated; and how can they better be brought together? In what ways are the ideas of cybernetics and systems inherently concerned with practice? Does the phrase “the paradox of praxis” evoke a resonance?

Program

The program will offer a compelling network of ideas to inspire participants in creating their own ideas, insights and thoughts. There will be a mix of meeting types: plenary presentations, workshops, conversations, and evening performances taking place in the wonderful spaces (and, weather permitting, grounds) of the Asilomar Conference Facility.

The following invited speakers will be making plenary presentations:
Graham Barnes
Eric Bateson
Nora Bateson
Fritjof Capra
Humberto Maturana
Ximena Dávila
Terrence Deacon
Debora Hammond
Klaus Krippendorff
Rex Weyler
Carol Wilder

Nora Bateson will show her award-winning film, An Ecology of Mind, about her father’s life’s work. Other performances will include film, multimedia, theatre, and music. The workshops for this conference will be designed as participatory experiences that in some manner generate or demonstrate ideas and concepts. They will have theme based conversations and also provide many convivial spaces for spontaneous conversations. A full program will be published on the organizers website by early May.

Venue

Asilomar is a National Historic Landmark is located on 107 acres of beautiful and ecologically diverse beachfront land. Asilomar offers a unique and desirable conference experience in its natural setting, its conference facilities, and its suitability for conversational spaces. http://www.visitasilomar.com/
Conference participants must book with the Asilomar site for accommodation and meals.

Important Dates

Apr-30 Proposals for Abstracts (papers and workshops) due
Apr-30 Early Bird Registration closes
May-10 Referees respond to proposals
May-20 Any Revisions to Abstracts due
May-30 Abstracts published online
May-30 Program details published online
July-09 Conference starts

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

The Cultural History of Climate Change

This post comes to you from Cultura21

Humanities Research Centre, Australian National University, 27 – 28 August, 2012

Historians since Herodotus have argued that climates shape cultures. We can no longer ignore the fact that cultures also shape climates. Today’s climate is increasingly a material effect of the history of industrialisation. The climate of the coming centuries will be an effect of contemporary global society. Recognition of these interactions opens a significant new field to historical inquiry. It brings the economic, political and technological history of the carbon cycle together with cultural, aesthetic and literary reflections of climate, and links the emergence of ecological thinking to broader transformations in the organization of knowledge. Acknowledging that the climate is cultural compels us to rethink many existing forms of historical understanding. It challenges traditional notions of the historical period, of collective and individual agency, of the narrative forms of historiography, and of the basic distinction between natural and human history. It demands new ways of relating the existential and historical moments of human knowledge and action to the dimensions of geological and evolutionary time.

The cultural history of climate change will be of central importance to social, cultural and political debates of the Twenty-First Century. To provide a speculative survey of this field, the Humanities Research Centre will hold a special conference on this theme on 27 and 28 August, 2012, in Canberra, Australia.

Proposals are invited for papers that either:
• examine episodes, works or themes that fall within the cultural history of climate change; or
• address the conceptual challenges posed to historical inquiry by anthropogenic climate change.

Please submit proposals of up to 300 words to tom [dot] ford [at] anu [dot] edu [dot] au by 18 May 2012

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Sustainability in Theater Conference attended by 90 people locally, and 30 people internationally, representing 9 states and 4 countries

The Sustainability in Theater conference was presented by the Minnesota Theater Alliance and the Twin Cities Sustainable Theatres Group at Brave New Workshop in Minneapolis, April 30 and May 1, 2012. The event was Webcast live by QwikCast on April 30, and 11 breakout panels were live online for interactive participation through Google+ Hangouts on May 1. Locally, there were 90 attendees, including many individual artists, and representing 60 different organizations. Online, there were 30 attendees representing 20 different organizations, 9 U.S. states, and 4 countries.

Keynote presentations were made by Terry Gips, Sustainability Associates; Stephen Rueff, The Clean Campaign; and Mary T’Kach, Ramsey County. International case studies were presented by Ian Garrett, The Center for Sustainable Practice in the Arts, and included presentations by Arcola Theatre (UK), Festivals Edinburgh (UK), Julie’s Bicycle (UK), York University (Toronto), Fisher Dachs Associates (WA), and Childsplay (AZ).

Follow-up activities to the conference include a summary to be presented Leah Cooper, John Bueche, and Ian Garrett at the national Theatre Communications Group annual conference in Boston, June 2012; an online discussion and document forum for knowledge sharing in the industry; and plans to present the conference again. Local initiatives being discussed in Minnesota in response to the conference include expanding the membership of the Twin Cities Sustainable Theatre Group; more frequent convenings to share knowledge and plan collaborative projects; consideration of a shared reusable sets and props inventory, either physically or virtually; and collective purchasing of green materials.

The conference was planned and presented by a volunteer task force made up of artists and administrators from Bedlam Theatre, Bemidji State University, Brave New Workshop, The Center for Sustainable Practice in the Arts, CostumeRentals, Guthrie Theater and Minnesota Theater Alliance.

Soap operas for social change

The Archers, courtesy BBC

This post comes to you from Ashden Directory

Kellie Gutman writes;

The BBC have looked into soap operas as agents for social change and have discovered in some cases they have changed the world.  From the longest-running program, The Archers, which encouraged farmers in the 1950s to increase production by trying out new techniques, to a BBC radio program in Afghanistan, calledNew Home, on women’s rights, which taught listeners how to avoid land mines, the soap opera has had a significant influence.

A two-part programme on Your World (part 1, 21 April; part 2, 28 April) can be heard here.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Outlawing ecocide for global peace – why we must all stand with Polly Higgins, the ‘lawyer for the earth’

This post comes to you from An Arts and Ecology Notebook
‘Examples of ascertainable ecocide affecting sizeable territories include the deforestation of the Amazonian rainforest, the proposed expansion of the Athabasca Oil Sands in northeastern Alberta, Canada and polluted waters in many parts of the world, which account for the death of more people than all forms of violence including war‘ – Polly Higgins, Eradicating Ecocide, 2010, p.63

Polly Higgins and indigenous activist Raven Courtney 2012 working to spread news about ecocide in Canada and North America

Polly Higgins and indigenous activist Raven Courtney earlier this year working to spread news about ecocide in Canada and North America

The above statement is a startling statistic at odds in how we may conventionally view war. Yet acknowledging the enormous and accelerating violence and destruction to humans, non-human species and our sustaining habitats as war is a critical step if we are ever to halt such activities. It is this key concept that drives UK lawyer Polly Higgins in her work to make ‘Ecocide’ legally recognised by the United Nations as ‘5th international Crime against Peace‘. Polly and her organisation are working towards presenting these new laws at the upcoming June 2012 Earth summit and she has recently made an urgent call, particularly to the women of the world, who are often most affected, to understand this concept and to spread it amongst their communities and to bring it to the attention of their political leaders.

Ecocide, as Polly describes in her award winning book ‘Eradicating Ecocide – exposing the corporate and political practices destroying the planet and proposing the laws needed to eradicate ecocide’, is a relatively new term. It was first used to characterise the massive and ongoing environmental devastation that occurred in the Vietnam war with the widespread use of toxic defoliants to destroy local forests. Today it is a term that is growing in agency as the world is beginning to recognise the grave and now imminent global peril that humanity and other species face due to the mostly uncontrolled, unsustainable and ultimately suicidal behaviour of our local and global businesses and corporate industries. Ecocide literally means the killing and destroying of our habitats, and is derived from the Greek word oikos meaning ‘house, dwelling place, habitation, family’ and the suffix ‘cide‘ from the French and Latin words to ‘kill or slay’. For the purposes of international law and building on definitions of ecocide from previous war crimes, Polly defines ecocide as ‘the extensive destruction, damage to or loss of ecosystem(s) of a given territory, whether by human agency or by other causes, to such an extent that peaceful enjoyment by the inhabitants of that territory has been severely diminished’.

Building on her extensive knowledge of international environmental law, Polly has over a number of years built a very strong, credible case to firstly explain the history and the current situation about why legal compromise, recommended environmental policy and regulation all continue to spectacularly fail in preventing environmental destruction, as seen in the recent Oil Spill in the Gulf of Mexico. She likens the need to legally criminalise ecocide to the effects such similar laws that criminalised and led to the abolition of slavery. Polly’s aim is to eradicate ecocide at its roots, outlawing ecocidal activity in all business activity to the point that business is forced to radically change and move in the opposite direction. As she says ‘ we need business skills to be applied elsewhere and very fast..’

Youtube: Polly Higgins organised a successful mock ecocide trial in London in 2011 with leading human rights lawyers

While I’m often pessimistic about environmental actions and politics in general halting what I see as the unstoppable consequences of a society that promotes unlimited economic growth and profit over everything else, I have been encouraged by Polly’s work and the historical and recent examples she presents where such legal changes have made a difference. There are certainly enormous challenges in getting such legal changes adopted and then enforced. However, it is possible and one country, Ecuador, has in 2010 already enshrined these values into its national constitution. Perhaps this is because it is in Ecuador that the largest criminal prosecution against corporate ecocide, against the ‘big oil’ company TEXACO, has succeeded with a $27 billion of damages awarded to 30,000 Amazonian peoples (the 18 year struggle for this landmark case is the basis of the award-winning documentary Crude (2009)).

So if you have a few minutes, please visit Polly’s website www.thisisecocide.com, packed with information and suggestions on how to spread the word about ecocide and its need for its to be recognised at every level, locally, nationally and internationally as a crime, not just against the environment but against peace. Do share this article , particularly before the June 2012 United Nations Earth Summit at which Polly will be presenting this groundbreaking work.

_________________________

What follows are Polly’s 10 reasons why Ecocide is a crime against Peace

1. stop ecocide and we stop the mass destruction of the planet;

2. ecocide is proposed as an international law which applies to all people and all nations;

3. which will rapidly become a national duty of care as well when each country has to put in place parallel laws;

4. governments, corporations, organisations, and any person who has rights over a territory will have an over-riding legally binding obligationto ensure their actions do not give rise to damage, destruction or loss of ecosystems;

5. action can be taken against any human person, not the fictional person (the corporation). As an international crime against peace, no-one escapes liability;

6. we already have the international court structure in place to prosecute ecocide. The International Criminal Court was created in 2002;

7. ecocide creates a strong legal burden of responsibility to ensure prevention;

8. restoration will take precedence over simple payment of fines;

9. the Law of Ecocide will ensure a shift from personal interest to public, environmental and society interests;

10. Peace.

Ecocide sends a powerful global message to the world, not just to those involved in business or during war, to take responsibility for the well being of all life.

This article also appears on hercircleezine.com and ecoartfilm.com

An Arts & Ecology Notebook, by Cathy Fitzgerald, whose work exists as ongoing research and is continually inspired to create short films, photographic documentation, and writings. While she interacts with foresters, scientists, and communities, she aims to create a sense of a personal possibility, responsibility and engagement in her local environment that also connects to global environmental concerns.
Go to An Arts and Ecology Notebook

First Look at Fusebox Visualizations

We’re down here in the hot Texas sun, working with the Fusebox Festival to look at te environmental, economic and cultural impacts of the festival. One of the centerpieces of this venture is a data visualization project looking at the density of participation in the festival over the course of the afternoon and evening. It’s been interesting in the complexity it’s shown with how people interact with the city. Here is a sample of the work, which we’re also presenting large scale as handmade objects this weekend. If you’re in Austin, com check it out!