Monthly Archives: February 2012

AAAS Annual Meeting in Vancouver – discussing “Science, Sustainability, and the Arts”

This post comes to you from Cultura21

The American Association for the Advancement of Science (AAAS) is an international non-profit organization and the world’s largest general scientific society. Its mission is to “advance science, engineering, and innovation throughout the world for the benefit of all people” by serving as an educator, leader, spokesperson and professional association.

Read on for more information about the themes of the 2012 AAAS Meeting and about a specific session on Science, Sustainability and Art…

In order to fulfill this mission, AAAS promotes cooperation among scientists and the public, defends scientific freedom, encourages scientific responsibility and supports scientific education. Furthermore, it is the publisher of the well-known scientific journal Science.

The AAAS Annual Meeting, scheduled for February 16-20 in Vancouver, is a multi-disciplinary gathering of international leading scientists. Its leading theme is “Flattening the World: Building a Global Knowledge Society”. For this occasion an array of speakers will gather in Vancouver, B.C. for four days of symposia, lectures, seminars, workshops, and poster sessions that cover every area of science, technology, and education.

One of the symposia will bring together three panelists who work at the intersection of science, sustainability, and art. They will focus in their discussion on the question how artistic work engages with leading issues in sustainability science, including preservation of biodiversity, the human ecological footprint, climate change, and contemporary urban life.
For more details on this session, see: http://aaas.confex.com/aaas/2012/webprogram/Session4478.html

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Survival of the Beautiful: Art, Science, and Evolution (UK)

This post comes to you from Cultura21

 

with David Rothenberg and Jay Griffiths

Watershed, Bristol (UK)
16 February 2012, 19.30-20.30

On the 16th of February 2012 David Rothenberg talks with scientists and artists about his new book Survival of the Beautiful, which examines the interplay of beauty, art, and culture in evolution. In it the philosopher and musician Rothenberg deals with the questions, why animals have innate appreciation for beauty and why nature is beautiful.

On the 16th of February the question of how art has influenced science is investigated by him and his guests. Above that, is asked what we can learn from the amazing range of animal aesthetic behaviour about animals and about ourselves. David Rothenberg will be in conversation with writer and commentator Jay Griffiths, whose books include Wild: An Elemental Journey. The event is topped of with music by David Rothenberg and Jaron Lanier and free and open to the public. For further information about the event or in order to book tickets, see http://www.ideasfestival.co.uk/?p=2500

For more information about David Rothenberg: www.davidrothenberg.net and about Jay Griffiths: www.jaygriffiths.com

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Partnering for the Climate: An Artist/Scientist Mixer

This post comes to you from Cultura21

New York, The Noguchi Museum

Sunday, February 12, 2012, 3 pm

In times of climate change and global warming individuals as well as communities are confronted with fragmented, confusing and often overwhelming news and data about these themes. In order to make sense of these facts the largely disconnected linking between art, research and the public has to find a way to spark new relationships and thus make a difference.

Artists and scientists need to partner up and combine science with interpretive media. In a Noguchi Museum event co-sponsored by positive Feedback, artists as well as scientists are invited to initiate new and meaningful relationships regarding climate change.

The event will provide stimulating discussion and time for exchanging with fellow artists, scientists, and community members active in climate change issues in New York City.

For further information see http://www.positivefeedbackusa.org/schedule-of-events/

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Extension of the Call for Papers – Sociology of the Arts – Artistic Practices

This post comes to you from Cultura21

Two months ago we published on our website a call for papers for the next conference of the Research Network Sociology of the Arts, at the European Sociological Association, which will take place in Vienna from 5 to 8 September 2012. The focus of the conference will be on artistic practices. The call for papers is open, not only to sociologists, but also to interdisciplinary researchers from diverse backgrounds.

Many people interested in the conference have asked for the call for papers to be extended. This has been agreed, so the new deadline will be the 19 February 2012.

To look back into our post from November 4th 2011, about the call for papers, please click here.

For more information on the conference please also visit the conference website at: http://www.mdw.ac.at/ESA-Arts-2012

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

Conference: Probing the Skin

This post comes to you from Cultura21

From April the 24th to April the 26th 2013 the conference “Probing the Skin: Cultural representations of Our Contact Zone” takes place at the Friedrich-Schiller-University of Jena.

The organizers Prof. Caroline Rosenthal and Prof. Dirk Vanderbeke aks for submission of papers including artistic reflections of skin related themes in literature, art, media studies, and anthropology.

The conference aims to bring academics from various disciplines together in order to discuss the role of skin, which has been neglected in the discourse of literature and culture about body and senses in the recent years.

The skin deserves a closer look, as it is the largest organ reacting to sensual stimuli and embodies the border between our inside and outside world. It is able to protect us and at the same time it identifies us. Furthermore it is an indicator for health, age and even for feelings and experiences. The skin can also be inscribed with individual and collective memories and traumata.

Possible themes for submissions are:

Skin as…

  • a medium and surface. Parallels between the skin and a canvas or piece of paper
  • lieux de memoire. Skin as bearing the traces of deliberate or forceful marks
  • a mask and performative space. Skin hides as much as it reveals
  • a contact zone, as the permeable border between inside and outside
  • a third space, as something in-between nature-culture, inside-outside, body-mind
  • a means of inclusion and exclusion
  • a marker for identity and individuality
  • a medium for the senses, for hurt, lust, pain
  • a trophy, an object of value or even currency

Deadline for submissions in English is March 31st, 2012.

Please submit your abstract to one of the organizers:

Prof. Dr. Caroline Rosenthal and Prof. Dr. Dirk Vanderbeke
Institut für Anglistik/Amerikanistik
Friedrich-Schiller-Universität Jena
Ernst-Abbe-Platz 8
07743 Jena
caroline [dot] rosenthal [at] uni-jena [dot] de / vanderbeke [at] t-online [dot] de

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

First daffodil in Low Wood

This post comes to you from Ashden Directory

Wallace Heim writes:

Today, the first daffodil is blossoming here in Low Wood, Cumbria (latitude: 54 degrees North). There are two kinds of daffodil here, the garden cultivars and the small wild ones that fill the woods. This one, a cultivar protected by an old apple tree, will be in full, open blossom in a day or two, unless the forecasts are correct and the nights are cold and the snow is heavy.

The wild ones usually blossom earlier than the cultivars, but their leaves are only breaching the soil. Last year, the wild ones blossomed on 18 March. This one today is 7 weeks earlier that that.

“ashdenizen blog and twitter are consistently among the best sources for information and reflection on developments in the field of arts and climate change in the UK” (2020 Network)

ashdenizen is edited by Robert Butler, and is the blog associated with the Ashden Directory, a website focusing on environment and performance.
The Ashden Directory is edited by Robert Butler and Wallace Heim, with associate editor Kellie Gutman. The Directory includes features, interviews, news, a timeline and a database of ecologically – themed productions since 1893 in the United Kingdom. Our own projects include ‘New Metaphors for Sustainability’, ‘Flowers Onstage’ and ‘Six ways to look at climate change and theatre’.

The Directory has been live since 2000.

Go to The Ashden Directory

Land Art Generator Initiative design competition

This post comes to you from Cultura21

The Land Art Generator Initiative (LAGI) aims at designing public art installations that have an additional benefit of large scale clean energy generation. Each sculpture can continuously distribute clean energy into the electrical grid and thus potentially provide power to thousands of homes.

In 2012 the Land Art Generator Initiative holds a design competition for a site within Freshkills Park (the former Fresh Kills Landfill) together with New York City’s Department of Parks & Recreation in New York City.

“At 2,200 acres, Freshkills Park will be almost three times the size of Central Park and the largest park developed in New York City in over 100 years. The transformation of what was formerly the world’s largest landfill into a productive and beautiful cultural destination will make the park a symbol of renewal and an expression of how our society can restore balance to its landscape.

In addition to providing a wide range of recreational opportunities, including many uncommon in the city, the park’s design, ecological restoration and cultural and educational programming will emphasize environmental sustainability and a renewed public concern for our human impact on the earth.” –

FRESHKILLS PARK

LAGI 2012 is an ideas competition to design a site-specific public artwork that combines beauty with utility of generating electricity.
The beauty of the reclaimed landscape and the backdrop of the Manhattan skyline are promising settings for an aesthetic and sustainable urban planning of the area.

The competition is open to everyone. Designers, artists, engineers, architects, landscape architects, university students, urban planners, scientists are encouraged to send their submissions.

For more information and the design brief see http://landartgenerator.org/competition.html

If there are further questions, please send an email to lagi [at] landartgenerator [dot] org.

Cultura21 is a transversal, translocal network, constituted of an international level grounded in several Cultura21 organizations around the world.

Cultura21′s international network, launched in April 2007, offers the online and offline platform for exchanges and mutual learning among its members.

The activities of Cultura21 at the international level are coordinated by a team representing the different Cultura21 organizations worldwide, and currently constituted of:

– Sacha Kagan (based in Lüneburg, Germany) and Rana Öztürk (based in Berlin, Germany)
– Oleg Koefoed and Kajsa Paludan (both based in Copenhagen, Denmark)
– Hans Dieleman (based in Mexico-City, Mexico)
– Francesca Cozzolino and David Knaute (both based in Paris, France)

Cultura21 is not only an informal network. Its strength and vitality relies upon the activities of several organizations around the world which are sharing the vision and mission of Cultura21

Go to Cultura21

A House Is Not A Home

Nearly $7 trillion dollars went up in smoke with the housing crisis in the United States. The loss in social capital has not been calculated.

The Trailer Trash Project is hitting the road, taking a mobile recording studio into Southern California neighborhoods to the tell stories of families fighting  to stay in their homes in the face of foreclosure.   A House Is Not A Home is the name of our new series of bi-monthly reports for KPFK 90.9 FM (Pacifica, Los Angeles). We’ll dig beneath the surface of housing crisis to pinpoint how one foreclosure can affect an extended family, a neighborhood and community.  We’ll also document how a coalition of activists have come together under the umbrella of the Occupy Movement to bring about much needed change. The series will also include a traveling exhibit will online access to material

Help us report from the road on the foreclosure crisis in Southern California.  We need to raise $3500  to buy an audio recorder and a used van to tow our 1972 mini camper. The camper will serve as  recording studio and home on wheels which we’ll take into neighborhoods around Southern California. (This 16′ camper is not to be confused with our 33′ Spartan trailer we are restoring as a performance space.)  Click here  to make a tax-deductible donation.

Javier Hernandez: "You hear stories of people who loose their homes and never get over it." Javier and his 4 year old brother are pictured at a rally in downtown L.A. to lend support for a lawsuit seeking redress of unlawful foreclosure practices.

We’ll tell the stories like these: Javier Hernandez was a 25 year old delivery driver in 2006 when Countrywide Finance him a $546,000 loan on a home.   Before signing, Javier, who planned to live in the house and share costs with mother, father and brother asked the lender if he thought the family could swing the $3,900 monthly payments that would require more than half the family’s income (The family had no   no credit medical or car payments debt.)   The lender assured him that after two years the value of the house would increase substantially and he could then refinance with lower payments.

In fact, the opposite happened. In 2008 Javier’s mortgage payments ballooned The lender assured him that the value of the house would increase substantially after two years at which point the family could lower their payments.  The opposite happened. In 2008 Javier’s mortgage payments balloonedThe lender assured him that the value of the house would increase substantially after two years at which point the family could lower their payments.  The opposite happened. In 2008 Javier’s interest rate ballooned, raising mortgage payments to $5,000. They asked to refinance but were told the value of their home had sunk; the only way to get help was to stop payments and go into default.  In 2008 they were given three months to vacate the house.  While the family remains in the house, they know the axe could fall at any time.  Meanwhile, Javier and his brother Ulysses – both previously apolitical,  have joined the Occupy Movement to support the fight to keep people in their homes.

When Bank of America bought Coutrywide,

Faith Parkerwho has lived in her South Central L.A. home for 50 years.  An educator

Mrs. Faith Parker and her eldest daughter Brenda outside Mrs. Parker’s South Central L.A. home of 50 years.

who has contributed much to children and families in her community, Mrs. Parker fell on hard times when she refinanced her home to get a loan to help care for her daughter who had contracted multiple-sclerosis.  Her mortgage payments shot up from $900 to $2200.  When Mrs. Parker asked for a second revision, Bank of America told her she would first have to default.    In a letter the Bank told her not to worry, trust the bank,  she didn’t need a lawyer.  After months of frustrating letter writing and calls, Faith’s house was put up for sale.

Bertha Herrera, a grandmother and volunteer chaplain for has lived in her home of more than 40 years.  Mrs. Herrera’s troubles started with an accident and ended with eviction from her home in January.  The Trailer Trash Project was there when deputies with the L.A. County Sheriff’s Department broke down her door and evicted her.  On hand as well were more than a dozen “Occupiers” providing support and publicizing Mrs. Herrera’s plight. 

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.