Monthly Archives: November 2010

Well-Oiled Machine: A Q&A with Machine Project’s Mark Allen

As previously posted on 24700 (the blog for the California Institute of the Arts), Machine Project—a loose collective of Los Angeles-based artists—has been incredibly active in the Los Angeles area this fall: from its curated coatroom concerts to its recent involvement with the Fallen Fruit Project and Santa Monica’s Glow Festival.

24700 recently conducted an email interview with Machine Project’s director, founder and mastermind, Mark Allen (Art MFA 99), to discuss the nonprofit and its future.

Check it out here: 24700 » Blog Archive » Well-Oiled Machine: A Q&A with Machine Project’s Mark Allen.

“Going Green in Theatrical Design: Set & Props”

Wednesday, December 8, 2010
6 to 7:30pm
The Broadway League
729 Seventh Avenue, 5th floor
New York, NY

The Broadway Green Alliance announces its first of several free workshops discussing sustainability in theatrical design.  From Bamboo Velour to Wheatboard, there are better & greener choices to be made. Hear what materials are available, see & touch new products, and learn tips to make your design/production more sustainable.  Open to all designers, artisans, technicians and managers who want to create greener sets & props. Feel free to pass on this invite to your fellow
colleagues, assistants or students.

Space is limited.  Contact Donyale Werle at donyalewerle@gmail.com to reserve your seat!

ARTIST AS ACCIDENTAL ACTIVIST

Fragile Spring: found cardboard box, India ink, 6

A nice mention of the CSPA and partners in Filter….

Revealing the value of the intangible has long been the domain of shamans, homeopaths, permaculturists and conceptual artists – and is perhaps one of the best hopes we have for rapidly shifting our culture towards one of increased efficiency and sustainability. Many contemporary artists are finding themselves inadvertently part of a new of movement that includes a sense of responsibility for defending the environment. Frustrated by a system based on mindless overconsumption of limited resources, they are choosing to develop creative, alternative ways to live, work, and communicate. Organisations such as Ecoartspace, The Center for Sustainable Practice in the Arts , theSheila T. Johnson Design Center at Parsons/The New School for Social Research and Art & Science Collaborations, Inc are assisting in the emergence of this new interdisciplinary field.

via Filter Magazine – filter.anat.org.au.

GRAPHIC RADICALS: 30 Years of World War 3 Illustrated / December 7, 2010-February 5, 2011

World War 3 Illustrated, Issue 1 (1980), cover by Ben Hillman


GRAPHIC RADICALS: 30 Years of World War 3 Illustrated

December 7, 2010 to February 5, 2011
Opening Tuesday, December 7 / 7-9pm

NEW YORK – Graphic Radicals is a 30th anniversary retrospective of World War 3 Illustrated, an independently published political comic magazine founded in 1980 by artists Seth Tobocman and Peter Kuper. Comprised of original comics drawings and paintings, posters, commissioned murals, documentary film, animation and a complete set of issues, Graphic Radicals will be the largest World War 3 Illustratedexhibition to date and will highlight the history that the magazine has scrutinized, documented, and participated in for three decades.

World War 3 Illustrated was first established in response to the Iran hostage crisis and impending election of Ronald Reagan and since then has confronted social and political issues ignored by the mainstream press. The magazine is an annual publication produced by a collective of artists in response to a particular theme.World War 3 Illustrated has covered topics as diverse the Tompkins Square Riot, homelessness, first-person accounts of 9/11, the prison industrial complex, a teachers’ strike in Mexico, Hurricane Katrina rescue efforts and, in the upcoming issue, the food chain. Critic Lucy Lippard wrote of World War 3 Illustrated that its “ecological and social prophecies are coming to pass, and the apocalyptic vision that gives WW3 its desperate force and unique identity is the present.”

This retrospective exhibition is the culmination of nearly two decades of collaboration with Exit Art to bring comic art to a wider audience. Exit Art was a pioneer in giving art world recognition to the medium of comics with its groundbreaking exhibition Comic Power (1993). Exit Art presented an exhibition of original art from World War 3 Illustrated’s 25th anniversary issue in 2005.

ARTISTS
Mumia Abu Jamal, Penny Allen, Peter Bagge, Isabella Bannerman, Rosie Bottom, Steve Brodner, Zenzele Browne, Leigh Brownhill, Christopher Cardinale, Sue Coe, Scott Cunningham, Brian Damage, Eric Darton, Eric Drooker, Kate Evans, FLY, Susan Greene, Ethan Heitner, Chris Heneghan, Paula Hewitt, Mirko Ilic, Ryan Inzana, Melissa Jameson, Sandy Jimenez, Sabrina Jones, Kathy Kelly, Tom Keough, Stephen Kroninger, Peter Kuper, Irene Ledwith, Tom McDonald, Mac McGill, Rebecca Migdal, Naji-Al-Ali, Ursula O’Steen, Jose Ortega, Maddalena Polleta, Kevin Pyle, Carlo Quispe, Corinne Rhodes, Spain Rodriguez, James Romberger, Joe Sacco, Nicole Schulman, R. Sikoryak, Susan Simensky Bietila, Erin Sinefit, Chuck Sperry, Art Spiegelman, Tenesh, Seth Tobocman,Tom Tomorrow, Teresa Turner, Lawrence Van Abbema, Marguerite Van Cook, Anton Van Dalen, Edwin Vazquez, John Williamson, Susan Willmarth, Samantha Wilson, Leah Wishnia, David Wojnarowicz, WW3 Arts In Action, Micah Ian Wright

Organized by Peter Kuper, Seth Tobocman, and Susan Willmarth.

ABOUT THE CURATORS
Peter Kuper is the co-founder of World War 3 Illustrated. His illustrations and comics have been featured inTime, The New York Times, and MAD Magazine, for which he has written and illustrated SPY vs. SPY since 1997. He has produced over twenty books including, The System, an award-winning comic adaptation of Kafka’s Metamorphosis and Diario De Oaxaca, a visual journal of two years in Mexico. He was the 2009 gold medal recipient at the Society of Illustrators for sequential art.

Seth Tobocman is the co-founder of World War 3 Illustrated. He is the author and illustrator of five graphic books, including You Don’t Have to Fuck People Over to Survive, Portraits of Israelis and Palestinians, andUnderstanding the Crash. He has participated in exhibitions at ABC No Rio, Exit Art, the Museum of Modern Art and the New Museum of Contemporary Art. His illustrations have appeared in The New York Times among many other publications and his images have been used in posters, pamphlets, murals, graffiti, and tattoos by people’s movements around the world, from the African National Congress in South Africa, to squatters in New York’s Lower East Side.

Susan Willmarth has been an illustrator for the past 30 years. Her illustrations have appeared in New York Magazine, The New York Times, Essence, Ms, World War 3 Illustrated, AK Press, Writers and Readers, andVerso, among many other publications.

EVENTS

Tuesday, December 7 / 7-9pm
Opening Night: Issue #41 Release Party
The opening of Graphic Radicals coincides with the release of World War 3 Illustrated: Issue #41 – The Food Chain. Copies of the issue will be available for purchase and artists from the magazine’s long history will be on hand to sign copies.

Everybody eats … but how do we stop from being eaten? This latest batch of new comics unearths some of the answers and asks the big questions about the food chain, our relationship to it and experiences with it. Featuring work by Jennifer Camper, Sue Coe, Sandy Jimenez, Sabrina Jones, Peter Kuper, Mac McGill, Rebecca Migdal, Seth Tobocman and many others. Edited by Ame Gilbert, Ethan Heitner, Sandy Jimenez, Rebecca Migdal, and Edwin Vazquez.

Friday, January 14 / 7-9pm
Picture the Homeless
With artist talks and presentations by Seth Tobocman, Mac Mcgill and Rebecca Migdal and music by
Eric Blitz and Andy Laties
Picture the Homeless is a grassroots organization of homeless men and women who fight to impact and change policies and systems on issues that directly effect the homeless population such as housing, police violence, and the shelter-industrial complex. http://picturethehomeless.org

Friday, January 21 / 7-9pm
Friends of Brad Will
With artist talks and presentation by Susan Simensky Bietila and Peter Kuper
Friends of Brad Will is a network of activists which promotes enhanced public awareness about the human rights abuses linked to the “war on drugs.” In that context, it is working to promote government policies and actions that result in accountability for the murder, in Mexico, of U.S. journalist Brad Will; the release of and end to harassment of innocents and witnesses to his murder, who are being scapegoated with it; and the rejection of Plan Mexico. http://friendsofbradwill.org

Wednesday, January 26 / 7-9pm
Milk Not Jails
With artists talks and presentations by Sabrina Jones and Kevin Pyle
Milk Not Jails is a consumer campaign to mobilize New York residents to support the dairy industry and the long-term sustainability of the rural economy. It advocates for criminal justice and agriculture policy reform to bring about positive economic growth. http://milknotjails.wordpress.com

ABOUT EXIT ART
Exit Art is an independent vision of contemporary culture. We are prepared toreact immediately to important issues that affect our lives. We do experimental, historical and unique presentations of aesthetic, social, political and environmental issues. We absorb cultural differences that become prototype exhibitions. We are a center for multiple disciplines. Exit Art is a 28-year-old cultural center in New York City founded by Directors Jeanette Ingberman and artist Papo Colo, that has grown from a pioneering alternative art space, into a model artistic center for the 21st century committed to supporting artists whose quality of work reflects the transformations of our culture. Exit Art is internationally recognized for its unmatched spirit of inventiveness and consistent ability to anticipate the newest trends in the culture. With a substantial reputation for curatorial innovation and depth of programming in diverse media, Exit Art is always changing.

EXHIBITION SUPPORT
General exhibition support provided by the Andy Warhol Foundation for the Visual Arts; Bloomberg LP; Jerome Foundation; Lambent Foundation; Pollock-Krasner Foundation; the New York City Department of Cultural Affairs and City Council Speaker Christine C. Quinn; Exit Art’s Board of Directors and our members. A portion of this show was curated collectively by Susan Simensky Bietila, Christopher Cardinale, Sabrina Jones, Rebecca Migdal, Nicole Schulman and Seth Tobocman. The show originated at the invitation of Max Yela at UWM Library Special Collections and was assembled by Susan Simensky Bietila with the expert assistance of Jessica Bublitz, Carrie Leatherman, and Max Yela.

# # #

EXIT ART 475 Tenth Avenue (at 36th Street), New York, NY 10018
212-966-7745 / www.exitart.org / A, C, E to 34th Street / Penn Station

    Open Tue.–Thu., 10am–6pm; Fri., 10am–8pm; and Sat., 12–6pm.
    Closed Sun. and Mon. $5 suggested donation.

TenduTV mainstreams and monetizes dance film – Time Out Chicago

TenduTV just got a big write up in TimeOut Chicago (online and print). The article can be found by clicking this link:http://chicago.timeout.com/articles/dance/90546/tendutv-mainstreams-and-monetizes-dance-film

We have a truly exciting upcoming release schedule and look forward to bringing dance to new and existing audiences through the highest quality and most user friendly digital network in existence today.

YouTube radically changed the landscape for dancers and fans, as personal video collections and archival rarities made their way online. But the scenery didn’t change for the famously cash-starved field of dance itself. Enter Marc Kirschner, 36, founder and general manager of media-distribution label TenduTV. As the company’s site puts it, “No other art form has as much of an imbalance between popularity and revenue capability [as] dance, and we believe the time has come for a change.”

A graduate of Northwestern University and Columbia Business School, Kirschner worked in digital-media strategy consulting; the United States Tennis Association and producers for Discovery and National Geographic were among clients of his prior venture Sumaki. He shrewdly shifted his focus to the dance world. Companies and choreographers couldn’t control their content as it showed up online; many weren’t even aware that snippets from discontinued and slow-selling videos to which they owned rights were suddenly pulling in millions of views. (Just as young tennis pros pore over clips of Roger Federer’s forehand, aspiring ballerinas obsessively re-watch superstars perform tricky solos and pas de deux in which they hope to be cast some day.)

via TenduTV mainstreams and monetizes dance film – Time Out Chicago.

Future Arcola Weekly Video Blog

We have also started a new project to track the progress made in our new home on Ashwin Street!  You can visit our new YouTube Channel, ArcolaEnergy1, which will have regular video updates.

Check out our video for Week 2!

httpvh://www.youtube.com/watch?v=QhzcERbVlrk

Arcola Energy – Future Arcola \”The Transformation\” (Week 2)

Check out our video for Week 1!

httpvh://www.youtube.com/watch?v=jxcCeE7U3aM

Arcola Energy – Future Arcola \”The Transformation\” (Week 1)

Go to Arcola Energy

Budget accommodation and free venues to participate in #COP16

  • Participate in COP 16
  • Come and share your ideas and experiences
  • Contribute to the design and implementation of innovative Climate Change initiatives
  • Transform participation in developing Climate Change Adaptation and Mitigation strategies

Do you have something to share with the climate community? Are you looking for budget accommodation in order to participate in COP 16?

Carbonding invites you to join the Climate Community and participate in the two initiatives that we will be running during COP 16. Through Friendly Accommodation (http://www.carbonding.com/friendly.php), we offer a number of budget hotels, apartments and houses in Playa del Carmen, a small beach-town located 30 min away from the official COP 16 venue, Open Climate-X-Change (http://www.carbonding.com/openclim.php) is an open, free-access forum that will run in parallel during COP 16 in several venues in Playa del Carmen and that will host a number of cultural and artistic events as well as a series of thematic conferences. If you are looking for a free venue to host a climate-related event (e.g. lectures, photo exhibitions, artistic performances, etc.) please get in touch with our organizing committee at admin@carbonding.com. The final list of events that we will be hosting will be ready from www.carbonding.com on the 22nd of November and will be shared through Climate-L and by email. If you want to receive the list of events please send an email to admin@carbonding.com

Join us in this experience at COP 16 and be part of our Carbonding Climate Community!

The Organizing Committee

Carbonding Climate Community S. de R. L. de C.V.

Email: admin@carbonding.com
Web: http://www.carbonding.com/
Twitter: http://twitter.com/carbonding

Nomads: From Empty Spaces Emerge Dreams – And Possibilities

Click to view slideshow.Gallery Photos by Karina YanezTo control slideshow speed,  place your cursor over  the slide and  press the  pause/start button.

As part of the Trailer Trash Project,  Sam will be working with the Nomad Lab Art Project, a program for at-risk children aged 6-14.  and their parents from the Valle Del Oro Neighborhood in Santa Clarita, CA.  The program currently offers art classes or labs) in writing, photography, guitar and public art.  Computer and cooking classes are available for parents.   It is run under the voluntary direction of Evelyn Serrano who also teaches a class on art and activism at CalArts.

The classes focus on the meaning of home – a theme Serrano has previously explored in her work as an artist and curator.  Coincidentally, it is also the theme that Sam is focusing on in his Trailer Trash project. On November 6th, Sam brought the Spartan to the Nomads, asking for their help figuring out what makes a house (or a tin can) a home.

The following article describes how the NOMAD LAB Art Project got started.  Over time, Sam’s Spartan Revival will keep you posted on the design ideas the Nomads come up with for the trailer.

They gather in empty spaces to turn dreams into art.  And as they draw and write,  they are planting the seeds of a peaceful community.

Meet The Nomads, children aged 6-14, who gather Wednesday and Saturday mornings at The Village Apartment Complex in Santa Clarita’s Valle del Oro (VDO) Neighborhood.  Here they have time to slow down, to get to know and trust each other.

The NOMAD LAB Art Project offers labs (or classes) in photography, public art, story telling and guitar. At the same time, their parents can participate in cooking and computer labs.   But art is just a starting point. It provides opportunities for neighbors in Santa Clarita’s troubled Valle del Oro Neighborhood to come together to explore what they like and what they want to change in their community.

“If we are successful, the kids and their parents will get to know each other,” says artist and NOMAD LAB organizer, Evelyn Serrano. “They will learn to be tolerant and respectful of each other.”

The program started off modestly enough last year with 30 children and Serrano as their  teacher.  Since then attendance has doubled to 60 kids and their parents, with five teachers, some from Serrano’s class at California Institute for the Arts.  Classes are free and everyone works on a volunteer basis.

“It’s a great program,” said Cynthia Llerenas, Community Services Supervisor for the City of Santa Clarita.  “I would like to see it modeled in different locations.”

Llernas, who also head’s the City of Santa Clarita’s Anti-Gang Task Force,  was an important force in helping Serrano get the program up and running.  Two years ago she was attending meetings with the Valle del Oro Neighborhood Committee to address problems of crime and racial tensions in their community.  Neighbors were feeling unsafe and they were their fingers at the young people.

Serrano, who was living in the Valle del Oro Neighborhood at the time, was aware that youngsters were joining gangs in the 5th and 6th grade.   As an artist and teacher committed to community art,  she agreed to run a program for at-risk youth in the neighborhood.

“Having worked with kids, I knew we shouldn’t place all the blame on them.” she explained. “The truth was more complex. There were no after-school or weekend programs in that area of town.  We needed to provide positive alternatives to gangs. And the voices of young people needed to be part of the solution.”

She went in search of a venue for classes, approaching the local elementary school and a youth organization. All requests were denied until she got a green light the management company at The Village – an apartment complex where much of the trouble was taking place.  Classes could meet in a vacant apartment until it was rented out and they would have to move into another one that was vacant.   The changing venues inspired the name, The Nomads.

“It’s like we are a gang,” explained Serrano. “But what we offer is another way of being together.  A lot of our kids see violence in their homes.  Art is the starting point for them to learn how to be together respectfully, to learn to collaborate successfully when we work.”

Nomads who participate in the writing, photography and music labs sit on the floor or in folding chairs. The minimalist, temporary nature of the venue creates a setting that seems conducive to creative output.

The public arts lab, taught by Serrano, takes place outside in the apartment courtyard. They are encouraged to closely observe their community and think about what they like about it and what they would like to change.

(See photo gallery of the public art lab: The Art of Observation.)

“I want the labs to be a special opportunity for the kids to re-engage with their neighborhood.  I want them to re-consider what it takes to make their home and community safe, healthy and sustainable,” Serrano explained.

Cynthia LLerenas is pleased with how all the pieces of this program are falling into place, and she wishes similar opportunities were open to other young people.   “If we had recreational opportunities for kids in every apartment complex it would eliminate 95% of our problems,” she says.

Her experience working 17 years as a prevention specialist has taught her a thing or two. “Kids don’t want to be involved with gangs, but they get sucked in, partly because there aren’t other viable alternatives, partly because the parents have lost control at home.  But there are no easy fixes.  A program like the NOMAD LAB requires on-going commitment from organizers, teachers and parents:  “You have to be passionate and you have to have a vision.”

“These kids are finding their niche,” she says.  ”Some of them come from a background where they have no self-esteem.  Now they are raising their hands in class and trying out for sports.  It’s all about building confidence.”

A big part of her job is to help parents and youth to learn how to access resources that will help them keep their neighborhoods safe.   In meetings that take place after the labs, parents learn how to access social and legal services as well as employment opportunities.   For communities to be sustainable, so it is important the talents and resources of people who live in the neighborhood must also be utilized.

Serrano says the mothers are in the cooking lab are “incredibly bright and resourceful.” Their energy and organizing talents help make the whole project run smoothly. It’s not just the moms.  When Nomad dad Jose Chunga  proposed labs for parents, he volunteered  himself to teach a computer class which has become a success.

Serrano says the NOMAD LAB Art Project is all about breaking down walls of fear and insecurity between neighbors.   “It’s hard for people to invest in their community when they are afraid of each other.  We are trying to create a safe context for people to interact and see each other as people who are very rich in resources.”

As for the kids, Serrano hopes that the observation skills she is teaching them as artists will carry over to change the things they don’t like about their community.   “I want them to learn to be critical observers in a positive way.  I would like them to ask themselves: ‘What is my say? Even though I am young, I have a lot of power.’”

“If we do anything right at least we can give them models and other alternatives about what a home can be.  We can encourage them to become dreamers.  And their dreams can influence their lives and the lives of other people.”

———-

The NOMAD LAB Art Project is a collaborative effort between the Valle Del Oro Neighborhood Association, the City of Santa Clarita, the Los Angeles County Human Rights Commission and The Village Apartments.

This post is part of a series documenting Sam Breen’a Spartan Restoration Project. Please see his first post here and check out the archive here. The CSPA is helping Sam by serving in an advisory role, offering modest support and featuring Sam’s Progress by syndicating his feed from http://spartantrailerrestoration.wordpress.com as part of our CSPA Supports Program.

Art Performance with Hundreds of Children as Statement Against Rising Sea Levels at United Nations Climate Conference #COP16

Javier Velasco, La Isla Hundida, Performance, 2010

November 29-December 10, 2010

New York-Valencia-Zurich, November 9, 2010—ARTPORT_making waves, an international arts and sustainability organization, and CINEMA PLANETA, a Mexico-based environmental film festival with international reach, present Cancun: 2 Degrees of Separation, a comprehensive arts program aimed at bringing a breath of fresh air to a sapless United Nations Climate Conference, COP16, in Cancun, from November 29-December 10, 2010.

As part of 2 Degrees, Artist Javier Velasco, who has exhibited at the Venice Biennial, will make a statement about rising sea levels with a live arts performance involving hundreds of local children in a public space in Cancun—right at the heart of the conference. The performance will be accompanied by a rich program of a cell phone video contest, art video screenings, panel discussions on the role of art in the climate debate, and an exhibition on gender and climate change.

Anne-Marie Melster, Corinne Erni, and Oliver Orest Tschirky from ARTPORT_making waves are behind the innovative concept of bringing art to the heart of where it matters. They explain: “Art can inspire change, and that’s why we bring this program to the very people who will be making crucial decisions about the future of our planet.”

2 Degrees will take place in public spaces, at CINEMEX movie theaters, on large outdoor screens, and conference locations in Cancun, Playa del Carmen, and Tulum, Mexico.

A detailed program, schedule, and locations will be announced at the end of November.

About Cancun: 2 Degrees of Separation

La Isla Hundida (The Drowned Island) is an interactive art performance with hundreds of children by the internationally renowned artist Javier Velasco. In collaboration with the International American School of Cancun, Velasco will work with local children to build little islands and drown them in a large container filled with water in a public space in Cancun. This symbolic, playful and educational act is intended to create awareness about rising sea levels among the next generation. Prior to the performance, Velasco will work with the school to teach the children about climate change. Velasco represented Spain at the Venice Biennale in 2001, and has exhibited at MoMA P.S.1 in New York and the International Biennial of Contemporary Art of Seville in 2004 under the direction of Harald Szeemann. The message of La Isla Hundida will be spread beyond Cancun. We will invite children, schools, and educators around the world to participate in the project and share photos, videos, and comments from their own performances on the website www.laislahundida.org.

20 Seconds for the Planet is a cell phone video contest by Cinema Planeta in collaboration with Green Film Network and Environmental Film Festivals Network. People from all over the world are invited to produce a video with a cell phone. Each festival from the networks selects 10 winning videos—based on content, message, and creativity. All winning videos will be shown as a “video wall” in Cancun. www.my20sec.org

Cool Stories For When The Planet Gets Hot II is a compilation of 17 short videos and animations by international artists who won the second short video and animation contest on Global Warming by ARTPORT_making waves in 2009. It was first shown in conjunction with Art 40 Basel 2009, Switzerland.

ARTPORT_making waves and CINEMA PLANETA will jointly host a panel discussion bringing forward ideas of how art can have an impact in political decision-making, especially in the climate debate. We will invite artists and participants of the Conference—scientists, politicians, and economists—to participate.

Leading up to the events in Cancun, ARTPORT_making waves presents (Re-) Cycles of Paradise, an exhibition on gender and climate change, to open on November 11, 2010 and running through January 9, 2011, at the Spanish Cultural Center in Mexico City. The exhibition explores both the vulnerability and ingenuity of women faced with climate change. The exhibition was launched in conjunction with COP15 in Copenhagen last December.

Partners: United Nations Framework Convention on Climate Change (UNFCCC); International American School of Cancun, Mexico; Summit of Environmental Cinema, Mexico; Government of the Maldives; Maldivian Youth Climate Network; Bluepeace Maldives; Spanish Agency of International Cooperation for Development (AECID); IPADE Foundation Spain.

About ARTPORT_making waves and CINEMA PLANETA

ARTPORT_making waves is an international curator’s collective that raises awareness about current social and political issues worldwide through theme-oriented exhibitions, residency programs, and artists collaborations. ARTPORT_making waves aims at creating sustainable networks of artists, curators, galleries, and art collectors to promote a true globalization of the artistic discourse, giving a voice to promising artists from all over the world. At the same time, ARTPORT_making waves encourages the cross-fertilization of art, science, and politics. ARTPORT_making waves is a fiscally sponsored project of the New York Foundation for the Arts, a 501(c)(3) tax-exempt organization, and incorporated as non-profit associations in Spain and Switzerland. www.artport-project.org

CINEMA PLANETA is an international film festival and non-profit organization based in Mexico. The festival is committed to creating spaces of consciousness and to raising awareness through images that promote the conservation of the planet through film, art, and science. The program includes exhibitions of photojournalism and contemporary art, conferences, and open air cinema. It takes place every spring in Cuernavaca, Morelos, and is a unique initiative in Mexico. CINEMA PLANETA has presented more than 100 contemporary films in various sections in its first two editions. The films have previously been shown at festivals like Sundance, Cannes, and at the Oscar’s. CINEMA PLANETA is a member of the Green Film Network and Environmental Film Festivals Network. www.cinemaplaneta.org

Contact:

Corinne Erni, Co-Founder and Co-Director of ARTPORT_maing waves New York

T: (1) 646-641-4268   E: corinne.erni@artport-project.org