Yearly Archives: 2009

Two Days in Copenhagen

We’ve arrive back in the apartment after our second day in Copenhagen. I will refrain from saying we’re here for Cop15, because, while I’m interested in what’s going on in there, I’m really here to see the creative responses collected in this place at this time. That isn’t to say we didn’t go to the Bella Center, we did, but it’s not our primary goal.

I had the opportunity to check in with Martin Rosengaard of Wooloo.org while Miranda was delayed in London, as well as get a very helpful and personal tour of the city on bike by our host (and sterling scenographer) Sara Vilslev, a friend from the 2007 Prague Quadrennial.

On Sunday we headed to the Bright Green Expo at the Forum. It is the concurrent trade show for green tech during COP15. There was a promise of the inclusion of cultural programming, so it seemed like a good place to start. The Cultural programming really consisted of a DJ/VJ set for about an hour by CPH:DOX remixing Cities on Speed. We moved on pretty quickly: green-tech (good or green-washing) is green-tech. We’re into it, but it’s better covered elsewhere.

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We then continued on to view the CO2 Cube floating by the Tycho Brahe Planetarium. After the artist renderings  was surprised to see it’s construction was of shipping containers and that it had media on 2 of 4 sides. They were recalibrating the video, but we got some footage you can see from posts yesterday. We only strayed away for a little while so that we could wander towards the Downtown Hopenhagen Live area until we spoke with Deanne LeRue of the Meridian Health Foundation and Millennium Art and Steve Mason of Obscrua Digital.

Afterwards we returned for some quality time with the work at Hopenhagen Live. This green glowing cluster of portable exhibition rooms showcased policy, the integration of sustainable solutions into the city scape and some creative interpretations highlighting everyday relationships to the environment. A favorite was The Apartment, seen in a quick video here:

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We wandered to the Polar Ice Bear to check it’s melt status, slowed by the freezing temperatures we’ve dipped into. After dinner we headed over to the CO2 Cube Reception, which was a high class affair, no pictures, but we did catch some night footage of the cube.

We did miss the demonstrations going south, which you’ll likely know resulted in hundreds of arrests. We did hear the helicopters and sirens as Police sprung into action, preemptively arresting people after a group of anarchists started egging them on. Tensions are a little high now, though the majority of all demonstrations have been peaceful.

With everything going on, we felt it was important to offer some guidance around town. So, to help others better find the arts activities occurring in Copenhagen, I spent the rest of the night trying to get everything onto our events calendar and created a google map for those who want to find their way around, guided by Eco-Arts.

Monday is now wrapping up and the center of the city, all the way to the Bella Center is policed to within an inch of it’s life. However, we both leave (though I return just 24 hours later) on Tuesday, so Monday became about trying to see everything that was open (like many cities, cultural institutions in Copenhagen are closed on Mondays).

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We began by heading to the wrong address for the Poulsen Gallery. But, once we found our mistake, we were able to make it to the installation of Ghost Forest in Thorvaldsens Plads, right around the corner from the real Poulsen Gallery. It’s quite breath-taking, especially with a proper background in the process of getting these stumps here. But, even as we seemed to be some of a few onlookers, there was a constant police presence here and along the canal.

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LED at 7 meters high, where the sea will rise here if Greenland's ice sheet melts.

The Poulsen Gallery has been turned over to The Colonel (said phonetically and not as one who serves fried chicken or in the military), the identity of french artist Thierry Geoffroy, as his HQ for a number of evolving projects during COP15. This is serving as the headquarters for the Yes Men and their SurvivaBalls (registered trademark), a series of Critical Runs, Facebook projects, and whatever else they come up with while here. It’s advised to check in with them regularly. Upon my return, I’ll likely head back over to try and talk to some of them about what they are doing. We were lucky to be invited to a semi-junket event, which we’ll get to in a moment.

With the short daylight moments dwindling, we walked to the Bella Center, hoping to find the path set by Glowing Climate, which we were able to find some of as we got closer.

It should be remarked that the Bella Center is not in the center of Copenhagen. It is, from our lodgings, 8.4km or 5.2 miles. From the center of town it is 5.9km or 3.7 miles.

While we didn’t see much until right up to the Bella Center, as the lights from 7m began to appear overhead.  Once we were there the walk was worth it. The Pulse of the Earth is a fantastically creepy piece and really lends to the night time, what I’d venture to call semi-apocalyptic scene that is the entrance to the barricaded center. This is entirely appropriate, COP15 itself is semi-apocalyptic. Between the pulsing red lights of the installation, the cold an huddled hopeful observers lined up at the fences, scores of police, Avaaz.org‘s and Climate Action Network‘s Jumbotron showing the award for fossil of the day, press, vegans dressed in animal costumes pass out bags for converts and the ground littered with pamphlets (really now), it was all a bit amazing to see.

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As the talks let out, we hopped the metro back into town. We had diner and made it to the Poulsen Gallery event, were we saw a demonstration of the SurviaBall (still a registered trademark), were treated to a song from the Red Suited Climate Debt Agents (accompanied by the green suited Mr. Green from Oxfam), and milled about the gallery while that day’s talks were remixed for ambiance.

We made out way home, finding that it too was lined with the flashing red markers from 7m, just as the reports of clashes between activists and police in Christiania started to make it into our news feed. I had planned to visit Christiania upon returning from the sojourn to London, but that’s now differently colored. Word on the street was that the police had left the area, to some great extent, alone, as to focus on the Bella Center and downtown. As I write, it is being evacuated and those in cafés are being told to leave or be arrested.

It’s getting colder here in Copenhagen, but tensions are starting to boil over.

Tomorrow we both head to London. Miranda will continue to head on home, but I will be there for the Future Arcola launch event at City Hall. I will also , finally, meet William Shaw of the RSA in person, after missing him by hours in Copenhagen.

More recap soon. When I return the museums and exhibition halls will be open, while parts of town are shut down. And I’m curious as to see how we move around the city when Obama arrives on Friday.

P.S. It was the Yes Men

Technology, Arts, and Fringe

This is reposted from the Hollywood Fringe Blog. It originally posted on December 8th by Ben Hill, Director of the Hollywood Fringe.

http://www.hollywoodfringe.org/learn/article/157

Modern business has gone very far leveraging technology to market, promote, and produce their firms and products. It stands to reason that the arts could easily do the same, even with comparatively fractional technology budgets .

Several organizers of your first Hollywood Fringe Festival happen to hail from technical backgrounds. It’s been fun applying these skills to our first love (the arts). Key to our strategy is this thing called “cloud computing”. Without getting too technical, all applications supporting the festival – accounting, project management, email, etc – are provided through a number of small, web-based services.

Making our strategy a reality took a lot of time, thought, and trials – so to save those of you seeking technical solutions some time, we have provided this little post with the hope it will help you streamline and modernize your arts organizations.

Enjoy!

Ben

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THE WEBSITE
the website at www.HollywoodFringe.org that we use to book shows, match venues and projects, collect volunteers, and promote the festival is a custom-built system using Ruby on Rails, a popular website development framework. We have big plans to export this technology to other festivals as well as provide a year-round service for venues seeking interesting projects to book. The website took two full years to develop and a lot of love, thought, and time. We have a many plans for it so keep your eyes on coming developments. In the next few months alone, you can expect

  • A Fringe bulletin board
  • A significantly enhanced volunteer section
  • The ability to sell tickets directly form your project
  • Enhanced features to market your project on other social networking platforms

…ideas are always welcome, so feel free to email us with your thoughts.

TICKETING
We made the decision early that we would not reinvent the wheel in the area of ticketing – instead we partnered with the good people at OvationTix. Plans are afoot to develop a few customized integration features between the OvationTix and Fringe systems. Ideally, you will be able to run pre-sale reports without any hassle whatsoever.

PROJECT MANAGEMENT
We would be nowhere today without collaboration tools. As this is the first year, ideas come at a lightning speed. Plans require buy-in and assistance from our staff, advisers, board, and core company members. There are millions of to-do’s, deadlines, musings, and digital assets. Where to keep track of them?

This is the job of a project management tool, and ours is one of the best available. Meet Basecamp. This little program has been the key to the organizational success of many a project. Working collaboratively with others online, you can post messages, mark and organize tasks, collaborate on documents/lists, track milestones/dates, and keep track of files.

And most importantly: It reduces your meeting/conference call overhead. I personally hate big, regular meetings and basecamp renders them mostly unneeded; if you keep on top of basecamp and the emails it generates, everyone is in-the-know. Easy.

CUSTOMER RELATIONSHIP MANAGEMENT (CRM)
CRM is a big, ugly term. In a nutshell, it is a way of keeping track of everyone you know and meet that could help you. To do anything of worth, generally you need more than just you and your ideas, you need to leverage the many stake holders in your community interested in your cause. You want to keep track of conversations, email addresses, phone numbers, job titles – and ideally you want to share that information with your whole organization. So if the director of the NEA needs to talk to someone in your organization and you are on a beach in Nice, France – someone local can come up-to-speed quickly by researching the history of that relationship in your CRM system.

There are tons of solutions to fulfill this problem – many of them are expensive and clunky.

We went with Batchbook.com – about which I can’t say enough nice things. This is a very flexible and open system, and they have been known to give discounts to nonprofits. Using batchbook, you can keep track of contact information for humans and organizations, log communications, and create lists of contacts that have something in common. For example, we maintain our press list in batchbook. Thanks to its handy integration with other popular applications, when we want to send a press release, it is as simple as exporting our list of press to our email newsletter application. It take 3 minutes and the moving target of press contacts becomes much easier to manage.

EMAIL
If you are starting company ABC Theatre, and you are still sending emails from Myname@hotmail.com – you may want to consider using your own domain name instead. Not using a custom domain name in your email address is an instant signifier of a non-professional organization. Good news is that it is free and relatively simple to create custom domain emails…so you can send emails from MyName@ABCTheatre.org, for example.

The solution is Gmail – in our humble opinion, still the greatest online email client on the market. Our friends at Google have provided a service (no charge) to use their popular Gmail interface for any non-gmail domain to which you have the rights. Check out this link for more information, I think you will like it.

CALENDAR
Along with email, users of Google’s service also have access to branded, dedicated, organizational calendars using the popular Gcal application. When you sign up for your email account (above) you will also be able to pass around a calendar you all can share. For those of you who work in the business world, you might be used to creating an event and sending invitations to members of your organization. Google’s calendar solution provides this service (free!).

DOCUMENTS
And yes, we also use Google’s document service. For those users signing up for the above service – good news is that you, too, can have a custom space for your organization’s documents. For example, if I needed that press release we sent a few weeks back, it is sitting in docs.ABCTheatre.org waiting for me. Our budget worksheet is handles thought Google’s online spreadsheet application. As a personal hater of MS Office and its significant limitations when it comes to collaboration, this is a godsend.

WIKI
We don’t host a “public wiki” – like wikipedia, but you’d be surprised how useful a private, organizational wiki can be. For example, say you are working on a big proposal to close down Wilshire Blvd. for your huge arts event. You want a lot of people involved in that proposal – your Exec Director, your Dev Director, your outreach guy, your Producing and Artistic Directors. How awful is passing around a word document for everyone to edit? I shudder at the thought. Changes are lost so very easily.

Your private wiki can help. Have your principal owner for the project create a new wiki page and take a stab at a first draft. They can then post on your project site (basecamp, for example) that they need all-hands to help bring the proposal home. Everyone can make their changes and additions on your wiki page. If your wiki tool is any good, all changes will be tracked…so you can see who changed what, and easily revert any unwanted amendments.

There are millions of wiki solutions out there, here’s our favorite: WikiSpaces.

NEWSLETTER
Still sending your organizational emails to a bunch of contacts in your email program? You may want to check out some of the many email newsletter solutions out there waiting for you. Our favorite is Mailchimp. Using this program, you can manage lists, expose sign-up forms for your website, create beautiful, graphical emails, handle unsubscribes, and keep ahead of spam laws. You can even get a list of who has opened your newsletter and how many times they read it. There are about 10,000 features in this program, 9,986 you will never need. Still, it is very affordable, easy to use, and designed to give you a professional edge.

SUPPORT DESK
We take support very, very seriously at the Fringe. Key to grassroots community building is making sure people know where to go when they have a problem and ensuring they receive prompt guidance when they need it. There are scads of solutions out there, here’s our hands-down favorite:ZenDesk.

Using ZenDesk, you have a beautiful solution to email support. Support seekers can go to a url and fill our a form with their query, or simply send an email to an email address you specify (Zendesk will suck up that email and create a support ticket for them). You can run a myriad of reports and develop zillions of business rules if you want to get complex. At its simplest, it shows you what tickets are open, and gives you a chance to respond and close them.

As a fun aside, both Mailchimp and Zendesk talk to Batchbook. That’s something we call “convergence” in the tech world, and it’s a very good thing.

ACCOUNTING
Quickbooks (a non-cloud application running on your computer) is the default tool for small business accounting. It’s good, don’t get me wrong – but sharing data with others in your organization and your accountant can be a pain.

Enter Xero. It’s all online (“in the cloud”) and very simple…even fun to use. Who thought accounting could be fun? It is simple enough for a layperson to use, but provides the business-class accounting framework your CPA needs to do your taxes. The folks behind Xero are just getting their act together for US service – we have been using it for a bit and loving it!

So there it is. There’s much more, for sure; this is a great start. Almost all of the services listed here are free or have free trials so give them a spin!

RETHINK Contemporary Art & Climate Change

Finally got to see some of RETHINK; it’s a wonderful exhibition. The Saraceno is gigantic, but the human biosphere, suspended high in the air, was closed for repair today so I wan’t able to go in it, which saved my vertigo.

Allora & Calzadilla’s A Man Screaming Is Not A Dancing Bear (2008) is stunning. Filmed in New Orleans, post-Katrina, it’s strange and elegaic. Repeating through the film are moments in which a barely-glimpsed man drums on some abandonded Venetian blinds. It lends an angry, jumpy soundtrack to the slow pans across water-stained walls.

Kerstin Eregenzinger’s Study for Longing/Seeing (2008) was unsettling in a very different way. Sheets of dark, lifeless rubber suddenly twitch unexpectedly, driven by strange spider-arms beneath them. It feels like a landscape that’s coming alive, animated by some strange pulse. “The work,” says the catalogue, “Is a reactive installation using data from seismographs and sensor-based structures to simulate a landscape and its changes. The installation responds partly to movements in the earth outside the exhibition building, and partly to audience movements in the exhibition room itself…”

Go to RSA Arts & Ecology

COP15 Arts Map

For those in or interested in the Arts Events in Copenhagen, here is a map we’ve compiled and our events list, so you can make you plans or just follow along!

Let us know if you know of something that is missing!

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View COP15 Arts Locations in a larger map

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